Sentences with phrase «modern art movement which»

Fauvism was a typical French modern art movement which started simultaneously with Cubism and Futurism.

You find here artist quotes on the history facts and the characteristics of Expressionism, the modern art movement which broke with Impressionism painting.

Constructivism was the modern art movement which developed during the revolutionary years of the early communist Soviet Union.

Impressionism was the first modern art movement which started circa in the midst of the 19th century.

Dadaism was the most revolting modern art movement which started in Switzerland and Germany, reacting on World War 1.

Not exact matches

In a tip of the cap to the Berliner Weisse style, which was wildly popular in Germany during the 19th century, the beer features label art inspired by the Steampunk movement — a mashup of the 1800s with modern technology.

This was his thorough ground to develop Futurism as a new art movement and to call for Futurist art, which could express these new phenomena of the modern times!

The National Art Museum of Catalonia (MNAC) is Barcelona's and Catalonia's most important art museum which holds impressive collections from the Romanesque period all the way to the 20th century modern art and the avant - garde movemeArt Museum of Catalonia (MNAC) is Barcelona's and Catalonia's most important art museum which holds impressive collections from the Romanesque period all the way to the 20th century modern art and the avant - garde movemeart museum which holds impressive collections from the Romanesque period all the way to the 20th century modern art and the avant - garde movemeart and the avant - garde movement.

In 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movement.

By 1911 Cubism attracted a long list of adherents and became the important international measuring stick against which all the modern art movements and important avant garde ideas were weighed.

The work was celebrated at the time for the sheer velocity of movement with which the eye roves the canvas, pointing to de Kooning's interest in creating simultaneous foci, what art historian John Elderfield describes as «multiple centers of interest, and therefore a continual distraction, of vision being shuttled about the surface, so that it may rest anywhere but can settle nowhere» (J. Elderfield, «Space to Paint,» de Kooning: a Retrospective, Museum of Modern Art, New York, 2011, p. 2art historian John Elderfield describes as «multiple centers of interest, and therefore a continual distraction, of vision being shuttled about the surface, so that it may rest anywhere but can settle nowhere» (J. Elderfield, «Space to Paint,» de Kooning: a Retrospective, Museum of Modern Art, New York, 2011, p. 2Art, New York, 2011, p. 25).

The exhibition, which reflects the gallery's focus on both Modern and contemporary art, will encompass a variety of schools and movements (such as the Cubists and British Modernists) and will feature artists who are contemporaries of, or influenced by, one another.

The Pierre Matisse Gallery, which existed until his death in 1989, became an influential part of the Modern Art movement in America.

The Brooklyn Museum has been at the forefront of presenting Korean modern art since the seminal 1981 exhibition Korean Drawing Now, which featured many artists of the Dansaekwa (monochrome painting) movement popular in the 1970s and 1980s.

Significantly, the group came to maturity along with the Museum of Arts and Design itself, which was founded in 1956 as the center of the emerging American modern craft movement.

The history of modern art, from dada onwards, is littered with movements whose subversive force has been emasculated by cultural acceptance, a fact of which the artists here are painfully aware.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Two decades later, poet and critic Charles Baudelaire recognized flânerie as the powerful engine of a new art movement in Paris and, inspired by Poe's man of the crowd, promoted it in his landmark 1863 essay «The Painter of Modern Life,» which heralded the arrival of the quintessential artist - flâneurs — the French impressionists.

A highlight will be four paintings from the Museum of Modern Art's groundbreaking 1965 exhibition The Responsive Eye, curated by William Seitz, which placed optical, kinetic, and concrete art into one perception - based movement which the press dubbed «Op Art.&raqArt's groundbreaking 1965 exhibition The Responsive Eye, curated by William Seitz, which placed optical, kinetic, and concrete art into one perception - based movement which the press dubbed «Op Art.&raqart into one perception - based movement which the press dubbed «Op Art.&raqArt.»

As a painter of the Op Art movement, his first solo exhibition, «Optical Paintings,» opened on October 5, 1964 at the Terrain Gallery in New York, after which he exhibited a painting at the Museum of Modern Art's Responsive Eye show, which remains in MOMA's permanent collection.

In 2010, the San Francisco Museum of Modern Art canonized these high - octane, formerly underground artists in a wall text which stated that the Mission school was «the most significant art movement to emerge out of San Francisco in the late twentieth century.&raqArt canonized these high - octane, formerly underground artists in a wall text which stated that the Mission school was «the most significant art movement to emerge out of San Francisco in the late twentieth century.&raqart movement to emerge out of San Francisco in the late twentieth century.»

He first came to wide public recognition when he was included in the enormously popular exhibition The Responsive Eye at the Museum of Modern Art, New York, 1965, which greatly contributed to the public awareness of the Op Art movement.

An important influence on modern art painting in the United States, Precisionism was an American movement (also referred to as Cubist Realism) whose focus was modern industry and urban landscapes, characterized by the realistic depiction of objects but in a manner which also highlighted their geometric form.

The first international modern art movement to come out of America (it is sometimes referred to as The New York School - see also American art), it was a predominantly abstract style of painting which followed an expressionist colour - driven direction, rather than a Cubist idiom, although it also includes a number of other styles, making it more of a general movement.

The artist's personal story — her migration to America, her initial struggle as a woman artist, and the march of modern art movements such as Cubism, Surrealism, Abstract Expressionism, Minimalism, feminism, and installation — form a rich platform from which to view Nevelson's compelling sculpture.

[10] By the late 19th century, additional movements which were to be influential in modern art had begun to emerge: post-Impressionism as well as Symbolism.

According to the National Trust for Historic Preservation, which named the Whitney Studio a National Treasure in 2014, Whitney's work to showcase American art at the studio spurred the modern art movement in the United States, and in 1929 the space became the original site of the Whitney Museum of American Aart at the studio spurred the modern art movement in the United States, and in 1929 the space became the original site of the Whitney Museum of American Aart movement in the United States, and in 1929 the space became the original site of the Whitney Museum of American ArtArt.

More importantly, Pop - art was (and still is) one of the most popular styles of art, which succeeded in getting through to the general public in a way that few modern art movements did - or have done since.

In visual art, the term «late modernism» refers to movements or trends which reject some aspect of «modern art», but which otherwise remain within the modernist tradition.

The classically trained French painter, printmaker and designer Andre Masson was one of the leading figures within the Surrealism movement, which dominated modern art in Europe during the interwar years.

It includes works by Philadelphia - born artists such as Man Ray and Alexander Calder who became prominent abroad, where they were closely aligned with modern movements in Europe, and others who remained in the city in which the Pennsylvania Academy of the Fine Arts provided a center of energy and a place to teach.

In effect, he was a link between the action - painting of Jackson Pollock and the emergence of 1960s modern art movements like Pop and Conceptualism, in all of which he was an active participant.

The Ab Ex NY App utilizes the technological capabilities of the iPad to foster enjoyment and understanding of major works of art from the Abstract Expressionist movement, which catapulted New York City to the center of the international art world in the 1950s and had a lasting influence on the history of modern art.

FINALLY CONQUER that embarrassing IGNORANCE of modern art history by understanding which artistic movement was «the last stand of the isolated artistic self in a climate of conformity and increasing objectification created by techniques of mass control.»

Seery's work was featured in this exhibition which was largely viewed as the birth of a movement within modern art.

Hofmann was a well established German artist who had founded the Berlin Secession (1898) which was the first open revolt against academic traditions and paved the way for modern German art movements such as Expressionism.

The next really avant - garde school was Impressionism, - the first major movement of modern art - which turned colour conventions upside down.

In doing so I risk perhaps being unjust to important works or to aspects of art which are generally not comprised within the so - called modern movement.

Rustic Modern, Craftsman, Japanese architecture, Greene and Greene, an architecture firm of the early 20th century which greatly influenced the American Arts and Crafts movement as well as aspects of Contemporary in regards to functionality, space saving techniques and energy efficiency.