Sentences with phrase «modern and contemporary art including»

Image: Pink Marilyn Courtesy Scream Gallery London Copyright Andy Warhol foundation Dates: 9 July until 4 September 2010 Group show curated by Jamie Wood, Iconic works by some of the leading artists in modern and contemporary art including Lichtenstein's «Whaam», Warhol's screenprints of Marilyn Monroe and Campbells Soup cans, and Simon Patterson's «Great Bear».

Iconic works by some of the leading artists in modern and contemporary art including Lichtenstein's «Whaam», Warhol's screenprints of Marilyn Monroe and Campbells Soup cans, and Simon Patterson's «Great Bear».

The auction brings together works by the biggest names in Modern and Contemporary art including Glenn Ligon, Donald Judd, Julie Mehretu, and more.

all over the world, that allow visitors to explore the many dimensions of Modern and Contemporary Art including Museum - caliber paintings, sculptures and classical photography, as well as works of an outsized scale and curated projects.

The museum's display encompasses all major movements and styles of modern and contemporary art including: Expressionism, Fauvism, Cubism, Der Blaue Reiter (Blue Rider), Die Brucke (The Bridge), Die Neue Sachlichkeit (New Objectivity)- all schools of German Expressionism (1900 - 15)- Dada (1916 - 24), the Bauhaus design school (1919 - 33), Surrealism (1925 - 40), Abstract Expressionism (1945 - 60), Pop Art (c.1960 - 72) and Minimalism (c.1960 - 75).

This exhibition will focus on the fastest growing area of the Museum's collection, which is modern and contemporary art including paintings, drawings, prints, and sculpture by such artists as Joseph Beuys (1921 - 1986), Robert Cottingham (b. 1935), Sam Gilliam (b. 1933), Adolph Gottlieb (1903 - 1974), Philip Guston (1913 - 1980), Keith Haring (1958 - 1991), Dame Barbara Hepworth (1903 - 1975), Sol Lewitt (1928 - 2007), Diego Rivera (1886 - 1957), and David Smith (1906 - 1965).

A primary focus of the permanent collection is works on paper, including modern and contemporary art including drawings, prints and photographs.

[1] The primary focuses of the main collections are works on paper, including modern and contemporary art including drawings, prints and photographs.

The non-circulating collection documents modern and contemporary art including painting, sculpture, prints, photography, film, performance, and architecture from 1880 — present.

The museum's extensive collection of Latin American and Cuban modern and contemporary art includes the important collection of works promised to the museum by Stanley and Pearl Goodman, including Frida Kahlo, Diego Rivera, Rufino Tamayo, Wifredo Lam, Leonora Carrington, José Clemente Orozco, Joaquin Torres - Garcia, among others.

Not exact matches

It will feature modern production facilities equipped with state - of - the - art technologies and include 40,000 ft ² of contemporary office space.

Some of the topics which we cover include Art of Construction, Ancient Architecture, Abstract Expressionism, Islamic Architecture, Abstract Art Paintings, Contemporary Architecture, Russian Art, The Medieval Architecture, Oceanic Art, Miniature Painting, Roman Art, American Architecture, Canadian Art, Modern Architecture, Industrial Architecture and several.

If modern art is more to your liking, the Perth Institute of Contemporary Art, known as PICA, runs a program that includes dance and theater, as well as performance and visual aart is more to your liking, the Perth Institute of Contemporary Art, known as PICA, runs a program that includes dance and theater, as well as performance and visual aArt, known as PICA, runs a program that includes dance and theater, as well as performance and visual artart.

With Table Mountain and the Cape of Good Hope both in close proximity, nature is never far away, but within the city itself, you'll find plenty of urban charm, such as a world - class restaurant scene, fashionable shops, and modern art galleries, including the newly opened Zeitz Museum of Contemporary Art Afriart galleries, including the newly opened Zeitz Museum of Contemporary Art AfriArt Africa.

See the 17th - century Delfshaven, the port form where the Dutch Pilgrim Fathers sailed, and admire the stunning modern architecture, visit top museums like the Kunsthal (modern art, design by Rem Koolhaas) and Boysmans van Beuningen (Old Masters to contemporary), indulge in a spot of shopping or just enjoy Rotterdam's great restaurants, including its funky Markthal market.

The Conrad New York features a contemporary design including 2,000 pieces of modern art by a variety of artists in guest rooms and public spaces.

The Adam & Eve features a total of 469 rooms including Economy rooms for up to 3 people, Design rooms (max 3) that can be booked for single use, Family rooms that can accommodate up to 4 and Family suites (max 4) with a sea view, all tastefully decorated with modern amenities and contemporary furniture and art.

Guest rooms and suites in the Aguas de Ibiza hotel are designed in a contemporary chic style, according to Feng Shui principles, extensive use of natural light, modern furnishings and amenities for your comfort; quality features include a furnished balcony or terrace, air - conditioning / heating, private bathroom with exclusive amenities, domotic controls for lighting and curtains, working desk, wardrobe, Bang & Olufsen plasma TV, free WiFi, living room, natural stone floor, and modern art all combine to create an upscale interior.

Guest suites have a trendy design and contemporary styling with a mix of pale and warm toned interiors, drapes and fabrics of vibrant colour, attractive wall - hung art, smart furnishings cleverly spaced on cool tiled flooring and modern amenities to take care of your comfort; features include a private furnished balcony for most suites with sea or marina view, air - conditioning, a private bathroom with hair dryer and amenities, living room with TV (international channels) and DVD player on request, DVD library at reception, sofa bed / armchair, a bedroom (s) with twin beds, writing desk and chair, telephone, night curtain, a kitchenette with 2 - ring hob, microwave, fridge, coffee machine, kettle, toaster, plates & cutlery and table with 4 chairs, iron and board, and baby amenities.

This year an estimated $ 2 billion worth of art is on sale and includes both modern and contemporary work.

Wassenaar, the Netherlands Chemical industry (Caldic) Modern and contemporary art, including sculpture, photography, artists» books, video, and installations Top 200 appearance: 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017

Taking place throughout February, the collaborative series of exhibitions, commissions and events will be based at five distinct art organisations across the UK, including Centre for Chinese Contemporary Art in Manchester; Middlesbrough Institute of Modern Art; Nottingham Contemporary and Turner Contemporary in Margaart organisations across the UK, including Centre for Chinese Contemporary Art in Manchester; Middlesbrough Institute of Modern Art; Nottingham Contemporary and Turner Contemporary in MargaArt in Manchester; Middlesbrough Institute of Modern Art; Nottingham Contemporary and Turner Contemporary in MargaArt; Nottingham Contemporary and Turner Contemporary in Margate.

Pardo's work is part of numerous public collections including the Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; and Tate, UK.

Solo exhibitions include: The Savannah College of Art and Design, Savannah and Atlanta; the Weatherspoon art Museum, Greensboro, NC; the Modern Art Museum of Fort Worth, TX; The Museum of Contemporary Art, North Miami, FL; Olympic Sculpture Park at the Seattle Art Museum, WA; and Museum Boijmans Van Beuningen, Rotterdam, the NetherlanArt and Design, Savannah and Atlanta; the Weatherspoon art Museum, Greensboro, NC; the Modern Art Museum of Fort Worth, TX; The Museum of Contemporary Art, North Miami, FL; Olympic Sculpture Park at the Seattle Art Museum, WA; and Museum Boijmans Van Beuningen, Rotterdam, the Netherlanart Museum, Greensboro, NC; the Modern Art Museum of Fort Worth, TX; The Museum of Contemporary Art, North Miami, FL; Olympic Sculpture Park at the Seattle Art Museum, WA; and Museum Boijmans Van Beuningen, Rotterdam, the NetherlanArt Museum of Fort Worth, TX; The Museum of Contemporary Art, North Miami, FL; Olympic Sculpture Park at the Seattle Art Museum, WA; and Museum Boijmans Van Beuningen, Rotterdam, the NetherlanArt, North Miami, FL; Olympic Sculpture Park at the Seattle Art Museum, WA; and Museum Boijmans Van Beuningen, Rotterdam, the NetherlanArt Museum, WA; and Museum Boijmans Van Beuningen, Rotterdam, the Netherlands.

Recent exhibitions include «Construire, Déconstruire, Reconstruire: Le Corps Utopique,» a solo show at the Musée d'Art Moderne de la Ville de Paris, Documenta 13 in Kassel, Germany, «Performing Histories (1)» at MoMA, New York, «10 ans du Projet pour l'Art Contemporain,» Centre Pompidou, Paris, the 4th Moscow Biennial, Moscow, «The Global Contemporary Art World after 1989,» ZKM, Karlsruhe, Germany, and «Contested Terrains,» Tate Modern, London.

Work by the artist is held in public collections including The Broad Art Foundation, Santa Monica, California; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Tokyo; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate Gallery, London; and the Whitney Museum of American Art, New York.

While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.

His work has been the subject of numerous one - person museum exhibitions in the United States and Europe, including Tate Gallery, London (1986); the Museum of Contemporary Art, Los Angeles (1991); the Whitney Museum of American Art, New York (1992); the Whitechapel Gallery, London (1998); Kunsthalle Basel (2000); the Metropolitan Museum of Art, New York (2001); the Irish Museum of Modern Art, Dublin (2009); Kunsthaus Graz, Austria (2016); and the Museum of Fine Arts, Boston (2016).

He has been included in numerous exhibitions in Europe and the United States over the last three decades, including The Astrup Fearnley Museum of Modern Art, Oslo; Kunstmuseum, Düsseldorf; Museu Calouste Gulbenkian, Lisbon; The Walker Art Center, Minneapolis; International Center of Photography, New York; Moderna Museet, Stockholm; Centre Georges Pompidou, Paris; and the Museum of Contemporary Art, Chicago.

His works are represented in prominent collections internationally, including The British Museum, London; Carnegie Museum of Art, Pittsburgh, Pennsylvania; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Tate Gallery, London; Victoria and Albert Museum, London; and the Walker Art Center, Minneapolis, Minnesota.

Previous participants in New Contemporaries include Turner Prize - winner Laure Prouvost, Mona Hatoum (the subject of a show at Tate Modern next year), and Academicians Tacita Dean RA and Mike Nelson RA Elect which illustrates the power of this platform in discovering the best emerging artists from UK art schools.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Indart and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Inarts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); InArts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); InArts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); IndArt Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

In addition to Heather Pesanti, the museum's Senior Curator, the Prize's inaugural advisory committee for the 2018 Prize includes Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museum.

Mitchell has since been the subject of numerous museum exhibitions, and examples of her work hang in nearly every major public collection of modern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, Newmodern art, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New Yoart, including the Art Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt Institute of Chicago; Centre Georges Pompidou, Paris; the Guggenheim Museum; the Museum of Contemporary Art, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, Sydney, Australia; the Museum of Modern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, NewModern Art, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, New York; the Osaka City Art Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt Museum of Modern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, NewModern Art, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, Japan; the Samsung Museum, Seoul; the Tate Gallery, London and the Whitney Museum of American Art, New YoArt, New York.

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

Group exhibits include Tang Museum, NY (2016), The Louisiana Museum of Modern Art, Denmark (2016), The Metropolitan Museum of New York (2015), Knoxville Museum of Art, TN (2015), Bronx Museum of the Arts (2011), the Hudson Valley Center for Contemporary Art, Peekskill, NY, The Prague Biennial (2009) and the New York Photo Festival (2008).

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

His work is included in the permanent collections of the National Gallery of Canada; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; the University of Connecticut and the Studio Museum, Harlem, NY.

Alexander Calder has been the subject of dozens of exhibitions at museums worldwide, including retrospectives at the Museum of Modern Art (1943), Solomon R. Guggenheim Museum (1964), Whitney Museum of American Art (1976), and National Gallery of Art, Washington, D.C. (1998), as well as major exhibitions at museums including Museo Guggenheim Bilbao; The Art Institute of Chicago; the Centre Pompidou, Musée national d'Art Moderne, Paris; The Detroit Institute of Art; Foundation Beyeler, Riehen, Switzerland; Kunsthalle Basel; The Menil Collection, Houston; Metropolitan Museum of Art, New York; Museum of Contemporary Art, Chicago; Museum of Fine Arts, Houston; The Phillips Collection, Washington, D.C.; San Francisco Museum of Modern Art; Stedelijk Museum, Amsterdam; and Walker Art Center, Minneapolis.

Jointly produced by CSM and the DAM, an original video featuring interviews with Bradford; Rebecca R. Hart, curator of modern and contemporary art at the DAM; and CSM director Dean Sobel is also included in the exhibition.

One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.

Selected group exhibitions include The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans, organized by the Rubell Family Collection, Miami, traveling to Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (20Arts Center, Cambridge, MA (2012).

Her work has been extensively exhibited internationally in galleries and museums, and is in leading public collections, including the Museum of Modern Art, New York; Centre Georges Pompidou, Paris; San Francisco Museum of Modern Art, San Francisco; Museum of Contemporary Art, Los Angeles; Tate Modern, London; and the Whitney Museum of American Art, New York.

McMillian was selected by an independent advisory committee made up of renowned curators and art historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art Museart historians from across the U.S. Led by Heather Pesanti, Senior Curator of The Contemporary Austin, this year's inaugural advisory committee included Stephanie Barron, Senior Curator and Head of Modern Art Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Department, Los Angeles County Museum of Art; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt; Naomi Beckwith, Marilyn and Larry Fields Curator at the Museum of Contemporary Art Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Chicago; Peter Eleey, Chief Curator, MoMA PS1; Hamza Walker, Executive Director, LAXART; and Heidi Zuckerman, Nancy and Bob Magoon CEO and Director, Aspen Art MuseArt Museum.

Group exhibitions include Kunsthall Oslo, Norway [2010], a forthcoming show at the Australian Centre for Contemporary Art, Melbourne (2013), the Freud Museum, London (2011), Stuart Shave / Modern Art, London (2013) and Tate Britain, London (2010)

Stamm's work is included in the public collections of Brooklyn Museum (Brooklyn, NY), Carnegie Museum (Pittsburgh, PA), Hall Art Collection (Derneburg, Germany; Reading, Vermont), Museum of Contemporary Art MoCA (Los Angeles, CA), Phoenix Art Museum (Phoenix, AZ), Aldrich Contemporary Art Museum (Ridgefield, CT), Museum of Modern Art MoMA (New York, NY), Guggenheim Museum (New York, NY) and Western Australia Art Gallery (Perth, Australia).

Selected solo and group exhibitions include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; and Radical Presence at The Studio Museum in Harlem among many others.

She has been featured in major international exhibitions including the Museum of Modern Art; the Centre Georges Pompidou; the Whitney Museum of American Art; the Fowler Museum at UCLA; Art + Practice; Prospect.3: Notes for Now New Orleans Biennial; the Institute of Contemporary Art, Philadelphia; and at the Studio Museum in Harlem.

Major museum exhibitions include «Paintings 1975 — 1995,» Modern Art Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2016).

Significant group exhibitions include: the Museum of Modern Art, New York (2006); ICA London (2006); Deste Foundation, Centre for Contemporary Art, Athens (2006); National Gallery, London (2006); Wattis Institute for Contemporary Arts, San Francisco (2011); and Asian Art Museum, San Francisco (2012).