Sentences with phrase «modern artist whose»

The inner workings of the modern artist whose complex, geometric, and interactive installations float above the ground

Such an eccentric move suits a modern artist whose work can resemble the relics of some bygone age: Dove's evocations of natural forces — particularly his omnipotent, pulsating suns — are primordial and unhewn.

Not exact matches

That is to say, expressionism had the power to communicate forcefully the images and the feeling of the artist; therefore, the great German expressionists, such as Emil Nolde, whose «Head of a Prophet» is one of the most powerful statements of the haunting and mysterious sense for Christ of modern art, evoke in us a response that is not the response of immediate and instant recognition.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life of the always provocative artist Chris Burden, whose work consistently challenged ideas about the limits and nature of modern art, from his notorious performances in the 1970s to his later assemblages, installations, kinetic and static sculptures, and scientific models.

Fresh off wigging - and - accenting his way through the role of would - be auteur Tommy Wiseau in his The Room tribute film The Disaster Artist, James Franco is gearing up to portray another modern Renaissance man — one whose efforts to wear multiple creative hats resulted in wide - spread acclaim, rather than ironic appreciation: cartoonist, poet, and songwriter Shel Silverstein.

In her debut novel, Prentiss takes a more modern tack as she explores the NYC art scene in the 1980s through the eyes of an art critic whose synesthesia has made him one of the most original writers around and an exiled Argentinian artist fleeing the Dirty War.

This last Saharan phenomenon has wowed everyone from Aldous Huxley, who described them in a Vogue essay as being «furred with a bright saline efflorescence,» to video artist Bill Viola, whose 1979 short on the largest flat, Chott El Djerid, is in the Museum of Modern Art film collection.

Savarino calls himself a modern abstract artist who works with «lots of texture and color» and whose style dictates the kinds of questions he asks potential customers.

«As such, Saturn Paintings extends the artist's concern with expressing the psychological and existential maladies of a modern age set adrift in seemingly boundless space and endless time, an age collectively grappling with questions about its significance in a universe whose secrets continue to elude us.»

It brings together painting, sculpture, and photography by iconic modern and contemporary artists whose work and ideas have changed the course of art history.

This conversation is with Karen Halverson, an artist that has been photographing for over 30 years whose work is in many prestigious collections including the San Francisco Museum of Modern Art, Smithsonian American Art Museum, the J. Paul Getty Museum, Beinecke Library at Yale University among others.

Minimalism emerged in the late 1950s when artists such as Frank Stella, whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous generation.

Picasso, Braque, Matisse, Léger, Gris, the Duchamp brothers, De Chirico, Modigliani, and Klee to name a few artists whose works set the stage for modern art in the twentieth century.

In the spring of 1985, seven women launched the Guerrilla Girls in response to the Museum of Modern Art's exhibition «An International Survey of Recent Painting and Sculpture» [1984), whose roster of 165 artists included only 13 women.

Danish - Icelandic artist and designer Olafur Eliasson, whose installations we have often featured on the site, is opening a solo show at Denmark's Louisiana Museum of Modern Art entitled «Ri

Representation of artists from diverse backgrounds — or a lack thereof — is an ongoing concern for museums, particularly those like the Whitney Museum of American Art, whose programme aims to cover the full scope of modern and contemporary art in the US.

Lubaina Himid is an artist whose recent and forthcoming exhibitions include: Modern History Vol.

«Journeys with The Waste Land» includes work by more than 60 artists who have been inspired by T.S. Eliot's great modern lament, or whose art resonates in the context of the poem.

He is a complete outsider and this incredible early work, whose sister work is hanging in the Walker Art Center, is made out of the artist's hair and vinyl discs, is completely modern and at the same time timeless.

Rauschenberg, who died in 2008 and whose work is the subject of a major retrospective that opened this month at Tate Modern, was an outspoken critic of auction houses and the outsize profits from which artists were excluded, making Ms. MacLear, who will become a vice chair of Sotheby's fine arts division, an unusual choice.

In the last few weeks, the Turner prize has given a platform to artists such as Michael Dean, whose installation at Tate Britain looks at modern poverty with the help of millions of pennies and a «family» made of corrugated iron.

The art and craft of the woodcut was a source of inspiration for a small, influential group of European and American artists whose work helped shape the modern book in the decades immediately preceding and following the turn of the twentieth century.

König Galerie will dedicate its Kabinett to Austrian Pop Art artist Kiki Kogelnik (b. 1935, d. 1997), whose work has recently received new appreciation following her inclusion in the major 2015 exhibition «The EY Exhibition: The World Goes Pop» at Tate Modern, London.

Loft Schulz's Joan of Arc is a different kind of believer: a girl whose dreams of becoming an artist lead her to modern - day New York.

At the same time, some artists who were presciently featured in the book, like the Indian painter Bhupen Khakhar (who recently received a stellar Tate Modern show) and the German Pop artist Michael Majerus (whose estate is now represented by Mathew Marks), are only recently getting their posthumous due.

Tracey Emin, Sarah Lucas and Mona Hatoum are among the artists of today whose work is linked with the surrealist movement of the 1920s and 30s by this exhibition; one of the first modern art movements to involve a significant number of women.

«I am eager to introduce audiences to the innovative perspectives of these four artists, whose work collectively took an important step forward in the progression of modern to contemporary art history and yet has never been shown together and will also be presented now for the first time in Israel.»

The history of modern art, from dada onwards, is littered with movements whose subversive force has been emasculated by cultural acceptance, a fact of which the artists here are painfully aware.

From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

Lukova, whose work has been featured in solo exhibitions worldwide and in permanent collections at the MoMA, the Library of Congress, and the Bibliotheque Nationale de France, was listed as number one in a Huffington Post article related to the MoMa exhibition titled «15 Women Artists Who Have Left Their Mark on Modern Design.»

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Rothko is a great artist, and so is Arshile Gorky, whose retrospective has just opened at Tate Modern.

The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.

Glenn Ligon on the influence of the celebrated artist, whose 50 - year retrospective opens at the Museum of Modern Art March 31.

Roxana Marcoci, Senior Curator in the Department of Photography at the Museum of Modern Art, however, kicked off FotoFocus with a keynote address about artist Louise Lawler, whose work sets the tone for what this year's FotoFocus theme, Photography: The Undocument, is all about.

After visiting a number of different galleries last week, I was struck by a few young artists whose paintings would indicate that they are responding to early modern art but not with irony.

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

Curators Klaus Biesenbach, Director of MoMA PS1 and Chief Curator at Large at The Museum of Modern Art, and Hans Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, have invited 14 international artists to each activate a room, exploring the relationship between space, time and physicality with an artwork whose «material» is a human being.

Another artist that was much sought after was Gerald Laing, currently showing as part of Tate Modern's «The World Goes Pop» exhibition, whose Commemoration (1965) had not been seen in public since 1965 and sold for # 1,202,500 / $ 1,860,268 / $ 1,630,590, breaking the artist's previous record set at Christie's last year.

Bright raw colors, rough edges and spontaneity define the seven paintings on view by established modern artists including Paul Jenkins, Syd Solomon, Robert Natkin and Stanley William Hayter — all who have enjoyed prominent exhibition histories and whose works are held in the permanent collections of top institutions including MoMA, the Guggenheim, the Whitney and the Tate.

The Quogue Gallery showcases modern and contemporary artists whose works include paintings and prints, photography and sculpture, with an emphasis on work either inspired by or created on the East End of Long Island.

The rehang of works by artists from the majority - Muslim nations whose citizens have been affected by Trump's immigration ban, fifth floor permanent collection galleries at The Museum of Modern Art

The show will be focusing on new works by the 78 - year old American artist Susan Weil, a respected figure in modern art history whose life story is truly extraordinary.

Georgia O'Keeffe is the star of Tate Modern's summer show, which aims to redefine the famed flower painter as an ambitious and influential artist whose multilayered images have Freudian possibilities.

Jordan Kantor is a San Francisco - based artist, whose work has been shown in numerous exhibitions, including at Churner and Churner, New York; The Williams College Museum of Art, Williamstown; Ratio 3, San Francisco; The San Francisco Museum of Modern Art; The Henry Art Gallery, Seattle; The Seattle Art Museum; Art Statements, Basel; Johnen Galerie, Berlin; Thomas Dane Gallery, London; and Artists Space, New York.

A specialist in modern and contemporary art Lowery Stokes Sims is known for her particular interest in a diverse and inclusive global art world and has supported a variety of artists whose identities and work reflect those values.

In her studio in Brooklyn she has collaborated with many well known artists whose prints are in contemporary print collections of the Museum of Modern Art, New York Public Library, Whitney Museum of American Art, Houston Museum of Fine Art, Boston Museum of Fine Art and the Metropolitan Museum of Art, among others.

An internationally renowned visual artist who has been showing in major museums of modern and contemporary art, and a distinguished thinker, Bracha L. Ettinger is also one of the world's leading theorists in the realm of art and philosophy of aesthetics, ethics, sexual difference and French psychoanalysis and feminism, whose writings have influenced film and literary thinking, queer studies, contemporary aesthetics and ethics, and art history.

Featuring more than 40 works by modern artists ranging from Mary Cassatt to Georgia O'Keeffe who paved the way for future generations of professional women artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mmodern artists ranging from Mary Cassatt to Georgia O'Keeffe who paved the way for future generations of professional women artists, Modern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mModern Women at PAFA presents paintings and sculptures by over 20 female artists whose works explore the following themes: motherhood and beauty; the natural landscape; self - portraiture; women in their community; women illustrators; and modern women in mmodern women in motion.