Sentences with phrase «modern and contemporary art department»

Gwen Chanzit, curator of modern art and the head of the modern and contemporary art department, encouraged approaching the exhibition like this: «Give ourselves free reign in taking in the situations that are presented.

It has a European collection strong in Renaissance and 19th - century French paintings, while its modern and contemporary art department (containing an important Bauhaus resource) features some 4,500 works by artists including Man Ray, Robert Motherwell, Philip Guston, and John DeAndrea (notably his photorealist sculpture, Linda).

Previous to the ICA, she served as curator and head of the modern and contemporary art department at the Harvard Art Museums, from 2007 to» 10, before which she was chief curator at the Wexner Center for the Arts, Columbus, Ohio.

«The notion of looking at any art from any period through contemporary eyes is incredibly relevant,» said Sheena Wagstaff, head of the modern and contemporary art department at the Metropolitan Museum of Art, and a curator of «Unfinished.»

The show has been arranged by Micol Forti, director of the Vatican's modern and contemporary art department, a little - known sliver of the extraordinary Vatican Museums responsible for the Collection of Modern Religious Art — that little - remarked - upon stretch of donated paintings by artists from van Gogh to Fontana and Botero that most visitors to the Holy See skip over on their way to the Sistine Chapel.

So when Sheena Wagstaff, the chairwoman of the Metropolitan Museum's modern and contemporary art department, and Ian Alteveer, a Met associate curator, saw the beguiling environment Mr. Huyghe created at Documenta 13 in 2012 and the retrospective first at the Pompidou Center in Paris and now on view at the Los Angeles County Museum of Art, they asked him to create a site - specific installation for the roof of the Met next spring.

Prior to joining the Whitney, she held positions in the Department of Architecture and Design at the Museum of Modern Art, the Research Department at Tate Britain, and the Modern and Contemporary Art Department at the Philadelphia Museum.

Renato Pennisi is a Director and Co-Head of the Modern and Contemporary Art Department in Italy.

Barbara Guidotti is a Specialist in the Modern and Contemporary Art Department at Christie's in Milan.

Sheena Wagstaff, chairwoman of the Metropolitan Museum of Art's modern and contemporary art department, was relatively new on the job in 2013 when Pamela J. Joyner, a prolific art collector and supporter of artists of African descent, invited her on a trip to Washington to visit the studio of the Color Field painter Sam Gilliam.

Mariolina Bassetti became Head of the Modern and Contemporary Art Department in Italy in 1995, having joined the Christie's Rome office in 1987.

Elena Zaccarelli is a Specialist in the Modern and Contemporary Art Department at Christie's in Milan.

Organized by Met curators Andrea Bayer, of the European paintings department, and Kelly Baum, of the Modern and contemporary art department, in consultation with Sheena Wagstaff, chairwoman of the Met's Modern and Contemporary art department, the exhibition covers a vast historical range, from the 15th century to the present.

Not exact matches

In addition to Heather Pesanti, the museum's Senior Curator, the Prize's inaugural advisory committee for the 2018 Prize includes Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

Additional funding provided by the Board of Directors of P.S. 1 Contemporary Art Center, Robert J. Denison, the Douglas S. Cramer Foundation, The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art, and by the New York City Department of Cultural Affairs.

Previously, Marley was Research Associate for the Agnes Martin Catalogue Raisonné of Paintings, a Collection Manager for a private estate and has held positions in the Department of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's inDepartment of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's indepartment at Christie's in New York.

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museart historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Museum.

The shortlist for the Prize, announced on July 27, 2016, was selected by an international jury that included Kitty Scott, the AGO's Carol and Morton Rapp Curator of Modern and Contemporary Art; Russell Ferguson, Professor in the Department of Art at the University of California; and Stan Douglas, acclaimed artist and filmmaker.

«From Thornton Dial's magisterial constructions to the emblematic compositions by the Gee's Bend quilters from the 1930s onwards, this extraordinary group of works contributes immeasurably to the Museum's representation of works by contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum prcontemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum prcontemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum press releaart,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum prContemporary Art at the Metropolitan Museum, in a museum press releaArt at the Metropolitan Museum, in a museum press release.

(Other prominent names mentioned were Sheena Wagstaff, the chairwoman of the department of modern and contemporary art at the Metropolitan Museum of Art and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait Galmodern and contemporary art at the Metropolitan Museum of Art and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait Gallerart at the Metropolitan Museum of Art and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait GallerArt and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait GalModern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait GallerArt Gallery; and Nicholas Cullinan, director of the National Portrait Gallery.)

The exhibition catalogue includes essays by James Rondeau; Douglas Druick; Mark Pascale, associate curator, prints and drawings, Art Institute of Chicago; Richard Shiff, Effie Marie Cain Regents Chair in Art, University of Texas - Austin; Barbara Rose, noted Johns scholar; and Kelly Keegan, assistant painting conservator, and Kristin Lister, conservator of paintings, Art Institute of Chicago; as well as an interview with the artist by Nan Rosenthal, senior consultant, Department of 19th - Century, Modern, and Contemporary Art, Metropolitan Museum of Art, New York.

Ettore Sottsass: Design Radical is organized by Christian Larsen, Associate Curator of Modern Design and Decorative Arts in The Met's Department of Modern and Contemporary Art.

Keith was chosen from among these nominations by review committee members assembled by the High: Dr. Kellie Jones, the inaugural Driskell Prize recipient and associate professor and director of undergraduate studies in the department of art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Rooart history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael RooArt, Michael Rooks.

Ian Alteveer is associate curator in the Department of Modern and Contemporary Art at The Metropolitan Museum of Art, where he recently organized the 2015 Roof Garden Commission: Pierre Huyghe.

Prior to his tenure at Hood, Taylor spent his career at the Philadelphia Museum of Art from 1997 until 2011, most recently as the Muriel and Philip Berman Curator of Modern Art and Head of the Department of Modern and Contemporary Art.

The department has collected outstanding examples of contemporary photographic work to parallel the DAM's modern and contemporary art collection.

Ian Alteveer is associate curator in the department of modern and contemporary art at the Metropolitan Museum of Art, New Yoart at the Metropolitan Museum of Art, New YoArt, New York.

As part of the Diamonstein - Spielvogel Lecture Series at the National Gallery of Art, artist Brice Marden joined Harry Cooper, the Gallery's curator and head of the department of modern and contemporary art, to discuss the evolution of his career and the influence of his contemporaries on his woArt, artist Brice Marden joined Harry Cooper, the Gallery's curator and head of the department of modern and contemporary art, to discuss the evolution of his career and the influence of his contemporaries on his woart, to discuss the evolution of his career and the influence of his contemporaries on his work.

From 2011 - 2013, He worked as curatorial assistant in the department of modern and contemporary art at the High Museum of Aart at the High Museum of ArtArt.

Presently, Max is an adjunct professor in the Department of History of Art at Hunter College in New York City, where he teaches graduate and undergraduate courses on Modern and Contemporary Art.

Blame has to start with the museum's curatorial department and the biennial's curators Stuart Comer of the Museum of Modern Art across town, Anthony Elms of Philadelphia's Institute of Contemporary Art and the Chicago - based artist Michelle Grabner - though the relative fault of each varies.

He is a member of the advisory council of The Andy Warhol Museum in Pittsburgh, serves on the art advisory board at Hunter College, New York, NY, and is a member of the Department of Modern and Contemporary Art's Visiting Committee of the Metropolitan Museum of Art, New Yoart advisory board at Hunter College, New York, NY, and is a member of the Department of Modern and Contemporary Art's Visiting Committee of the Metropolitan Museum of Art, New YoArt's Visiting Committee of the Metropolitan Museum of Art, New YoArt, New York.

In 2013, the Department of Modern and Contemporary Art initiated a new series of site - specific commissions on The Iris and B. Gerald Cantor Roof Garden.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Henri Matisse: The Cut - Outs is curated by Nicholas Cullinan, Curator, Modern and Contemporary Art, The Metropolitan Museum of Art, New York; Nicholas Serota, Director with Flavia Frigeri, Assistant Curator, Tate and at the Museum of Modern Art, New York by Jodi Hauptman, Curator, Department of Drawings, and Karl Buchberg, Senior Conservator, with Samantha Friedman, Assistant Curator.

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

While head of the Department of Modern and Contemporary art and the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19art and the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19Art, and the AIDS Crisis 1987 - 1993.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

Roth Time is organized for The Museum of Modern Art by Gary Garrels, Chief Curator, Department of Drawings, and Curator, Department of Painting and Sculpture, and for P.S. 1 Contemporary Art Center by Klaus Biesenbach, P.S. 1 Chief Curator.

Randall Griffey, associate curator, department of modern and contemporary art, Metropolitan Museum of Aart, Metropolitan Museum of ArtArt.

Ms. Aranda - Alvarado is currently on the faculty of the Art and Art History Department at The City College of New York, where she is teaching a course on Contemporary U.S. Latinx Art and has taught courses in Modern and Contemporary Latin American aArt and Art History Department at The City College of New York, where she is teaching a course on Contemporary U.S. Latinx Art and has taught courses in Modern and Contemporary Latin American aArt History Department at The City College of New York, where she is teaching a course on Contemporary U.S. Latinx Art and has taught courses in Modern and Contemporary Latin American aArt and has taught courses in Modern and Contemporary Latin American artart.

Michael Joaquin Grey is organized by Klaus Biesenbach, Chief Curator, Department of Media and Performance Art, The Museum of Modern Art and Chief Curatorial Advisor, P.S. 1 Contemporary Art Center.

Randall R. Griffey is Curator in the Department of Modern and Contemporary Art at The Metropolitan Museum of Art.

Formerly head of the Department of Modern and Contemporary art as well as the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19art as well as the Houghton Curator of Contemporary Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19Art at the Harvard Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19Art Museum, she presented an exhibition of photographs by Moyra Davey and ACT UP NY: Activism, Art, and the AIDS Crisis 1987 - 19Art, and the AIDS Crisis 1987 - 1993.

«From Thornton Dial's magisterial constructions to the emblematic compositions by the Gee's Bend quilters from the 1930s onwards, this extraordinary group of works contributes immeasurably to the Museum's representation of works by contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a press release announcing tcontemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a press release announcing tcontemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a press release announcing the donatiart,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a press release announcing tContemporary Art at the Metropolitan Museum, in a press release announcing the donatiArt at the Metropolitan Museum, in a press release announcing the donation.

The winner was determined by an outside panel of three jurors: Polly Apfelbaum, a New York - based artist; Isolde Brielmaier, an independent curator and writer; Lucy Gallun, a curatorial assistant in the Photography department of The Museum of Modern Art; and Tina Kukielski, a member of the team curating the 56th Carnegie International, a leading global survey of contemporary aArt; and Tina Kukielski, a member of the team curating the 56th Carnegie International, a leading global survey of contemporary artart.

Her work has been exhibited widely, including as the artist - in - residence through the New Museum Department of Education and Public Engagement's Spring R&D Season: BODY earlier this year, and in solo and two - person exhibitions at Callicoon Fine Arts, New York (2017); Portland Institute of Contemporary Art, Portland, OR (2016); Participant Inc, New York (2015); Johannes Vogt Gallery, New York (2012); Tate Modern, London (2011); REDCAT, Los Angeles (2011); Taxter & Spengemann, New York (2010); Horton Gallery, Berlin (2010); Recess, New York (2010); and elsewhere.

Tomás Saraceno on the Roof: Cloud City is organized by Anne L. Strauss, Associate Curator in the Department of Modern and Contemporary Art at The Metropolitan Museum of Art.

Beatrice Galilee is the Daniel Brodsky Associate Curator of Architecture and Design, in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art.