Sentences with phrase «modern art scene including»

EXPO CHICAGO's VIPs receive insider access to the fair as well as a tailored itinerary exploring Chicago's contemporary and modern art scene including special visits to the city's top private collections, artist studios, curator led tours of the nation's top institutions as well as invitation only receptions with fellow art aficionados.

Not exact matches

With Table Mountain and the Cape of Good Hope both in close proximity, nature is never far away, but within the city itself, you'll find plenty of urban charm, such as a world - class restaurant scene, fashionable shops, and modern art galleries, including the newly opened Zeitz Museum of Contemporary Art Afriart galleries, including the newly opened Zeitz Museum of Contemporary Art AfriArt Africa.

Included by Robertson in «Private View» (Thames & Hudson), a book surveying British contemporary art scene; also selected for «The English Eye», Robertson's personal anthology of modern British art for Marlborough - Gerson Gallery in New York.

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

It was a diverse scene that held out a hint of utopian promise at a time when Abstract Expressionism was waning and new categories had not yet hardened: It included many more women than the uptown art world; it was not completely white; abstraction and figuration jostled side by side (if not always comfortably), along with genre - bending sculpture; and the gloriously messy birth of modern performance art took place in the midst of it all.

As a specialist, he is especially committed to Southeast Asian Modern Art, having been involved in numerous successes, including sale of the Joe Borkin collection of Affandi's for $ 2,870,000 and a new world auction record for a work by Rudolf Bonnet, A Market Scene which fetched $ 996,000.

Other notable exhibitions include: Jeunes créateurs à New York, Musée d'Art moderne de Saint - Etienne, Saint - Etienne (2014), Draw Gym, 247365, Brooklyn, NY (2013), Dadarhea, curated by Jim Drain and Devin Flynn, CANADA, New York (2011); New York Minute: 60 Artists on the New York Scene, curated by Kathy Grayson, MACRO Museum, Rome (2009); Book / Shelf, Museum of Modern Art, New York (2008); Wordless Chorus performance with Larissa Velez, Dark Fair, Swiss Institute (2008).

Experimental filmmaker Bruce Conner, who emerged from the San Francisco scene in the Beat era of the late 1950s and died in 2008, is having the first retrospective of his life's work, «Bruce Conner: It's All True,» which includes paintings, assemblages, drawings, photography and performance, at New York's Museum of Modern Art through October 2.

The New Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

Oglethorpe offers an exhibition of works by early - 20th - century artists depicting gritty scenes of old New York including John Sloan, Reginald Marsh, George Luks, Robert Henri and George Bellows culled from private collections within the Atlanta metro area, the High Museum of Art and The Museum of Modern Art, New York.

Selected recent performances, exhibitions, and film screenings include: Weddings and Babies, Pilar Corrias Gallery, London (2017); The Next Step, Two Queens, Leicester (2016); Alice Theobald and Atomik Architecture, BALTIC Ryder Commission, BALTIC Centre for Contemporary Art, Gateshead (2016); You've got my back and I'm on your side, FRAC Champagne - Ardenne, Reims (2016); The boys the girls and the political, Lisson Gallery, London (2015); The Fifth Artist, Wysing Arts Centre, Cambridge (2015); Scene Four: Home, Flat Time House, London (2015); Dear Luxembourg (yours, bucktoothed grl), Nosbaum Reding Projects, Luxembourg (2015); Marmalade Me, South London Gallery, London (2014); I've said yes now, that's it., Outpost, Norwich (2014) and Chisenhale Gallery, London (2014); AFTER / HOURS / DROP / BOX, Modern Art Oxford, Oxford (2013) and Spike Island, Bristol (2014); Young London, V22, London (2013); They Keep Putting Words In My Mouth!

Major group shows include; «56th International Art Exhibition - All the World's Futures», Venice Biennale, Venice, Italy (2015); «Scenes for a New Heritage: Contemporary Art from the Collection», Museum of Modern Art, New York, USA (2015); «Under the Clouds», Serralves Museum, Porto, Portugal (2015); «MANIFESTA 10, The European Biennial of Contemporary Art», Saint - Petersburg, Russia (2014); «The Human Factor», Hayward Gallery, London, England (2014); «1984 - 1999.

The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.

Museum group shows include We Stared at the Moon from the Centre of the Sun, Towner Art Gallery, Sussex (2018); Strange Days, frac île - de-france, Paris (2017); Klappe eins, Affe tot, Kunstsaele Berlin, Berlin (2016); Concrete, John Hansard Gallery, Southampton (2015); L'Image Papillon, MUDAM, Luxembourg (2013); The Space Between, Tate Britain, London (2012); All of this and Nothing, Hammer Museum, Los Angeles (2011); British Art Show 7, Hayward Gallery, London (2010); and Setting the Scene, Tate Modern, London.

Other exhibitions include «Sinking Holes, Circles, Holes and Other Holes», Künstlerhaus Bethanien, Berlin; «NORMALITY IS THE NEW AVANT - GARDE», Kópavogur Art Museum, Gerðarsafn; «Artists «Books for Everything», Weserburg Museum of Modern Art, Bremen; «Dislocating Surfaces — New Scandinavian Photography», Kunstnernes Hus, Oslo; «Proposals for Commissioned Work», Bruch & Dallas, Cologne; «Books & Co.», Gagosian Gallery, Beverly Hills; «The Library of Babel / In and Out of Place», Zabludowicz Collection, London; «A Book Between Two Stools», Boghossian Foundation, Brussel; «A Narrow Scene of Hypothetical Circumstances», Fotogalleriet, Oslo; «The Drawing Biennale», Galleri Format, Oslo and «Norwegian Sculpture Biennale», The Vigeland Museum, Oslo.

In addition to the news, it publishes reviews and commentary by major players in the art scene, including Nicholas Serota, the outgoing director of the Tate, Glenn Lowry, the director of the Museum of Modern Art, New York, Venice Biennale curator Robert Storr, and many moart scene, including Nicholas Serota, the outgoing director of the Tate, Glenn Lowry, the director of the Museum of Modern Art, New York, Venice Biennale curator Robert Storr, and many moArt, New York, Venice Biennale curator Robert Storr, and many more.

Group exhibitions include: Languages and Experimentations, Mart, Rovereto (2010), Richard Prince and the Revolution (curated by Jonathan Monk), ProjecteSD, Barcelona, The Associates, Dundee Contemporary Arts, Dundee (both 2009), Contemporary Scottish Art: New Acquistitions & Loans, Scottish National Gallery of Modern Art, Edinburgh, On Interchange / Interludes of a Collection, Museum Kurhaus Kleve, Kleve (both 2008), Tate Triennial: New British Art, Tate Britain, London (2006), The Last Generation, Apex Art, New York, Solo Show Solo Soul, FRAC Haute - Normandie, Rouen, Herald Street & The Modern Institute present, GBE, New York, Theorema, Collection Lambert: Musèe d'art d'Avignon, Avignon (all 2005), Genesis Sculpture, Domaine Pommery, Reims (2004), Context, Form, Troy (Young Scene 03), Secession, Vienna (2003).

On the reason of ART PARIS ART FAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniART PARIS ART FAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniART FAIR 2016, we discussed with Mr. Guillaume Piens, who took over as Artistic Director of the Institution since 2011, for his vision and how he managed to renew Art Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt Paris Art Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt Fair, creating a connection between Modern and Contemporary Art, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt, with tributes to the East and Galleries across Europe... He also explain us, how Paris and French artists going throw to International Contemporary Art Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioniArt Scene, in a different way from the London of «90s or the Berlin of 00's, considering the different boundaries, and the way that the major French Collectors including Francois Pinault and Bernard Arnault are functioning.

Select group exhibitions featuring his work include Creature, The Broad, Los Angeles (2016); America Is Hard to See, Whitney Museum of American Art, New York (2015); Disembodied, Cleveland Museum of Art, Cleveland, OH (2013); Mike Kelley, Centre Georges Pompidou, Paris (2013); The Royal Family, Hayward Gallery Project Space, London (2012); Off the Wall: Part 1 — Thirty Performative Actions, Whitney Museum of American Art, New York (2010); Spazio: The Scene and the Imaginary, Museo Nazionale delle arti del XXI Secolo, Rome (2010); Looking at Music, The Museum of Modern Art, New York (2008); and California Video, J. Paul Getty Museum, Los Angeles (2008).

Organizes several exhibitions at the Whitney Museum of American Art and wrote the accompanying catalog, including: «American Genre: The Social Scene in Paintings and Prints (1800 - 1935)» (1935); «Winslow Homer: Centenary Exhibition» (1936); «A Century of American Landscape Painting 1800 to 1900» (1938); «Pioneers of Modern Art in America» (1946); «Ralph Albert Blakelock: Centenary Exhibition» (1947); «Albert P. Ryder: Centenary Exhibition» (1947); «Yasuo Kuniyoshi» (1948); «Max Weber» (1949); «Edward Hopper» (1949); «John Sloan» (1952); «Reginald Marsh» (1955); «Four American Expressionists: Doris Caesar, Chaim Gross, Karl Knaths, Abraham Rattner» with John I. H. Baur (1959); «Edward Hopper» (1964); «Edwin Dickinson» (1965); «Art of the United States, 1670 - 1966» (1966); «Raphael Soyer» (1967); «The Graphic Art of Winslow Homer» (1968); «John Heliker» with Patricia FitzGerald Mandel (1968); «Georgia O'Keeffe» with Doris Bry (1970); «Edward Hopper» (1971); «Winslow Homer» (1973); and «Winslow Homer in Monochrome» with Abigail Booth Gerdts (1986).

In 1959 Leo Castelli became his representative and four of his paintings from the period were included in the pivotal Sixteen Americans exhibition at the Museum of Modern Art in 1959 - 1960; Stella's presence in the New York art scene was thus establishArt in 1959 - 1960; Stella's presence in the New York art scene was thus establishart scene was thus established.

Held at the start of the year, Himid's show at Modern Art Oxford was the first survey of her career and included works such as Swallow Hard: The Lancaster Dinner Service (2007), which uses traditional porcelain painted with scenes inspired by the satirical English cartoonist, James Gillray, to comment on Britain's role in the history of slavery.

A past Marcel Duchamp Prize finalist, Céleste Boursier - Mougenot's work has been presented in major exhibitions by leading museums and galleries internationally, including solo exhibitions at the Barbican Centre (London), Hangar Bicocca (Milan), La Maison Rouge (Paris), Pinacoteca do Estado (Sao Paulo), FRAC (Reims), Chagall Museum (Nice), and a group exhibitions including Art & Music: Search for New Synethesia, Museum od contemporary art, Tokyo, 2012; French art Today, National Museum of Contemporary Art, Seoul, 2011; My Paris — Collection Antoine de Galbert / The French Scene, me collectors room, Berlin, 2011; 21st Century: Art in the First Decade, Queensland Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 20Art & Music: Search for New Synethesia, Museum od contemporary art, Tokyo, 2012; French art Today, National Museum of Contemporary Art, Seoul, 2011; My Paris — Collection Antoine de Galbert / The French Scene, me collectors room, Berlin, 2011; 21st Century: Art in the First Decade, Queensland Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 20art, Tokyo, 2012; French art Today, National Museum of Contemporary Art, Seoul, 2011; My Paris — Collection Antoine de Galbert / The French Scene, me collectors room, Berlin, 2011; 21st Century: Art in the First Decade, Queensland Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 20art Today, National Museum of Contemporary Art, Seoul, 2011; My Paris — Collection Antoine de Galbert / The French Scene, me collectors room, Berlin, 2011; 21st Century: Art in the First Decade, Queensland Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 20Art, Seoul, 2011; My Paris — Collection Antoine de Galbert / The French Scene, me collectors room, Berlin, 2011; 21st Century: Art in the First Decade, Queensland Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 20Art in the First Decade, Queensland Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 20Art Gallery / Gallery of Modern Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 20Art, Brisbane, 2010; and the 3rd Moscow Biennale, Moscow, 2009.

American Regionalism is an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small - town America primarily in the Midwest and Deep South.

His books include Scene jezika [Scenes of language](Belgrade, 1989), Pas Tout (Buffalo, 1994), Prolegomena za analitičku estetiku [Prolegomena for analytical aesthetics](Novi Sad, 1995), Postmoderna [Postmodernism](Belgrade, 1995), Asimetrični drugi [The asymmetrical other](Novi Sad, 1996), Estetika apstraktnog slikarstva [Aesthetics of abstract painting](Belgrade, 1998), Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950 [Glossary of modern and post-modern visual arts and theory after 1950](Belgrade and Novi Sad, 1999), Paragrami tela / figure [Paragrams of body / figure](Belgrade, 2001), Anatomija angelova [Anatomy of angels](Ljubljana, 2001), Figura, askeza in perverzija [Figure, asceticism and perversion](Koper, 2001), Martek — Fatalne figure umjetnika: Eseji o umjetnosti i kulturi XX stoljeća u Jugoistočnoj, Istočnoj i Srednjoj Europi kroz djelovanje umjetnika Vlade Marteka [Martek — Fatal figures of the artist: essays on 20th - century art and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etart and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etart](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etart](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etArt (Belgrade, 2008) etc..