Sentences with phrase «modern academy does»

The (post) modern academy doesn't want to face the unwelcome truth that Shakespeare's beliefs informed his works because it fears that his beliefs might not be acceptable to the academy.

Not exact matches

Pfau is much more appreciative of much of Gregory's work («a book whose courage and ambition I applaud, if for no other reason than that it exemplifies what an engaged form of historiography [and humanistic inquiry more generally] can and should do»); what makes his piece especially worthwhile is its trenchant engagement with critics of Gregory's work and their often uncritical allegiance to the modernity of the modern academy.

And why, despite the modern academy's insistence that disciplines not be ordered hierarchically, do many of us implicitly (if quietly) continue to value the humanities more highly than we value technical fields?

And when Max Weber, in his famous address Wissenschaft als Beruf, sought to shape the self - understanding of the modern academy, he did so by insisting that the academic realm, like the political and economic realms, had become and would remain governed by means - end rationality and by impersonal constraints.

Average first team signings, an academy losing its charm, bad scouting team, and average manager who does not cope with demands of modern day football.

Baby bottles don't need sterilized after every wash (advice given by American Academy of Pediatrics) however modern methods make the process simpler than ever.

In this modern take on the Hollywood musical from Damien Chazelle, the Academy Award - nominated writer and director of WHIPLASH, Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love.

Firstly it's been shown that the convertor academies who were expected to help poorly performing local schools almost universally failed to do this in any realistic way so why would we expect it to work between grammar / secondary modern schools?

2008 Modern Painters, October Milliard, Coline, Ashes to Ashes, Dust to Dust, Art Review, October Hubbard, Sue, Rivane Neuenschwander: Suspension Point, South London Gallery, The Independent, 20 November Cork, Richard, Royal Academy of Arts Magazine, Autumn Kulture Flash, 27 November Punj, Rajesh, Flash Art, June Glover, Michael, Now you see it, now you don't, The Independent, 20 March Fite - Wassilak, Chris, Artforum online, March

Ai has received numerous arts and humanitarian awards, and his work in sculpture, video, photography, and installation has been the subject of solo exhibitions at museums worldwide, including the Mori Art Museum, Tokyo; Haus der Kunst, Munich; Tate Modern, London; Kunsthaus Bregenz, Bregenz; Hirshhorn Museum, Washington, DC; Art Gallery of Ontario, Toronto; Perez Art Museum, Miami; Martin - Gropius - Bau, Berlin; Brooklyn Museum, Brooklyn; Helsinki Art Museum, Helsinki; Royal Academy of Arts, London; Musée du Louvre, Paris; National Gallery of Victoria, Melbourne; Andy Warhol Museum, Pittsburgh; and Palazzo Strozzi, Florence.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Numerous public collections own works by the artist, including the Addison Gallery of American Art (Andover, MA); Art Institute of Chicago (Chicago, IL); Brooklyn Museum (Brooklyn, NY); The Cleveland Museum of Art (Cleveland, OH); Detroit Institute of the Arts (Detroit, MI); Fogg Museum, Harvard Art Museums, Harvard University (Cambridge, MA); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (Washington, DC); Los Angeles County Museum of Art (Los Angeles, CA); The Metropolitan Museum of Art (New York, NY); Musée franco - américaine du Château Blérancourt (Blérancourt, France); Museum of Fine Arts (Boston, MA); Museum of Modern Art (New York, NY); National Gallery of Art (Washington, DC); The Nelson - Atkins Museum of Art (Kansas City, MO); Neuberger Museum of Art, Purchase College, State University of New York (Purchase, NY); Newark Museum (Newark, NJ); Pennsylvania Academy of the Fine Arts (Philadelphia, PA); Philadelphia Museum of Art (Philadelphia, PA); The Phillips Collection (Washington, DC); Princeton University Art Museum (Princeton, NJ); San Francisco Museum of Modern Art (San Francisco, CA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT).

Chagall's work also was shown in numerous exhibitions at galleries and museums worldwide including at Der Sturm Gallery, Berlin (1913); Galerie Barbazanges - Hodebert, Paris (1924); Palais des Beaux - Arts, Brussels (1938); Museum of Modern Art, New York (1946); National Museum of Western Art, Tokyo (1963); Musee du Grand - Palais, Paris (1970); National Museum of Modern Art, Centre Georges Pompidou, Paris (1983); Philadelphia Museum of Art, Philadelphia (1985); Royal Academy, London (1985); Tale Art Museum, Lillestrom (2006); Louisiana Art & Science Museum (2007); Nassau County Museum of Art, NY (2012), among others.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The Figure, McCann comments, «responds to David Hockney's «Secret Knowledge» to some degree — several artists... openly describe how they use traditional as well as modern techniques like photography, Photoshop, or 3D computer programs... The New York Academy of Art asked me to project - manage a book Rizzoli was interested in doing about the school.

Leben Mit Der Kunst (Group Show)-- Galerie Thomas, Munich multiplicity — Virginia Museum of Contemporary Art (MOCA), Virginia Beach, VA If you're accidentally not included, don't worry about it — Galerie Zürcher — New York, New York City, NY Four Decades — John Berggruen Gallery, San Francisco, CA Hyper - Resemblances — Miriam and Ira D. Wallach Art Gallery — Columbia University, New York City, NY Modern Icons — Malerei aus der Sammlung Ludwig — Ludwig Forum für Internationale Kunst, Aachen Ilusión óptica — Museo de Arte Moderno de Mexico City, Mexico City Slow 206H — Espace de l'art concret, Mouans Sartoux Contemporary Masters — The Kirk Varnedoe Collection — Telfair Academy of Arts & Sciences, Savannah, GA Aspects of the Self: Portraits of Our Times — Center for the Arts at Virginia Tech, Blacksburg Vis - à - vis.

But the rise of Latin American art is not just focussed on Los Angeles, although it does have strong links with Latin America and 48 % of the total population in the area is Latino which is one of the reasons The Getty Foundation focussed on this particular area, several other major exhibitions of Latin American influenced artists are planned or have recently been shown, including Radical Geometry: Modern Art of South America from the Patricia Phelps de Cisneros Collection at the Royal Academy of Arts in London, while the Guggenheim UBS Map Global Art Initiative will take its Under The Same Sun: Art From Latin America exhibition to Brazil and Mexico in 2015.

Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!

Recent institutional exhibitions include Louisiana Museum of Modern Art, Humlebæk, Denmark (2010); «Shevirat Hakelim,» Tel Aviv Museum of Art, Israel (2011); «Beyond Landscape,» Albright - Knox Art Gallery, Buffalo (2013); Royal Academy of Arts, London (2014); «L'Alchimie du livre,» Bibliothèque nationale de France, Paris (2015); Centre Georges Pompidou, Paris (2015).

The Seven Deadly Sins from Dürer to Nauman, Kustmuseum Bern and the Zentrum Paul Klee, Bern, Switzerland 2010 GSK Contemporary — Aware: Art Fashion Identity, Royal Academy, London, England 2010 Raw, 242nd Summer Exhibition, Royal Academy, London, England 2010 Lust and Vice: The 7 Deadly Sins from Dürer to Nauman, Art Museum of Bern, Switzerland 2010 Aware: Art Fashion Identity, Royal Academy of Arts, London, England 2010 21st Century: Art in the First Decade, Queensland Art Gallery, Brisbane, Australia 2010 The House of Fairy Tales, Harris Museum and Art Gallery, Preston, England 2010 Huckleberry Finn, CCA Wattis, San Francisco, California, USA 2010 Spanish Muse: A Contemporary Response, Meadows Museum, Southern Methodist University, Dallas, Texas, USA 2010 Eye of the Pacific Rim, Gyeonggi Museum of Modern Art, Ansan City, Korea 2010 Foundation of Art: Sculpture and its Base since Rodin, ARP Museum, Bonn, Germany 2010 Summer Exhibition, Royal Academy, London, England 2010 Who Knows Tomorrow, Friedrichswerder Church, Berlin, Germany 2010 Until Now: Collecting the Contemporary (1960 - 2010), Minneapolis Institute of Arts, Minneapolis, USA 2010 Size DOES Matter, The FLAG Art Foundation, New York, USA 2010 Contemplating the Void, Guggenheim Museum, New York, USA 2010 Pattern I.D., Akron Art Museum, Akron, Ohio, USA 2010 Nothing is Forever, South London Gallery, London, England 2010 Performance / Art, Dallas Center for the Performing Arts, Dallas, USA 2010 DaDaFest International, Liverpool, England

Over the years many international institutions have put on solo and retrospective exhibitions of his work: Stedelijk Van Abbemuseum, Eindhoven, The Netherlands (1979); Musée d'Art Contemporain, Bordeaux, ARC / Musée d'Art Moderne de la Ville de Paris, Paris (1984); The Art Institute of Chicago, Philadelphia Museum of Art, Philadelphia, MOCA, Los Angeles, and MoMA, New York (1987); Neue Nationalgalerie, Berlin (1991); Museo Nacional Centro de Arte Reina Sofía, Madrid, The Metropolitan Museum of Art, New York (1998); Galleria d'Arte Moderna, Bologna (1999); Musée d'Art Contemporain de Montréal, Canada, The Hirshhorn Museum and Sculpture Garden, Washington D.C. and the San Francisco Museum of Modern Art (travelling exhibition, 2005 - 2007); Guggenheim Museum, Bilbao, Musée du Louvre, Paris (2007); Royal Academy of Arts, London (2014).

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texdo something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TexDo the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Since his death in 1979, his work has been celebrated in numerous exhibitions; significant recent museum group exhibitions include Abstract Expressionist New York at the Museum of Modern Art (2010); From the Margins: Lee Krasner and Norman Lewis (2014, curated by Norman Kleeblatt) at The Jewish Museum (NYC); Postwar - Art between the Pacific and Atlantic, 1945 - 1965, (2016, curated by Katy Siegal and Okwui Enwezor) at the HausDerKunst (Munich); The Color Line: African American Artists and the Civil Rights in the United States (2016, curated by Daniel Soutif) at Musée du Quai Branly, Paris; and Abstract Expressionism, curated by David Anfam for the Royal Academy of Arts, London, England (2016).

Here, Paul Baer, one of the core members of the GDRs authors group reflects on the principles and prospects for the framework, and does so in the manner of the modern academy.

So, I did some searches for places that offer career training online and found the BrandRed Resume Academy, and after using the modern resume template and following the advice on how to write my resume to get interviews, I received 12 calls in the first week of sending it out.