Sentences with phrase «modern archaeology»

And so, through exact, dissecting observation and with an air of modern archaeology, a new form of sculpture was born.

Grey Art Gallery at New York University has just opened a work of modern archaeology, «Inventing Downtown: Artist - Run Galleries in New York, 1952 - 1965.»

These games simplify the laws and proceedings of modern archaeology into a game - like rule of «finders keepers»; an approach that can offer great comfort in a world of increasing complexity.

Sarianidi uses bulldozers to expose old foundations, largely ignores botanical finds, and publishes few details on layers, ceramics, and other mainstays of modern archaeology.

To sy that is is allegory would be to deny modern archaeology.

Also, Pella was a «city of the Gentiles,» as modern archaeology proves.)

Modern archaeology is starting to substantiate the stories of the Bible.

A silly belief, completely discredited by modern archaeology and genetics.

Not exact matches

The Foucault by whom we are first moved to question modernity, the Foucault by whom we are first shown the absurdity of the modern project from its beginning, is not the Foucault of the epistemological Order of Things and Archaeology of Knowledge, but the Foucault of the historical Discipline and Punish, Madness and Civilization, and Birth of the Clinic.

There is biblical history, theology, archaeology, «criticism,» and hermeneutics (what happens to the Bible at the modern end of the sausage grinder).

The Arts and Humanities Research Council (AHRC) funds world - class, independent researchers in a wide range of subjects: ancient history, modern dance, archaeology, digital content, philosophy, English literature, design, the creative and performing arts, and much more.

Northwestern students and researchers last fall applied modern analytical tools from archaeology, medicine and molecular biology to the portraits.

Along the way, he transformed underwater archaeology from an amateur's pastime to a modern scientific discipline.

«Until this discovery, it was assumed that comparable engravings were only made by modern humans (Homo sapiens) in Africa, starting about 100,000 years ago,» says lead author José Joordens, researcher at the Faculty of Archaeology at Leiden University.

That ethos quickly gave way to the modern science of archaeology, which developed a set of ethics and practices that shunned its exploitative roots.

The most important trend of the last 25 years...... has been the growing appreciation among scholars and the general public alike of the relevance of archaeology to the modern world.

Co-author of the paper, Dr Penny Spikins from the Department of Archaeology at the University of York, said: «Modern humans are the last surviving hominin.

Professor Thilo Rehren, of the UCL Institute of Archaeology, explains the significance of these results: «The invention of metallurgy is foundational for all modern cultures, and clearly happened repeatedly in different places across the globe.

In digging for clues to how Fournier died the scientists applied techniques from archaeology and anthropology to a modern battlefield.

Neandertals and early modern humans showed fits and starts of creativity before archaeology's big bang

Our faculty pursues research in DNA analysis, GIS, disease diagnostics and other biomarkers, ecological anthropology, forensic anthropology, fossil excavation, modern Mayan cultures, Global and One Health, and both historic and prehistoric archaeology.

Charlotte, NC About Blog A blog by the author of The Jesus Dynasty consisting of religion matters from the Bible to the Modern World.Tabor has combined his historical work on ancient texts with extensive field work in archaeology in Israel and Jordan.

In archaeology, despite modern techniques like radiocarbon dating, period or cultural style remains a crucial tool in the identification and dating not Highlights • Technological study of ceramics from Upper Nubia, dating to three distinct contexts, from c. 7600 to c. 2500 BCE, and contemporary, locally

Courtesy of the Melbourne Cinémathèque: And the People Still Ask: The Calligraphic Cinema of Miklós Jancsó; Existential Histories: The Films of Jerzy Kawalerowicz; Modern Love: Passion, Longing and the Films of Michelangelo Antonioni and Bill Morrison: Archaeologies.

Jesus rebuked Peter and quickly healed the servant's ear — and the Sword of Peter took on supernatural powers.Fast forward to modern day where a Biblical archaeology quest for the Sword of Peter is imperative to both Israel and to the Christian world.

Visited museums featuring Mayan history, modern Mexican art, a wealthy historic Renaissance home, huge murals and archaeology.

Plenty of museums can be found in the hallowed city, ranging from the contemporary class of the Istanbul Modern Art Museum to the historical Istanbul Archaeology Museum.

In the mid-1890s, the first modern exploration of Xunantunich was led by Thomas Gann, a British man with an interest in Mayan archaeology.

Keith was chosen from among these nominations by review committee members assembled by the High: Dr. Kellie Jones, the inaugural Driskell Prize recipient and associate professor and director of undergraduate studies in the department of art history and archaeology at Columbia University; Valerie Cassel Oliver, the 2011 Driskell Prize recipient and senior curator of the Contemporary Arts Museum Houston; and the High's Wieland Family Curator of Modern and Contemporary Art, Michael Rooks.

In Stone (2004) and Stones (2006 - 2009) merge light with stone, combining the ancient and the modern, where archaeology is animated by quietly moving imagery, recalling hieroglyphs, petroglyphs and cave paintings.

In the recent exhibition «Silent,» Berlin - based duo Pauline Boudry and Renate Lorenz used a self - described practice of «queer archaeology» to out archetypes of modern art.

In conjunction with the exhibition a catalogue will be published with an essay by Irene V. Small, Assistant Professor of Art & Archaeology at Princeton University, with a Modern and Contemporary art and transnational focus.

In this exhibition we see a blend of ancient archaeology and modern design, in a sequence of twelve scenes from the private life of a couple from the highest echelons of Roman society and their... Read more

Modern Ruins brings together the practices of four artists who through very different methods create an archaeology of the present.

Unmonumental: The Object In The 21st Century, New Museum, New York, NY USA Today, Royal Academy, London, UK Fractured Figures, Deste Foundation, Athens, Greece Effigies, Stuart Shave / Modern Art, London, UK An Archaeology, Projectspace 176 — Zabludowicz Collection, London, UK Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA Eden's Edge: Fifteen LA Artists, Hammer Museum, LA Eight Sculptors from Los Angeles, Galerie Sabine Knust, Munich, Germany Uneasy Angel / Imagine Los Angeles, Monika Sprüth Philomene Magers, Munich, Germany From Close To Home — Recent Acquisitions Of Los Angeles Art, The Museum of Contemporary Art, Los Angeles, USA Red Eye: Los Angeles Artists from the Rubell Family Collection, Rubell Family Collection, Miami

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arts.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arts.

Recent institutional exhibitions include the 50th Biennale di Venezia (2003); Museo d'Arte Contemporanea, Rome (2005); Norton Museum of Art, FL (2011, traveled to the Museum of Modern Art Oxford, England, through 2012); and «Jenny Saville Drawing,» Ashmolean Museum of Art and Archaeology, University of Oxford, United Kingdom (2015 — 16).

-- The Ashmolean, Oxford University's 326 - year - old museum of art and archaeology, eopens after a 61 million pound ($ 100 million) overhaul bloomberg.com — The Ashmolean museum in Oxford, has been transformed wallpaper.com — Ashmolean Museum, revamped photogallery guardian.co.uk — The Ashmolean in Oxford is a brave mix of ancient and modern independent.co.uk

Ashmolean Museum of Art and Archaeology, Oxford British Council, London Arts Council of Great Britain Royal College of Art, London Sunderland Museum and Art Gallery Walker Art Gallery, Liverpool National Museum of Wales, Cardiff Towner Art Gallery, Eastbourne National Portrait Gallery, London Government Art Collection Richard Wilson Arts Centre, Aberystwyth British Council, Kyoto, Japan Kyoto Seika University, Kyoto, Japan Itaiyard, Kyoto, Japan National Museum of Modern Art, Kyoto, Japan Otemae University, Kansai, Japan Museo Carrillo Gil, Mexico City British Council, Mexico

On a surface of 50,000 square metres, the museum houses an «encyclopaedic» permanent collection composed of different sections: Archaeology, Jewish art, European classic art, Impressionism, Modern art, design and architecture, all represented at the highest level.

The shortlist for this year's Contemporary Art Society Annual Award for Museums is: — Ashmolean Museum of Art and Archaeology in partnership with the Pitt Rivers Museum and the Ruskin School of Drawing & Fine Art with artist Elizabeth Price — Birmingham Museums with artist Jess Flood - Paddock — The Hepworth Wakefield with artist Des Hughes — Scottish National Gallery of Modern Art with artist Lucy McKenzie

The ROM is the largest field research institution in the country, and a world leader in research areas from biodiversity, palaeontology, and earth sciences to archaeology, ethnology and visual culture - originating new information towards a global understanding of historical and modern change in culture and environment.

The Crown Jewels, Salon 94 Freemans, New York Of Deities and Mortals, Christchurch Art Gallery Te Puna o Waiwhetu, Christchurch, New Zealand An Archaeology, 176 - Zabludovicz Collection, London Reboot, The Jim and Mary Barr Collection, Christchurch Gallery Te Puna o Waiwhetu and City Gallery Wellington Re / Trato, Travelling Gallery, Scotland Metrosideros Robusta, Schmuckmuseum Pforzheim, Germany Tiere II, Overbeckgesellschaft Lübeck, Germany Effigies, Stuart Shave / Modern Art, London, UK Making Worlds, Auckland Art Gallery, Auckland, New Zealand Speculation, Artspace, Auckland, New Zealand Toi Te Papa / Art Of The Nation, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand

The Birth of Archaeology and the Battle for the Past This exhibition tells the story of the first modern archaeologists in 19th - century England, and the art they commissioned to picture the past.

Wang Keping's works are included in Aidekman Arts Center, Boston; Ashmolean Museum of Art and Archaeology, Oxford; Musée national d'art moderne, Centre Georges Pompidou, Paris; Fonds municipal d'art contemporain, Paris; Fondation Claudine et Jean - Marc Salomon, Annecy; He Xiangning Art Museum, Shenzhen; International Sculpture Park, Pu - Yeo; Museum of Contemporary Asian Art, Fukuoka; Museum of Modern Art, Taizhon; The China Club Collection, Hong Kong; Musée Cernuschi, Paris; Donation Uli Sigg, M + Museum, Hong Kong; Olympic Games Park, Seoul; and many private Foundations and Collections.

Curator Elina Axioti was chosen as the third recipient of the NEON Curatorial Award for her proposal «Civilisation Lost», which combines modern and contemporary works by Thomas Hirschhorn, Sarah Lucas, Gilbert & George, Bruce Nauman and others with an investigation of archaeology.

Tassie holds a master's degree in modern art history, theory and criticism from the School of the Art Institute of Chicago and a bachelor's degree in art history and archaeology from Cornell University.

His work has been presented at Aargauer Kunsthaus, Switzerland (Cinema mon amour, 2017); Hayward Gallery, London (off - site exhibition The Infinite Mix: Sound and Image in Contemporary Video, 2016 - 2017); Audain Art Museum, Whistler (Intersections: Contemporary Artist Films, 2016); The Institute of Contemporary Art at the University of Pennsylvania, Philadelphia (The Freedom Principle: Experiments in Art and Music, 1965 to Now, 2016); Museum der Moderne Salzburg, Austria (Art / Histories, 2014); Bildmuseet, Umeå, Sweden (Theatrical Fields, 2013); Museum of Contemporary Art, Chicago (Think First, Shoot Later: Photography from the MCA Collection and The Way of the Shovel: Art as Archaeology, both 2013); The Museum of Modern Art, New York (XL: 19 New Acquisitions in Photography, 2013); Museum of Contemporary Art, Los Angeles, (Blues for Smoke, 2012, travelling to Whitney Museum of American Art, New York and Wexner Center for the Arts, Columbus, Ohio); Walker Art Center, Minneapolis (The Living Years: Art after 1989, 2012); ZKM / Museum für Neue Kunst, Karlsruhe (Fast Forward 2: The Power of Motion, 2010); and the Solomon R. Guggenheim Museum, New York (Haunted: Contemporary Photography / Video / Performance, 2010).

From the article:... Many archaeologists would argue that the potentially most meaningful contribution of archaeology to modern climate change debates lies in the study of the interrelationships between the impact of climate change and the adaptation by communities.