Sentences with phrase «modern and contemporary artists whose»

The gallery also exhibits modern and contemporary artists whose work fits within the gallery's aesthetic.

The Quogue Gallery showcases modern and contemporary artists whose works include paintings and prints, photography and sculpture.

What / Why: «The School of the Museum of Fine Arts, Boston's current exhibition, «Something Along Those Lines,» features modern and contemporary artists whose works draw on performative, sculptural and conceptual engagements with the line, including Gego, Felix Gonzalez - Torres, Sol LeWitt and more.

The Quogue Gallery showcases modern and contemporary artists whose works include paintings and prints, photography and sculpture, with an emphasis on work either inspired by or created on the East End of Long Island.

It brings together painting, sculpture, and photography by iconic modern and contemporary artists whose work and ideas have changed the course of art history.

Not exact matches

Representation of artists from diverse backgrounds — or a lack thereof — is an ongoing concern for museums, particularly those like the Whitney Museum of American Art, whose programme aims to cover the full scope of modern and contemporary art in the US.

«I am eager to introduce audiences to the innovative perspectives of these four artists, whose work collectively took an important step forward in the progression of modern to contemporary art history and yet has never been shown together and will also be presented now for the first time in Israel.»

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

A specialist in modern and contemporary art Lowery Stokes Sims is known for her particular interest in a diverse and inclusive global art world and has supported a variety of artists whose identities and work reflect those values.

In her studio in Brooklyn she has collaborated with many well known artists whose prints are in contemporary print collections of the Museum of Modern Art, New York Public Library, Whitney Museum of American Art, Houston Museum of Fine Art, Boston Museum of Fine Art and the Metropolitan Museum of Art, among others.

An internationally renowned visual artist who has been showing in major museums of modern and contemporary art, and a distinguished thinker, Bracha L. Ettinger is also one of the world's leading theorists in the realm of art and philosophy of aesthetics, ethics, sexual difference and French psychoanalysis and feminism, whose writings have influenced film and literary thinking, queer studies, contemporary aesthetics and ethics, and art history.

Michael Byron is a visual artist whose work is included in the museum collections of the Whitney Museum, the Museum of Modern Art - New York City, the Museum of Contemporary Religious Art St. Louis, the St. Louis Art Museum, the Tamayo Museum - Mexico City, and the Museum Boymans - Van Beuningen in Rotterdam, the Netherlands, among others.

This museum - quality exhibition juxtaposes for the first time historical works by Japanese artists belonging to the original Mingei movement — whose techniques derive from traditional methods of craftsmanship, as seen in many of the Japanese artifacts on display — with the works of modern and contemporary artists, designers and architects, who keep alive the philosophy of Mingei today.

Autistica, the UK's leading autism research charity and Mehta Bell Projects, are pleased to announce «An Infinitely Beautiful Mind», a charity art sale and exhibition which will present the works of artists ranging from modern masters, contemporary and emerging talents through to outsider art, whose work share the desire to represent the human experience through highly detailed and laborious artistic techniques.

This exhibition looks at SFMOMA's long - term relationships with 18 modern and contemporary arists whose iconic works have been influential in defining movements from Abstract Expressionism to Postminimalism and beyond, with individual galleries featuring works by a single artist.

Grey Art Gallery Director Lynn Gumpert says, «In the early 60s, when Abby Weed Grey set out to collect non-Western modern art, she was intent on meeting, as she later wrote, artists who were «breaking with the past to cope with the present,» and whose «works best mark the advance from tradition to a contemporary view.»

Surrounding his work with pieces by artists he admired (like Gérôme), contemporaries with overlapping styles (from James Ensor to American self - taught artists), and those who followed in his footsteps (Frida Kahlo), it provides a fresh look at a figure whose role in the birth of modern art is sometimes understated.

Mehretu has exhibited in some noteworthy venues — The Museum of Modern Art in New York (the only Ethiopian artist whose work is represented in MoMA's permanent collection), The Whitney Biennial, The Istanbul Biennial, The Busan Biennale in Korea, The Walker Art Center, and her work is currently on display at the San Francisco Museum of Modern Art and the Museum of Contemporary Art in San Diego.

New York (TADIAS)-- Julie Mehretu is one of the most celebrated contemporary artists in the United States, and one of two Ethiopian - born artists whose work is part of the permanent collection at the Museum of Modern Art.

Tom was selected from a full cohort of 36 longlisted artists from seventeen universities across the south - east, nominated by directors and curators from Aspex, De La Warr, MK Gallery, Modern Art Oxford and Turner Contemporary galleries, whose work has been shown in a series of group exhibitions over the summer.

The exhibiting artists are: London - based collective Lucky PDF, who recently performed at Nottingham Contemporary as part of the British Art Show 7 and whose Internet broadcasts and sculptures have been shown at Tate Modern and the Barbican.

Other notable junk artists included the Indiana - born sculptor John Chamberlain (b. 1927), whose works included Untitled (1964, painted steel with chrome, Nice Museum of Modern Art), Untitled (1968, sheet metal, National Gallery of Modern Art, Rome) and Koko - Nor II (1967, Tate Collection London); the English photographer and sculptor Joseph Goto (1916 - 94); the American Richard Stankiewicz (1923 - 83), noted for his witty Middle Aged Couple (1954, Museum of Contemporary Art, Chicago); and the sculptor and film - maker Bruce Conner (1933 - 2008), noted for his spooky constructions made from broken dolls and old stockings.

This three - day institute takes inspiration from MCA exhibition, Alexander Calder and Contemporary Art: Form, Balance, Joy, which pairs the work of Alexander Calder with the work of seven contemporary artists whose practices are bound to Calder's legacy as a modeContemporary Art: Form, Balance, Joy, which pairs the work of Alexander Calder with the work of seven contemporary artists whose practices are bound to Calder's legacy as a modecontemporary artists whose practices are bound to Calder's legacy as a modern sculptor.

Chicago, ILL. - September 29, 2015 - Visitors to EXPO Chicago 2015, the International Exposition of Contemporary & Modern Art presenting artwork from 140 leading galleries from around the world that drew thousands to Chicago's Navy Pier earlier this month, had a rare opportunity to view a selection of significant modern and contemporary art by 10 women artists whose work is in the Union League Club of Chicago's private artContemporary & Modern Art presenting artwork from 140 leading galleries from around the world that drew thousands to Chicago's Navy Pier earlier this month, had a rare opportunity to view a selection of significant modern and contemporary art by 10 women artists whose work is in the Union League Club of Chicago's private art colleModern Art presenting artwork from 140 leading galleries from around the world that drew thousands to Chicago's Navy Pier earlier this month, had a rare opportunity to view a selection of significant modern and contemporary art by 10 women artists whose work is in the Union League Club of Chicago's private art collemodern and contemporary art by 10 women artists whose work is in the Union League Club of Chicago's private artcontemporary art by 10 women artists whose work is in the Union League Club of Chicago's private art collection.

Based in Los Angeles, Stark is a world - renowned contemporary artist working in time - based media and other art forms and whose works are represented in the permanent collections of the Museum of Modern Art, New York; the Tate Modern, London; and the Los Angeles County Museum of Art among numerous museum institutions globally.

Our publishing programme focuses on promoting the work of unknown and artists, writers and thinkers whose perspectives on modern and contemporary visual art and culture challenge and provoke international discussion and debate.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.

He died in 1996, established as a major American artist of the 20th century, whose work bridges both the modern and contemporary eras.

Alexander Calder and Contemporary Art: Form, Balance, Joy brings together over 30 sculptures spanning Calder's career with the work of seven contemporary artists whose practices are bound to Calder's legacy as modeContemporary Art: Form, Balance, Joy brings together over 30 sculptures spanning Calder's career with the work of seven contemporary artists whose practices are bound to Calder's legacy as modecontemporary artists whose practices are bound to Calder's legacy as modern sculptor.

In this vein, the Tate show, curated by renowned art historians T. J. Clark and Anne Wagner, seek to reposition Lowry as an artist whose urban scenes recast his contemporaries» sense of the modern — in part through their working - class subject matter but also because of their coupling of realist and Impressionist traits.

A well - known painter whose expressive portraits and sculptural installations reside in the collections of institutions such as the Museum of Contemporary Art in Los Angeles and the Museum of Modern Art in New York, among others, the artist is currently at work on a sprawling new exhibition at Blum & Poe in Culver City that opens this weekend.

Along with such modern masters as Anthony Caro and Roy Lichtenstein, whose estate the gallery handles, it also represents contemporary artists, including Enoc Perez, Jessica Stockholder, Norbert Schwontkowski, and Justine Kurland.

Gagosian himself is estimated to clear $ 1 billion in sales annually and is among a small group of gallery owners whose appetites are omnivorous: He works across the contemporary and modern eras, representing living artists like John Currin and Mark Grotjahn while also dealing on behalf of the estates of Alberto Giacometti, Richard Avedon and Helen Frankenthaler.