Sentences with phrase «modern art history books»

With a vision to spearhead ground - breaking exhibitions and support the careers of then unrecognised talent, Denise René ascertained her place in modern art history books with the 1955 exhibition Le Mouvement by featuring younger artists and showcasing them alongside already established ones such as Alexander Calder and Marcel Duchamp.

Not exact matches

He and his wife, Dr. Kristin Thompson (who has a book coming out called «Frodo, Fantasy and Franchises: The Lord of the Rings and Modern Hollywood»), are also the authors of the two most popular film textbooks, «Film Art» and «Film History.»

Special midsection on art direction, Stephen Schiff on modern women in film, 1981 film in review, book reviews, David Cronenberg's Videodrome, Hollywood's epic histories of American radicals in Ragtime and Reds, Peter Greenaway, Jean Eustache, Jon Jost

The search results are great and cover various categories such as classics, textbooks, math & science, children's books, philosophy & religion, plays, modern fiction, fantasy & romance, foreign language, history & culture, arts & entertainment, mystery and poetry.

Past, present and future collide in glorious ways in these art and photography books, whether it's a modern photographer witnessing history come alive on Civil War battlefields or a discussion of why the Yellow Brick Road was yellow in The Wizard of Oz.

As for the art book, its content has yet to be finalized, but we're expecting to cover as much of the series» modern history as we can.

There are books on shelves, in file containers along the stairway, piled in laundry baskets — and they reflect the range of his interests: Painting in the Twentieth Century, Rebels against Slavery, The End of Blackness, Invisible Man, Theories of Modern Art, African Art, Against Race, A Rumor of Revolt, A Different Mirror: A History of Multicultural America, The Salt Eaters, Of Grammatology, Black Empire, A Commentary on Heidegger's «Being and Time», The Future of the Race.

Kim Conaty, Curatorial Assistant, Department of Prints and Illustrated Books, Museum of Modern Art, will trace a brief history of artists» posters, situating East German Künstlerplakate within it.

This week: Dr. Robert Cozzolino Senior Curator and Curator of Modern Art, at the Pennsylvania Academy of the Fine Arts talks the forthcoming UofC Press book on the History of art in Chicago and moArt, at the Pennsylvania Academy of the Fine Arts talks the forthcoming UofC Press book on the History of art in Chicago and moart in Chicago and more!

Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Cameron Art Museum, Wilmington, NC Colby College Museum of Art, Colby College, Waterville, ME Hampton University Museum, Hampton University, Hampton, VA Harvard Art Museums, Harvard University, Cambridge, MA La Salle University Art Museum, La Salle University, Philadelphia, PA Library of Congress, Washington, DC The Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY Nasher Museum of Art, Duke University, Durham, NC National Collections of France, Ministry of Culture, Paris, France National Museum of African American History & Culture, Smithsonian Institution, Washington, DC Newark Museum, Newark, NJ New Orleans Museum of Art, New Orleans, LA New - York Historical Society Museum & Library, New York, NY The Galleries at Pasadena City College, Pasadena City College, Pasadena, CA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Art Alliance, Philadelphia, PA Philadelphia Board of Education, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Ruth Chandler Williamson Gallery, Scripps College, Claremont Colleges, Claremont, CA St. John's University, Queens, NY Smithsonian American Art Museum, Washington, DC Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA The State Museum of Pennsylvania, Harrisburg, PA The Studio Museum in Harlem, New York, NY United States General Services Administration, Washington, DC

Books - Forewords / Catalogue Essays Reduced Shakespeare Company «Reduced History of Art» project, AAF, 2014 Alan Gouk, New Small Paintings, 2014, HSoA Kelvin Okafor, Albemarle Gallery, 2014 Deborah Azzopardi, Cork Street, 2014 McAlpine Miller «MIRROR MIRROR» 2014 & «Altered Images» 2013, Washington Green Castle Fine Art Jane McAdam Freud «Family Matters», Gazelli Gallery, Mayfair, 2012 Simon Gudgeon, Isis sculpture Serpentine Hyde Park, 2012 Martin Yeoman, Petleys Gallery Mayfair, 2011 Izabella Kay, Cork Street, 2011 Henry Moore at Work Noa Lidor «Doubting Thomas», Madrid Osvaldo Mariscotti, New York Hampstead Artist» Council 50thAnniversary Learn As You Colour Modern Art for Children

2016 Passages in Modern Art: 1946 - 1996, Dallas Museum of Art, Dallas, TX Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY 2017 Delirious: Art at the Limits of Reason, 1950 - 1980, The Metropolitan Museum of Art - Met Breuer, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY Body of Work, Honolulu Museum of Art, Honolulu, HI Beyond Boundaries: Feminine Forms, Pennsylvania Academy of the Fine Arts, Philadelphia, PA An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017, Whitney Museum of American Art, New York, NY Pratt Survey Exhibition Part 1: Camerado, this is no book, Dekalb Art Gallery, Pratt Institute, Brooklyn, NY 1072 Society Exhibition, Jule Collins Smith Museum of Fine Art, Auburn University, Auburn, AL Figuratively Speaking, Michael Rosenfeld Gallery LLC, New York, NY

At a glance, it felt like perusing a chapter of a book on modern art history: primary colors, geometric shapes (or almost)-- everything was there.

Dallas Collects: Impressionist and Early Modern Masters: An Exhibition Celebrating the Seventy - Fifth Anniversary of the Dallas Museum of Fine Arts, book, 1978; (https://texashistory.unt.edu/ark:/67531/metapth176538/m1/1/: accessed May 13, 2018), University of North Texas Libraries, The Portal to Texas History, texashistory.unt.edu;.

The winners of the Pierre Daix Prize, a new award given to an art history book covering modern or contemporary art, was announced in a ceremony at the Musée Picasso in Paris, earlier today.

The eight curator / co-authors will be on hand at the Museum of Modern Art's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroart experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroart experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going strong.

His writing on photography, landscapes, and American history has appeared in Artforum, Art in America, Frieze, Aperture, the Village Voice, and other periodicals; in books published by MIT Press, Phaidon, the Museum of Modern Art, the Whitney Museum of American Art, the Moderna Museet, and others; and in numerous artist books.

David Joselit is Carnegie Professor of History of Modern Art and Culture in the Department of the History of Art at Yale University, and author of books including «Infinite Regress: Marcel Duchamp, 1910 - 1941», «American Art Since 1945», and most recently «Feedback: Television Against Democracy».

His work is published in various books including History of Modern Art by Arnason H.H., The Aesthete in the City by David Carrier, Beyond Piety by Jeremy Gilbert Rolfe, and Art Speak by Robert Atkins.

The Home of My Eyes, Museo Correr, Venice, Italy Dreamers, Dirimart, Istanbul, Turkey Shirin Neshat, Es Baluard, Palma, Majorca, Spain 2016 Shirin Neshat, Dirimart, Istanbul, Turkey Shirin Neshat, Goodman Gallery, Johannesburg, South Africa 2015 Shirin Neshat: The Home of My Eyes, Yarat Art Center, Baku, Azerbaijan Shirin Neshat: Facing History, Hirshhorn Museum and Sculpture Garden, Washington D.C. 2014 Shirin Neshat: Afterwards Mathaf: Arab Museum of Modern Art, Doha, Qatar Shirin Neshat, National Museum of Modern and Contemporary Art, Seoul Shirin Neshat, Mücsarnok Kunsthalle, Budapest Shirin Neshat: Our House is on Fire, Rauschenberg Foundation Project Space, New York 2013 Shirin Neshat: Written on the Body, Espacio Fundación Telefónica, Madrid Shirin Neshat, Dirimart, Istanbul The Book of Kings, Faurschou Foundation, Beijing Shirin Neshat, Detroit Institute of Arts, Detroit, Michigan 2012 Games of Desire, Art Plural Gallery, Singapore The Book of Kings, Gladstone Gallery, New York The Book of Kings, Galerie Jerome de Noirmont, Paris

More of a coffee table book than a beach - read, Honar: The Afkhami Collection of Modern and Contemporary Iranian Art is an invaluable look into a rich and textured history of art that's unfortunately overlooked in Western museuArt is an invaluable look into a rich and textured history of art that's unfortunately overlooked in Western museuart that's unfortunately overlooked in Western museums.

The emporium is a microcosm of the gallery: mixing books about art history with well - designed products, such as brightly coloured bags and mugs, it makes the once - formidable area of modern art seem accessible, aspirational and friendly.

The direct appeal to the senses is unabated — in this book, the catalogue for a current exhibition at Danish Louisiana Museum of Modern Art — the movement's place in (pre-digital) cultural history, its heritage in contemporary art and the appeal it still holds is discussed in essays by Tine Colstrup, Matthieu Poirier and Joe HoustArt — the movement's place in (pre-digital) cultural history, its heritage in contemporary art and the appeal it still holds is discussed in essays by Tine Colstrup, Matthieu Poirier and Joe Houstart and the appeal it still holds is discussed in essays by Tine Colstrup, Matthieu Poirier and Joe Houston.

The exhibition comprises 63 framed original illustrations with text from four of Matisse's most significant books, including his famous «Jazz» (1947), one of the most celebrated artists» books in the history of modern art.

A Professor at the University of Virginia (1938 - 50), and chief art critic for the influential New York Times newspaper (1958 - 74), Canaday also wrote several influential books on the history of art, notably Mainstreams of Modern Art: David to Picasso (1959), winner of the Athenaeum Literary Award and a standard text in art schools for many yeaart critic for the influential New York Times newspaper (1958 - 74), Canaday also wrote several influential books on the history of art, notably Mainstreams of Modern Art: David to Picasso (1959), winner of the Athenaeum Literary Award and a standard text in art schools for many yeaart, notably Mainstreams of Modern Art: David to Picasso (1959), winner of the Athenaeum Literary Award and a standard text in art schools for many yeaArt: David to Picasso (1959), winner of the Athenaeum Literary Award and a standard text in art schools for many yeaart schools for many years.

Newman has been profiled extensively in domestic and international magazines and is featured in photographic books and histories of photography, including the Museum of Modern Art's History of Photography and Masterpieces From the Museum's Collection, Encyclopedia Britannica, Who's Who in the World, etc..

[4] The use of these many philosophies show a «cross-cultural exchange» [5] and resulted in the production of many of his works such as «A Concise History of Modern Art» after Two Minutes in the Washing Machine and A «Book Washing» Project.

A «Book Washing» Project is a project very similar to A Concise History of Modern Art but came three years earlier than Two Minutes in the Washing Machine.

His books include Scene jezika [Scenes of language](Belgrade, 1989), Pas Tout (Buffalo, 1994), Prolegomena za analitičku estetiku [Prolegomena for analytical aesthetics](Novi Sad, 1995), Postmoderna [Postmodernism](Belgrade, 1995), Asimetrični drugi [The asymmetrical other](Novi Sad, 1996), Estetika apstraktnog slikarstva [Aesthetics of abstract painting](Belgrade, 1998), Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950 [Glossary of modern and post-modern visual arts and theory after 1950](Belgrade and Novi Sad, 1999), Paragrami tela / figure [Paragrams of body / figure](Belgrade, 2001), Anatomija angelova [Anatomy of angels](Ljubljana, 2001), Figura, askeza in perverzija [Figure, asceticism and perversion](Koper, 2001), Martek — Fatalne figure umjetnika: Eseji o umjetnosti i kulturi XX stoljeća u Jugoistočnoj, Istočnoj i Srednjoj Europi kroz djelovanje umjetnika Vlade Marteka [Martek — Fatal figures of the artist: essays on 20th - century art and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etart and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etart](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etart](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etArt (Belgrade, 2008) etc..

Talk: «An Evening with Naeem Mohaiemen» at Museum of Modern Art The title of Naeem Mohaiemen's current exhibition at MoMA PS1, «There Is No Last Man,» is a direct rebuke of Francis Fukuyama's landmark 1992 book The End of History and the Last Man, which served as a guide for two decades of post-Cold War neoliberal thought.

He has been responsible for an impressive list of catalogues and books, and, in 2004, he was the winner of the Mitchell Prize for the History of Art in the «Best Art Book» category for his critically acclaimed Patriotic Taste: Collecting Modern Art in Pre-Revolutionary Paris.

The book is packed with great examples from history, ancient and modern, of how rhetoric (defined by Churchill, as Romm informs us, as «The subtle art of combining the various elements that separately mean nothing and collectively mean so much in an harmonious proportion») serves as the scaffolding of effective communication.