Sentences with phrase «modern audiences take»

Rather than booing their eyes out and denying the changing world around them they need to embrace it, only then way will modern audiences take their messages about sport and personal «achievement» seriously.

TheWrap's Alonso Duralde said Villeneuve crafted «many moments of breathless tension... Here's hoping modern audiences take to the new «Blade Runner» with more enthusiasm than they did in 1982, because this sequel proves that this world merits repeat visits.»

Not exact matches

Whenever you see old episodes of The Brady Brunch on Nick at Nite or whatever, one thought inevitably pops into your mind: This is pretty good, but I just wish somebody would take this beloved concept and update it for modern audiences.

«To have a movie like that where you pretty much take women out of the storyline would not resonate with modern audiences,» she says.

He took the opportunity to remind the audience that not only is he a Buddhist monk but that he is also an enthusiastic proponent of modern technology.

Our mothers, grandmothers, great grandmothers (depending on the age of my audience here) are always starting sentences with, «Back in my day», to which we generally take as our cue to tune out and start running scenes of Modern Family in our minds.

In their latest film The Farrelly Brothers have decided to provide a modern audience with an updated take on The Stooges, played spot - on by Will Sasso, Sean Hayes and Chris Diamantopoulos.

Birdman or (The Unexpected Virtue of Ignorance) is a brilliant directed film by Alejandro González Iñárritu, who manipulates the camera to give the illusion that the film is one continuous long take (which can get dizzying at times) giving a film that is resonate to a modern day audience as it examins these fictitious characters and their commentary on what it means to stay relevant.

Steve Martin's (Shopgirl, Cheaper by the Dozen) modern take will do little to change anyone's mind about that, but perhaps for a younger, less familiar audience, it might actually merit some interest.

The truth is that we found ourselves missing the old cast, but most audiences won't care: Star Trek works fine when taken on its own terms as a modern special effects - driven action flick.

Rosenbaum took the time to praise DVDs for giving modern audiences a first chance as it were to experience a wide variety of films, but Dave Kehr counter-argued in the comments on Kevin's blog, as well as at his own site.

The review, which you can check out on The Guardian, was written last year by verbose English writer Will Self and offers a somewhat jaded take on the relationship between critics and modern audiences.

A recent trend in screenwriting has been to take the plot of a time - honored work, usually a literary classic, set it in modern times, and inject a sense of hipness to attract an audience that may not be as familiar to the story to care how unoriginal it all is.

Into the Woods takes audiences on a wild ride through never land, with a modern twist on a number of the fairy tales written by the Brothers Grimm.

It's the modern day equivalent to 80s action films where the audience cheered on the heroes for beating bad guys heroes take down the unstoppable bully.

Some genre purists would certainly take issue with such an obvious effort to create new material by fusing the icons of literary classics, but Sommers» adrenalized upgrading for modern audiences isn't that different from Siodmak's first venture; the former's just over-cranked and way louder (aided by Alan Silvestri's outrageously bombastic score) in a 5.1 mix guaranteed to work out your home's subwoofer.

In this talk from legendary movie critic Leonard Maltin, audiences will be taken on a journey tracing the image of the Jew in films, from early stereotypes to cultural breakthroughs, from closeted stardom (Issur Demsky became Kirk Douglas, Betty Perske became Lauren Bacall) to modern - day box - office names like Ben Stiller and Adam Sandler.

Take a horrible or average, usually older movie and make it better for a modern audience or one in a different country.

Students at the University of Massachusetts took fables from Aesop's Fables Online Collection and reworked them for a modern audience, creating a Web site — Aesop's Fables — that offers both versions of the fables.

But given the modern audience profile who would take the course on Instructional Design skills, we migrated the course to a scenario - driven approach that would enable the learner to learn, practice, and apply their skills in the subject through interesting exercises and assessments.

Readers have been delighted by both companies that make foreign translations of English language books available, as well as companies like Le French Book that operate in reverse, taking modern - day bestselling French titles and making them available in English to US and UK audiences via ebook.

The four two - minute documentary - style films, created by BBC StoryWorks, BBC Advertising's commercial content production arm, challenge the perceptions of traditional Britain, offering a modern take on the stunning landscapes, fashion, culture and history, and will air on BBC's commercial, international news channel, BBC World News, to an American audience between October 2017 to March 2018.

New Doom takes us back to the spirit of the first two games, and remixes them for a modern audience.

«I am eager to introduce audiences to the innovative perspectives of these four artists, whose work collectively took an important step forward in the progression of modern to contemporary art history and yet has never been shown together and will also be presented now for the first time in Israel.»

Known for his massive installations built from industrial materials that take the menace implicit in Minimalism and throttle it into overdrive, the Polish Mirosław Bałka is well known on the European museum and biennial circuit — his 2009 work in Tate Modern's Turbine Hall, which resembled a monumental cattle car (with a ramp leading visitors into its pitch - black interior), stunned audiences — but he has only shown rarely in New York.

I know from experience, as I spent more than a decade writing a book — New Art City: Manhattan at Mid-Century — which takes in the studios and the streets, the artists and the audiences, the galleries and the museums, the ideas that had arrived from Europe and were transformed beneath the strong, clear light of this most modern metropolis.

Modern communication is characterized by a much more active role of the audience in selecting what information to take in.

The rotating bezel is still one of the most unique features on a smartwatch that takes something old (the dial on divers watches) and reworks it for a more modern audience who wants something «smarter.»

You'll note the range of audiences included in this lineup, from mass - circulation publications to the most elite magazines — the kind that might not normally be expected to take a psychotherapist's reflections about the state of modern relationship all that seriously.