Sentences with phrase «modern and contemporary art possible»

It was not the work of artists, critics and curators alone that made the development of modern and contemporary art possible.

Not exact matches

The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.

Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.

Los Carpinteros: Ciudad Transportable is made possible through the generous support of The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art, Angeliki Intzides, Mellville and Leila Straus, Kathleen Lingo, Barbara and Ira Sahlman, Carol Ann Schuster, Marazul Charters and Cuba Travel Services, Long Beach, CA.

Rothko to Richter: Mark - Making in Abstract Painting from the Collection of Preston H. Haskell has been made possible by generous support from Susan and John Diekman, Class of 1965; the Bagley Wright, Class of 1946, Contemporary Art Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Andrew W. Mellon Foundation; the Allen R. Adler, Class of 1967, Exhibitions Fund; and the Judith and Anthony B. Evnin, Class of 1962, Exhibitions Fund, and an anonymous donor.

The accompanying publication is made possible by The Contemporary Arts Council of The Museum of Modern Art, Terri and Timothy Childs, and the Rainer Werner Fassbinder Foundation.

1994 Don't Look Now, Thread Waxing Space, New York (catalogue) Cross and Square Grids, Museum of Modern Art, Saitama, Japan Abstraction: A Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL (catalogue) Das Americas, Galeria Luisa Strina, São Paulo, Brazil (catalogue) Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA (catalogue) Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy Notational Photographs, Metro Pictures, New York Rudiments d'un musée possible, Musée d'Art Contemporain, Geneva Le Constanti Nell» Arte, Galleria Lia Rumma, Naples (catalogue) 30 Years: Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) The Assertive Image: Artists of the Eighties, Armand Hammer Museum and University of California, Los Angeles The Use of Pleasure, Terrain Gallery, San Francisco, CA (curated by Robert Nickas) Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany Katarina Fritsch, Peter Halley, Hubert Kiecol, Imi Knoebel, Sherrie Levine, Richard Prince, Jablonka Galerie, Berlin

«We are grateful to Kara Walker and to Victoria Miro Gallery for making this epic work available to the High and for the tremendous outpouring of support from the community to make this acquisition possible,» said Michael Rooks, the High's Wieland Family curator of modern and contemporary art.

Michael Lin: Grind is made possible with support from the James Family Foundation, The Contemporary Art Council of The Museum of Modern Art, and the Gershwin Hotel, New York City.

Site and Insight: an Assemblage of Artists is made possible by the Lily Auchincloss Foundation and The Friends of Education and The Contemporary Arts Council of The Museum of Modern Art.

On its 4th year ARTANKARA International Contemporary Art Fair makes it possible for exhibitors to keep up with the latest developments in modern and contemporary art by providing an opportunity to see famous Turkish and foreign artists and Contemporary Art Fair makes it possible for exhibitors to keep up with the latest developments in modern and contemporary art by providing an opportunity to see famous Turkish and foreign artists and art - worArt Fair makes it possible for exhibitors to keep up with the latest developments in modern and contemporary art by providing an opportunity to see famous Turkish and foreign artists and contemporary art by providing an opportunity to see famous Turkish and foreign artists and art - worart by providing an opportunity to see famous Turkish and foreign artists and art - worart - works.

The inclusion of innumerable Logan works - including full and fractional and promised gifts - in presentations of SFMOMA's collection has had an equally strong impact, enabling the museum to undertake a more complex and expansive consideration of both modern and contemporary art than would otherwise have been possible.

Recent exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York (2013); Science is FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).

Local resident» [Margate] is again fizzing with artistic energy, transformed into a key destination for art - lovers thanks to a cultural renaissance sparked by the opening in 2011 of the Turner Contemporary, a strikingly modern - looking gallery that stands as an example of what is possible when local heritage and culture is used imaginatively to invigorate local communities.»

In Princeton, this exhibition has been made possible by the generous support of the Allen R. Adler, Class of 1967, Exhibitions Fund; the Apparatus Fund; the Judith and Anthony B. Evnin, Class of 1962, Exhibition Fund; the National Endowment for the Arts; the Frances and Elias Wolf, Class of 1920, Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; an anonymous foundation; and the Partners of the Princeton University Art Museum.

The exhibition and accompanying performance series are made possible by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, The International Council of The Museum of Modern Art, Maja Oeri and Hans Bodenmann, The Contemporary Arts Council of The Museum of Modern Art, and the Robert Lehman Foundation.

Formed by Harvey S. Shipley Miller and donated to The Museum of Modern Art, New York, in 2005, The Judith Rothschild Foundation Contemporary Drawings Collection was conceived to be the widest possible cross-section of contemporary drawing made primarily within the past 20 years, surveying gestural and geometric abstraction, representation and figuration, systems - based and Conceptual work, as well as appropriation Contemporary Drawings Collection was conceived to be the widest possible cross-section of contemporary drawing made primarily within the past 20 years, surveying gestural and geometric abstraction, representation and figuration, systems - based and Conceptual work, as well as appropriation contemporary drawing made primarily within the past 20 years, surveying gestural and geometric abstraction, representation and figuration, systems - based and Conceptual work, as well as appropriation and collage.

«This is part of our remit and aspiration to share the collection and programmes as widely as possible and to promote public understanding and enjoyment of British, modern and contemporary art.»

Glenn D. Lowry, MoMA's Director, said, «Our mission at The Museum of Modern Art is to help the widest possible public enjoy and understand the best of modern and contemporarModern Art is to help the widest possible public enjoy and understand the best of modern and contemporary aArt is to help the widest possible public enjoy and understand the best of modern and contemporarmodern and contemporary artart.

The exhibition is made possible by The Andy Warhol Foundation for the Visual Arts, The Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, and The Contemporary Arts Council of The Museum of Modern Art.

In fact, within the world of visual art, the term art festival typically embraces the widest possible spectrum of creative events, involving contemporary art: from traditional media, such as painting and sculpture, to more modern forms like installation and video art, film - making, animation and photography, as well as avant - garde art forms such as performance art.