His teams have also uncovered critical fossils indicating that the Antarctica maybe the center for the origin of
modern bird groups and many examples of marine reptiles including a unique skeleton of a baby plesiosaur (2005).
The study also gives paleontologists new reason to scrutinize early Paleocene rocks, not to mention existing museum collections, for signs of other representatives of
modern bird groups, Witmer says.
Not exact matches
«Larry Martin, a paleontologist from the University of Kansas, said clearly in 1985 that the archaeopteryx is not an ancestor of any
modern birds; instead, it's a member of a totally extinct
group of
birds.»»
Truthfollower: «Larry Martin, a paleontologist from the University of Kansas, said clearly in 1985 that the archaeopteryx is not an ancestor of any
modern birds; instead, it's a member of a totally extinct
group of
birds.»»
«The best explanation is that the long stiff feathers, which originated in this
group of dinosaurs and were similar to
modern bird feathers, could perform equally well as social signals when compared to the bony displays in T. rex or Dilophosaurus,» Gates surmises.
A
bird group named the Vegaviidae, which resembled
modern loons and geese, is the first identified with members that lived before and after the Cretaceous extinction
The most direct evidence comes from the tick grasping a feather that belonged to a theropod dinosaur, a member of the
group that ultimately gave rise to
modern birds.
Since then, more four - winged dinosaurs have been found, but doubt remained about whether they were direct ancestors of
modern birds, or just an unusual
group of dinobirds that later died out.
That discovery, combined with other fossil finds in North America that are related to chickens, turkeys, flamingos, and loons, among others, suggests that most major
groups of
modern birds originated and began to diversify before the K - T boundary.
The team suspected that diet might have played a part in the survival of the lineage that produced today's
birds, and they used dietary information and previously published
group relationships from
modern - day
birds to infer what their ancestors might have eaten.
«They're some of the closest relatives to
modern birds, and at the end of the Cretaceous, many went extinct, including the toothed
birds — but
modern crown -
group birds managed to survive the extinction.
The standard explanation is that the evolution of the
modern groups of mammals and
birds didn't get under way until after that.
Modern birds, a
group called Neornithes (a name that combines neo and a variant of ornis, the Greek words for «new» and «
bird,» respectively) are the most diverse and widespread vertebrates on Earth today.
Dunne continued: «We now know that the rainiforest collapse was crucial in paving the way for amniotes, the
group which ultimately gave rise to
modern mammals, reptiles and
birds, to become the dominant
group of land vertebrates during the Permian period and beyond.»
The petite 1.2 - metre - long Eoraptor followed a few years later; both were identified as very primitive two - legged predatory dinosaurs called theropods, a
group which ultimately gave rise to Tyrannosaurus rex and
modern birds.
They soon split into two distinct
groups: the lineage that led to
modern birds, called the ornithuromorphs, and the so - called opposite
birds, or enantiornithines, whose shoulder ball - and - socket joints connected in an inverse way from those of living
birds.
The international
group of researchers analyzed the genomes of 48 avian species that represent the evolutionary history of
modern birds and compared them to many other vertebrates to find DNA sequences specific to avians.
For decades, one theory dominated the world of paleontology:
Modern birds evolved from a wide - ranging
group of dinosaurs called theropods, of which the Tyrannosaurus rex was one.
Was Antarctica a site of the origins of certain
modern bird and mammal
groups?
But more distant
groups have proportionately fewer traits of
modern birds.
Mary Jane Ansell's new body of work, Of Dreams,
Birds, and Bones, weaves classic and
modern portraiture together by utilizing the same
group of models in different displays, using that consistency to show their evolution throughout her work.
Jamie Isaia (BFA 2003 Photography) Photographer; Filmmaker; Instructor SVA; films featured at ICA's
Birds Eye Festival, London, A Shaded View on Fashion film festival, Paris, San Francisco Fashion Film Festival and The Museum of
Modern Art, NYC; solo exhibitions at Les Rencontres d'Arles, Arles, France, M Project Gallery and Soho Grand Gallery, NYC;
group exhibitions at The Museum of
Modern Art, NYC; Institute of Contemporary Art, London; Dactyl Projects; and New York Art Academy; nominated for the Discovery Award at Les Recontres d'Arles; listed in Photo District News» 30 New and Emerging Photographers to Watch (2007); clients include W, Italian Vogue, Japanese Vogue, I - D, Dansk, Tank, Zac Posen, Saks Fifth Avenue, Wolford, Swarovski, Journelle and Rogan, Loeffler Randall.
Recent
group exhibitions include: Stag - Berlin / London, Dispari & Dispari, Reggio Emilia, Italy, 2013; Every
bird brings a different melody to the garden, No Format, London, 2013; System Painting Construction Archive, Lion and Lamb, London, 2013; Revealed: Government Art Collection, Ulster Museum, Belfast, 2013; The Space Between, Tate Britain, London, 2012/13; Towards a New Abstraction, Fondazione MACC, Museo d'Arte Contemporanea di Calasetta, Italy, 2012; British
Modern Remade: Style.
belonged to a
group of
birds known as «opposite
birds» — creatures that lived along with the ancestors of
modern birds.