Sentences with phrase «modern art collections at»

Bellany's work from a career spanning half a century can be found all over the world in modern art collections at the MoMA and the Met in New York as well as Tate Britain in London.

Not exact matches

A reclaimed E.T. cartridge from the landfill now sits in the collection of the Smithsonian's National Museum of American History, complementing the copy of Warshaw's earlier game, the critically - acclaimed space shooter Yars» Revenge, which takes pride of place in the Architecture & Design collection at the Museum of Modern Art.

Ella received an AICP show honor and has been included as a part of the permanent collection of the Department of Film at the Museum of Modern Art (MoMA).

The romance between an art student at Duke University and the bullrider she meets at a local rodeo is unexpectedly impacted when they save the life of an elderly widower, compelling him to re-live his loving WWII - era marriage to an immigrant teacher who inspires him to amass a remarkable modern art collection which eventually helps the cowboy save his family's ranch.

His work is in the permanent collection of New York's Museum of Modern Art and the British Museum and has been exhibited at the Tate, Centre Pompidou, MoMA, Whitney Museum of American Art, Berlin Kunsthalle, PS1, Whitechapel Gallery, and London's Institute of Contemporary Arts.

The collection at the Scottish National Gallery of Modern Art includs works by Matisse, Picasso, Vuillard and Dix, as well as a superb selection of paintings by Scottish artists such as Peploe, Fergusson, Gillies and Redpath.

One of the stops is at the recently opened Museum Brandhorst with its modern art collection.

This is the first time the museum has shown so many at once, Corwin said, noting that Katz has shaped Colby's collection with his gifts of modern and contemporary art.

Her work is in the collection of many museums, and has been the subject of many retrospective exhibitions, including at the Museum of Modern Art, New York; the Kunstverein, Frankfurt; the Tate Modern, London; and Centre Georges Pompidou, Paris.

His work has been exhibited at The Centre Pompidou, Whitney Museum, Royal Academy, Tate Modern, the ICA and San Francisco Museum of Modern Art, and is held in collections around the world, including the Louisiana Museum of Modern Art, Denmark, Arts Council, London, MOMA, New York, and Los Angeles Contemporary Museum of Art.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

Since his representation at Pace, numerous public collections have acquired works by the artist including the American Embassy in Abuja, Nigeria; the High Museum of Art, Atlanta; the Birmingham Museum of Art; the Museum of Fine Arts, Boston; The Brooklyn Museum; the Cleveland Museum of Art; the Hood Museum of Art at Dartmouth College; the Des Moines Art Center; the Detroit Institute of Arts; the Nasher Museum of Art at Duke University; Fogg Museum at Harvard University, Cambridge; The Museum of Fine Arts, Houston; the Tate, London; the Memphis Brooks Museum of Art; the Pérez Art Museum Miami; the Montclair Art Museum; the Museum of Modern Art, New York; The Nelson - Atkins Museum of Art, Kansas City; the San Francisco Museum of Modern Art; The Toledo Museum of Art, and the National Gallery of Art, Washington.

He is represented in important public and private collections that include the Baltimore Museum of Art, MD; Berkeley Art Museum, CA; M.H. de Young Museum, San Francisco, CA; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Johnson Museum of Art at Cornell University, Ithaca, NY; Laguna Art Museum, Laguna Beach, CA; Museo Cantonale d'Arte, Lugano, Switzerland; Museum of Modern Art, New York, NY; National Gallery of Art, Washington, D.C.; The Panza Collection, Lugano, Switzerland and Varese, Italy; Philadelphia Museum of Art, PA; San Francisco Museum of Modern Art, CA; San Jose Museum of Art, CA; and Seattle Museum of Art, WA.

She was the subject of a 2018 solo exhibition at the Bolinas Museum, CA, and her works are included in the collections of the San Francisco Museum of Modern Art, CA; de Young Museum, San Francisco, CA; San Jose Museum of Art, CA; Berkeley Art Museum / Pacific Film Archive, CA; Norton Museum, West Palm Beach, FL; and Denver Art Museum, CO..

2011 Carolina Collects: 150 Years of Modern and Contemporary Art from Alumni Collections, Ackland Art Museum, University of North Carolina at Chapel Hill (September 9 — December 4) Points of View: Selections from Seven Colorado Collections, CU Art Museum, University of Colorado, Boulder (September 8 — December 17) Amerika - Europa: Bluhm, Kline, Motherwell, Dubuffet, Götz, Tàpies, Thomkins, Kunsthandel Wolfgang Werner, Berlin (September 7 — November 15) Abstract Expressionism and its Discontents, Annenberg Gallery, Pennsylvania, Academy of Fine Arts, Philadelphia (June 17 — August 28) The Women in Our Life: A Fifteen Year Anniversary Exhibition, Cheim & Read, New York (June 30 — September 9) Tibor de Nagy Gallery: Painters & Poets, Tibor de Nagy Gallery, New York (January 15 — March 5)

He is represented in several major museum collections, including Tate and MoMA, New York, and in recent years his work has been exhibited at Haus der Kunst, Munich (2014); Walker Art Center, Minneapolis (2013); Modern Art Oxford (2011) and The New Museum, New York (2011).

Prior to this, he was Associate Director for Art and Exhibitions and Curator of Modern Art at the Seattle Art Museum between 1987 and 1996, and was the first curator designated to oversee the permanent collection of the Whitney Museum of American Art, where he worked from 1976 to 1987.

This conversation is with Karen Halverson, an artist that has been photographing for over 30 years whose work is in many prestigious collections including the San Francisco Museum of Modern Art, Smithsonian American Art Museum, the J. Paul Getty Museum, Beinecke Library at Yale University among others.

Originally the Tate collection was held at Millbank (now Tate Britain), but after the additions of Tate Liverpool in the 1980s and Tate St Ives in the 1990s, the decision was made to create a second London gallery specifically for modern and international art.

Her work is in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Brooklyn Museum, and the Frances Young Tang Teaching Museum at Skidmore College, NY; the Seattle Art Museum, WA; and the Portland Art Museum, OR.

Bernard Cohen Born London 1933; South - West Essex School of Art 1949 - 50; St Martin's School of Art 1950 - 1; Slade School of Art 1951 - 4; awarded French Government Scholarship 1954, Boise Travelling Scholarship 1956, and spent two years in France, Spain, Italy; taught at Ealing School of Art 1961 - 4; in collections of Tate Gallery, Museum of Modern Art, New York, Walker Art Center, Minneapolis, etc..

At the moment the modern collection at Birmingham Museum and Art Gallery is in gallery 2At the moment the modern collection at Birmingham Museum and Art Gallery is in gallery 2at Birmingham Museum and Art Gallery is in gallery 21.

In 1970, Sekine represented Japan at the Venice Biennale with Phase of Nothingness, which consists of an enormous natural stone held by a mirrored stainless steel column, and is today part of the permanent collection at the Louisiana Museum of Modern Art in Humlebæk, Denmark.

His works are in prominent public and private collections worldwide, and exhibited widely throughout his career, including a 1943 solo show at the Museum of Modern Art in New York.

Horn was the subject of a mid-career retrospective at The Solomon R. Guggenheim Museum in New York, and her work is featured in major public collections worldwide including The Solomon R. Guggenheim Museum, New York; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Castello di Rivoli Museum of Contemporary Art, Turin, Italy; Tate Gallery, London, Great Britain; San Francisco Museum of Modern Art, San Francisco; Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France; Stedelijk Museum, Amsterdam, the Netherlands; and Van AbbeMuseum, Eindhoven, the Netherlands.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Currently the Head of Exhibitions and Displays at Tate Liverpool, part of the family of Tate galleries, and previously Curator at Middlesbrough Institute of Modern Art, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograArt, Delahunty is a leading specialist in post-war art with strong experience in expanding contemporary art collections and prograart with strong experience in expanding contemporary art collections and prograart collections and programs.

The Soundsuit in the contemporary art collection at the Wadsworth Atheneum — an encyclopedic museum — bridges numerous collections with its direct connection to African art, Modern abstract painting, performance art, contemporary sculpture, and costumes and textiles.

The recent exhibition at El Museo del Barrio in New York City of Latin American art from the Museum of Modern Art's permanent collection is a case in poiart from the Museum of Modern Art's permanent collection is a case in poiArt's permanent collection is a case in point.

Ward's work is in numerous international public and private collections, including Baltimore Museum of Art, MD; the Brooklyn Museum, New York; Istanbul Modern; The Museum of Modern Art, New York; The Nasher Museum of Art at Duke University, Durham, NC; Pérez Art Museum Miami; Speed Art Museum, Louisville, KY; The Studio Museum in Harlem, New York; Walker Art Center, Minneapolis, MN; and the Whitney Museum of American Art, New York.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

He is featured in a number of prominent public collections, including the Smithsonian, the Heckscher Museum, San Francisco Museum of Modern Art, the Grey Art Gallery at New York University, the Montclair Museum of Art, and such university museums as Brown University, the University of Greensboro and Tufts University.

SELECTED MUSEUM COLLECTIONS Addison Gallery of American Art, Andover, Massachusetts Albrecht - Kemper Museum of Art, St. Joseph, Missouri Albright - Knox Art Gallery, Buffalo, New York Allen Memorial Art Museum, Oberlin, Ohio Art Institute of Chicago Blanton Museum of American Art, University of Texas at Austin Boca Raton Museum of Art, Florida Butler Institute of American Art, Youngstown, Ohio Cleveland Museum of Art, Ohio Dayton Art Institute, Ohio Denver Museum of Art, Colorado Detroit Institute of Arts Museum Edmonton Art Gallery, Alberta, Canada Everson Museum of Art, Syracuse, New York Fine Arts Museum of San Francisco, California Greenville County Museum of Art, South Carolina Guild Hall Museum, East Hampton, New York Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York High Museum, Atlanta, Georgia Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Indianapolis Museum of Art, Indiana Johnson Museum of Art, Cornell University, Ithica, New York Kemper Museum of Contemporary Art, Kansas City, Missouri Kunstmuseum, St. Gallen, Switzerland Ludwig Collection in the Wallraf - Richartz Museum, Cologne, Germany Mead Art Museum, Amherst College, Massachusetts Metropolitan Museum of Art, New York Mildred Lane Kemper Art Museum, Washington University, St. Louis Mulvane Art Museum, Washburn University, Topeka, Kansas Museum fur Moderne Kunst, Frankfurt am Main, Germany Museum of Art, Fort Lauderdale, Florida Museum of Contemporary Art, Chicago Museum of Contemporary Art, Los Angeles Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York Museum of Nebraska Art, Kearney Nelson - Atkins Museum, Kansas City, Missouri Neuberger Museum of Art, Purchase, New York Nickle Arts Museum, University of Calgary, Canada Parrish Art Museum, Water Mill, New York Portland Art Museum, Oregon Princeton University Art Museum, New Jersey Saint Louis Art Museum, Missouri San Francisco Museum of Modern Art Santa Barbara Museum of Art, California Seattle Art Museum, Washington Sheldon Museum of Art, University of Nebraska, Lincoln Solomon R. Guggenheim Museum, New York Spencer Museum of Art, University of Kansas, Lawrence Telfair Museum of Art, Savannah, Georgia Toledo Museum of Art, Ohio The Washington Art Consortium, Western Washington University, Bellingham Whitney Museum of American Art, New York Wichita Art Museum, Kansas

The Contemporary Art Society Collections Fund at Frieze returns for a second year, following the successful launch at Frieze London 2016, which supported the acquisition of major works by John Akomfrah and Kader Attia for Middlesbrough Institute of Modern Art (MIMA).

His work has been exhibited internationally, including at the 52nd Venice Biennale, and is in collections of the Museum of Modern Art (MoMA, New York), the Whitney Museum of American Art, The Solomon R. Guggenheim Museum, the Museum of Contemporary Art (MOCA, Los Angeles), the Los Angeles County Museum of Art, and Museo de Arte Contemporáneo de Castilla y León (MUSAC).

Selected public collections include: Tate Gallery, London; Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Princeton Art Gallery, NJ; Philadelphia Museum of Art, PA; Los Angeles County Museum, CA; Museum of Contemporary Art, San Diego, CA; Eastman House, Rochester, NY; National Gallery of Canada, Ottawa; Metropolitan Museum, Tokyo, JP; National Museum, Osaka, JP; Victoria and Albert Museum, London; Biblioteque National, Paris; IVAM, Valencia, ES; Australian National Gallery, Canberra; Stedelijk Museum, Amsterdam, NL; Stedelijk Van Abbemuseum, Eindhoven, NL; Art Gallery of Ontario, Toronto, CA; National Gallery of Scotland, Edinburgh, UK; British Council, London; Kunstmuseum, Basel, CH; Centro Cultural Arte Contemporaneo, Mexico City, MX; Centre d'Art Contemporain, Geneva, CH; Musee de Grenoble, FR; Musee St. Pierre, Lyon, FR; FRAC, Rennes, FR; National Gallery of Iceland, Reykjavík; Museum of Modern Art, Wakayama, JP; Museum Moderner Kunst, Vienna, AT; University of Lethbridge, CA.

His work can be found in collections at DePaul University Museum, Chicago; Istanbul Modern, Istanbul; Nerman Museum of Contemporary Art, Overland Park, KS; the North Carolina Museum of Art, Raleigh, NC; and the Virginia Museum of Fine Arts, Richmond, VA..

In the video, Goldsmith talks about the «Please do not touch» sign placed at the foot of the cast bronze sculpture «Homme qui marche» (Walking Man)(1960) by Italian Swiss artist Alberto Giacometti (1901 - 1966) from the Louisiana Museum of Modern Art's collection.

At 30 years old his work was already in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Philadelphia Museum and the Walker Art Center (Minneapolis).

His paintings have been shown extensively, e.g. at the Tate Galleries, London, UK and at The Museum of Modern Art in New York, USA and his work is held in major collections around the world.

Today Fairey's work is included in the collections at The Smithsonian, The Los Angeles County Museum of Art, The Museum of Modern Art, and several other museums and galleries worldwide.

His work can be found in nearly 100 public collections worldwide, including the collections of the Art Institute of Chicago; the Hirshhorn Museum and Sculpture Garden at the Smithsonian Institution, Washington, D.C.; the Metropolitan Museum of Art, New York; Centre Georges Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; the Museum of Fine Arts, Boston; the Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; the National Gallery of Art, Washington, D.C.; the Philadelphia Museum of Art; The Tate Gallery, London; and the Whitney Museum of American Art, New York, among many others.

Drawn from the Barjeel Art Foundation collection of modern and contemporary Arab art, this is the final display in a year - long series at the Whitechapel GalleArt Foundation collection of modern and contemporary Arab art, this is the final display in a year - long series at the Whitechapel Galleart, this is the final display in a year - long series at the Whitechapel Gallery.

Her work is in the collections of the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Museum of Fine Arts in Houston and Hood Museum at Dartmouth College, among other collections.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

His work has been included in the 2004 Whitney Biennial and in solo exhibitions at the Kunsthalle Zurich, Switzerland (2006); Whitney Museum of American Art, NY (2007); Museo de Arte Contemporaneo de Castilla, Leon, Spain (2008); Schirn Kunsthalle, Frankfurt, Germany (2011) and in the permanent collections of the Museum of Modern Art, NY; Tate Modern, London and many others.

Related review look at «Rhapsody» when it entered The Museum of Modern Art in 2006 as part of the Edward R. Broida collection and at the pastels in «Hospital.»

Her works are included in many prominent collections and have been exhibited both nationally and internationally at MASS MoCA in North Adams, Massachusetts; the Museum of Modern Art in New York; the San Francisco Museum of Modern Art in California; and Castello di Rivoli in Turin, Italy, among others.

Hancock's work is in the permanent collections of several prestigious museums, including the Brooklyn Museum, NY; Baltimore Museum of Art, MD; Columbus Museum of Art, OH; The Contemporary Museum, Honolulu; The Cooper - Hewitt National Design Museum, New York; Dallas Museum of Art, TX; High Museum of Art, Atlanta; Hudson Valley Center for Contemporary Art, Peekskill; Kemper Modern Art Museum of Fort Worth, TX; Museum of Contemporary Art, Kansas City; Museum of Fine Arts, Houston, TX; Museo di arte moderna e contemporanea, Trento, Italy; Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; Museum of Art, Rhode Island School of Design, Providence; Museum of Fine Arts, Houston; Museum of Modern Art, New York; New Orleans Museum of Art, LA; San Francisco Museum of Modern Art, CA; Sheldon Museum of Art, Lincoln; Smith College Museum of Art, Northampton; The Studio Museum in Harlem, New York; University of Texas at Austin Jack S. Blanton Museum of Art, TX; Virginia Museum of Fine Arts, VA; Warhol Museum, Pittsburgh; Wexner Center for the Arts at the Ohio State University, Columbus; The Whitney Museum of American Art, New York; and the Wichita State University, Ulrich Museum of Art, KS.

Bartlett has been a commercial success since the 1970s when her highly acclaimed artwork, Rhapsody (1975 - 76, collection Museum of Modern Art), a painting based on geometry and the figural motifs of house, tree, mountain, and sea on 987 gridded, enameled steel plates was shown in May 1976 at the Paula Cooper Gallery in New York.