Sentences with phrase «modern and contemporary art program»

The Metropolitan Museum of Art's modern and contemporary art program includes a new series of exhibitions, performances, artist commissions, residencies, and educational initiatives in the landmark bu...

[58] It extends the museum's modern and contemporary art program.

Not exact matches

About Site - Queensland's premier visual arts institution, the Queensland Art Gallery Gallery of Modern Art (QAGOMA), connects people and art through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artisArt Gallery Gallery of Modern Art (QAGOMA), connects people and art through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artisArt (QAGOMA), connects people and art through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artisart through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artists.

If modern art is more to your liking, the Perth Institute of Contemporary Art, known as PICA, runs a program that includes dance and theater, as well as performance and visual aart is more to your liking, the Perth Institute of Contemporary Art, known as PICA, runs a program that includes dance and theater, as well as performance and visual aArt, known as PICA, runs a program that includes dance and theater, as well as performance and visual artart.

She has been serving as deputy director for education and public programs and adjunct curator for modern and contemporary art at the Seattle Art Museart at the Seattle Art MuseArt Museum.

Pérez Art Museum Miami is happy to announce that starting January 1, 2016 it will be affiliated with Modern and Contemporary Reciprocal (Mod / Co) program with admission to over 60 Contemporary and Modern Art Museums nationwide.

Rothko to Richter: Mark - Making in Abstract Painting from the Collection of Preston H. Haskell has been made possible by generous support from Susan and John Diekman, Class of 1965; the Bagley Wright, Class of 1946, Contemporary Art Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Andrew W. Mellon Foundation; the Allen R. Adler, Class of 1967, Exhibitions Fund; and the Judith and Anthony B. Evnin, Class of 1962, Exhibitions Fund, and an anonymous donor.

The Museo Nacional Centro de Arte Reina Sofía offers a wide and varied program of temporary exhibitions in modern and contemporary art, produced by the museum or in collaboration with other cultural, national and international institutions.

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograArt, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograart with strong experience in expanding contemporary art collections and prograart collections and programs.

Offering ambitious programming, curatorial initiatives and specially commissioned projects, The Armory Show combines access to high quality modern and contemporary art with a commitment to spotlighting new and emerging voices in the visual arts.

Sikander has also participated in significant international group shows such as Our Land / Alien Territory (special program of the 6th Moscow Biennale of Contemporary Art), Manege, Moscow (2015); Infinite Challenge, National Museum of Modern and Contemporary Art, Seoul, Korea (2014); Dhaka Art Summit (2014); The 13th Istanbul Biennial, Turkey (2013); The 5th Auckland Triennial, Auckland (2013); the Sharjah Biennale 11, Sharjah Art Foundation, Sharjah (2013); Taswir: Pictorial Mappings of Islam of Modernity, Martin - Gropius - Bau, Berlin (2009); Without Boundaries, Seventeen Ways of Looking, the Museum of Modern Art, New York (2006); and the 51st International Art Exhibition, La Biennale di Venezia, Venice, Italy, (2005).

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's building in the Meatpacking District vastly increases the Museum's exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

Presenting regular rotations of artworks from the growing permanent collection, the Menil also organizes special exhibitions and programs throughout the year, publishes scholarly books, and conducts research into the conservation of modern and contemporary art.

The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.

Danielle St. Peter is the interpretive specialist for modern and contemporary art at the Denver Art Museum, as well as the manager of tour prograart at the Denver Art Museum, as well as the manager of tour prograArt Museum, as well as the manager of tour programs.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

We were fortunate to see the Birmingham Museum of Art and meet Ron Platt, curator of modern and contemporary art, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the VulcArt and meet Ron Platt, curator of modern and contemporary art, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the Vulcart, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the Vulcan.

The gallery's program includes: Estates of historically significant Canadian artists, most notably many of the Painters 11 group who established Canada's international reputation for modern abstraction in the 1950s including many of the Painters 11's immediate post-contemporaries who emerged predominantly in Toronto during the 1960s and 1970s, especially those hailing from the legendary Isaacs and Carmen Lamanna galleries; established senior artists working in a wide range of media; recognized mid-career artists from Canada and Europe; and emerging international talents, particularly those exploring the boundaries of media, representation and interpretation within contemporary art making.

Showing one major exhibition each year, the Center will also offer fellowships and other programming that aligns with its mission to show contemporary and modern art rarely exhibited outside of Italy.

For the Art Public program of Art 41 Basel, the international art show for Modern and contemporary art in BaselArt Public program of Art 41 Basel, the international art show for Modern and contemporary art in BaselArt 41 Basel, the international art show for Modern and contemporary art in Baselart show for Modern and contemporary art in Baselart in Basel...

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

We hope this site allows you to learn more about the Kemper Museum, its collection of modern and contemporary art, its exhibitions, educational programs, and more.

The objective of the Kemper Museum school tour program is to engage students in discussion about modern and contemporary art and how it relates to students» education and lives.

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

The Guggenheim Museum Bilbao's dynamic program of temporary exhibitions featuring modern and contemporary art, as well as its periodic exhibitions of art from earlier centuries, offers a sweeping view of international art over the course of art history.

Programming at Kemper Museum offers educational opportunities for all ages to explore modern and contemporary art.

With more than 6,500 works in its Collection and a dynamic series of exhibitions and public programs, the Albright - Knox continues to grow and to fulfill its mission to acquire, exhibit, and preserve contemporary and modern art in an enriching, dynamic, and vibrant environment.

Together with curators, librarians, and archivists, she works on broadening the scope of museum's collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern Art Perspectives in a Global Age).

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

She currently sits on the Boards of Glasstire, the Blaffer Art Museum, Museum of Fine Arts Houston and Chair of the Contemporary Art Museum Houston; and participates on the Modern and Contemporary Art Subcommittee and the Photography Subcommittee for MFAH, and with Joe Havel leads the Core Program Committee for the MFAH Glassell School.

The Museum boasts a rapidly growing Permanent Collection of modern and contemporary works of art from around the world, and hosts exhibitions, installations, film and video series, lectures, concerts, workshops, and other creative programs.

2016 Tom Mc Glynn, Artist, Writer & Independent Curator Nathalie Anglès, Co-Founder & Executive Director, Residency Unlimited Melanie Kress, Assistant Curator, High Line Art Magda Sawon, Owner & Director, Postmasters Gallery Gabriel de Guzman, Curator of Visual Arts, Wave Hill Annelie McGavin, Curator & Director, Studio10 Louise Hobson, Independent Curator, Wales Salome Asega, Artist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUREart.

(Chicago) EXPO CHICAGO, The International Exposition of Contemporary and Modern Art welcomed more than 27,000 people to the inaugural event that featured 120 exhibitors from around the world and a diverse roster of programming and events including special tours, exhibitions and / Dialogues — a lecture series with leading artists, curators and collectors.

While our focus is on modern and contemporary art created by emerging, established and historically important artists, our mission is to present a program of artistic excellence not limited to any genre or medium.

Tags: American Academy of Arts and Letters, Art in America, Art Press, Artcritical.com, Artforum, Artnet Magazine, Arts, Ben La Rocco, Ben Shahn Gallery, Condeso / Lawler Gallery, Damon Brandt Gallery, David Shapiro, Equitable Collection, Flash Art, Frankfurter Allgemeine Zeitung, Galerie Ghislain Mollet - Vieville et J.P. Najar, Gallery Janet Kournatowski, Gallery Per Sten, Hal Bromm Gallery, John Simon Guggenheim Memorial Foundation, Kemper Museum of Contemporary Art, Ken Johnson, Leubsdorf Art Gallery, Linda Francis, Louisiana Museum of Modern Art, Matthew Deleget, Michael Brennan, Michael Zahn, MIT List Visual Arts Center, National Endowment for the Arts, New Arts Program, New York State Council on the Arts, New York Times, Nicholas Davies Gallery, Nordjyullands Kunstmuseum, P.S. 1, Paul Cezanne, Philip Morris Collection, Rainer Maria Rilke, Rogaland Kunstmuseum, Rogalund Kunstmuseum, Sarah Moody Gallery of Art, Sarah Moody Gallery of Art / University of Alabama, Schlumberger Collection, Sydney Non Objective, Terra Foundation, Tiffany Bell, Yve - Alain Bois

The professional jury who will select the finalists is comprised of peers from the contemporary art world around the country, including independent curator and writer Anthony Huberman, Doryun Chong Associate curator at the Museum of Modern Art in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACart world around the country, including independent curator and writer Anthony Huberman, Doryun Chong Associate curator at the Museum of Modern Art in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACArt in New York; Cecilia Alemani, the Curator and Director of High Line Art Program; and Rita Gonzalez, curator of contemporary art at LACArt Program; and Rita Gonzalez, curator of contemporary art at LACart at LACMA.

In addition to the exhibition, the UAG will also present multiple programming events to include: «Q&A with the Artist: A Conversation with Wendy Red Star and Michelle Lanteri» on January 25, 2018, in the NMSU HSS Auditorium 101 at 6:00 pm; a screening of Rumble: The Indians Who Rocked the World, a feature documentary about Native American peoples» contributions to rock «n» roll history, on February 15, 2018, in the NMSU CMI Theatre at 5:30 pm; and «Considering Contemporary Art,» a panel featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri on March 8, 2018, in the University Art Gallery at 5:30 pm.

With its mission to «engage its communities in the experience of modern and contemporary art,» the Rose maintains an active exhibition program, presenting new art while embracing its foundation in historical modern art.»

Expect plenty of important contemporary and modern art, lots of walking and programming designed to provide insight into the changing contemporary art scene — especially in the Middle East, North Africa and the Mediterranean.

LaToya Ruby Frazier: Born By a River is curated by Sandra Jackson - Dumont, SAM's Adjunct Curator of Modern and Contemporary Art and Kayla Skinner Deputy Director of Education and Public Programs.

Selected international exhibitions including those forthcoming consist of: Ars and Flora, Bogota, Columbia, 2016, Los Angeles County Exhibitions, Los Angeles, 2016, Bar Projects, Barcelona, Spain *, Barbara Seiler Gallery, Zurich *, 2016, ZKM, Karlsruhe, 2016, LAXART, Los Angeles, 2015, Manifesta 10, Parallel Program, Saint Petersburg, Russia 2014; Red Cat Theater, 2014 Otis College of Art Ben Maltz Gallery, 2014 Townhouse Gallery, Cairo, 2013 *, Fons Welters Gallery Amsterdam 2011 *; MAK Center, Vienna, 2011, MUSAC, Leon, Spain, 2010, Kunsthaus Zurich, 2006; NBGK, Berlin, 2006; Kunsthaus Graz, 2006; Los Angeles County Museum, 2006; Astrup Fearnley Museum of Modern Art, Oslo, 2004; Studio Museum of Harlem, 2003; California Museum of Photography, Riverside, 2002 *; Edward Mitterand Gallery, 2002 *; Storefront for Art and Architecture, 2002 *; The Laguna Art Museum, Laguna Beach, 2001 *; The Whitney Museum of American Art, 2001; Artists Space, 2001, Institute of Contemporary Art, Philadelphia, 1995; Villa Arson, Nice, France, 1994;P.

She has been Curator of modern and contemporary art at Museo Municipal de Guayaquil, where she is responsible for the historical exhibitions Program.

Aside from the more than 200 galleries showing Modern and Contemporary art from around the globe, Art Basel Miami Beach presents an interesting program of curated and alternative platforms for exhibition includiart from around the globe, Art Basel Miami Beach presents an interesting program of curated and alternative platforms for exhibition includiArt Basel Miami Beach presents an interesting program of curated and alternative platforms for exhibition including:

With more than 8,000 objects in its collection and a dynamic series of exhibitions and public programs, the Albright - Knox continues to grow and to fulfill its mission to acquire, exhibit, and preserve contemporary and modern art in an enriching, dynamic, and vibrant environment.

This talk will take the Public Program of the newly reopened Stedelijk Museum in Amsterdam as a point of departure to invite the graduate students to discuss several issues around public and discursive programming in the modern and contemporary art museum.

He also revamped the exhibition program to focus on modern and contemporary art, with spotlights on regional artists, photography, and design.

She leads the program and collection of modern and contemporary art at the museum, including painting, sculpture, architecture, design, decorative arts, and multi-disciplinary installations.

Notable alumni of the program include Laura Barlow (Mathaf Arab Museum of Modern Art), Manuela Moscoso (Museo Tamayo Arte Contemporáneo), Jenny Jaskey (The Artist's Institute), Laurel Ptak (Art in General), Nova Benway (Triangle Arts Association), Chus Martínez (FHNW Academy of Art and Design), Jenni Sorkin (University of California, Santa Barbara), Christina Linden (Oakland Museum of California), Daniel Byers (Carpenter Center for the Visual Arts), Sofia Hernandez Chong Cuy (Witte de With Center for Contemporary Art), Ruba Katrib (MoMA PS1), Gabi Ngcobo (Center for Historical Reenactments), Chen Tamir (The Center for Contemporary Art Tel Aviv), Bartholomew Ryan (Walker Art Center), Sohrab Mohebbi (Sculpture Center), Anne Ellegood (Hammer Museum), Yasmil Raymond (Dia Art Foundation), Milena Hoegsberg (Henie Onstad Art Center), and Ben Portis (Art Gallery of Ontario).

The program of events and activities of the Tate Liverpool comprises special exhibitions — both solo retrospectives and thematic exhibitions focused on international modern and contemporary art -, guided tours, talks, learning courses, educational programs, creative workshops, and special events.