Sentences with phrase «modern blockbuster»
The phrase "modern blockbuster" refers to big-budget movies that are extremely popular and widely watched by a large audience. These movies often have thrilling action, special effects, and are released by major studios. Full definition
These bonus moments have become a mainstay of modern blockbuster.
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And if they had, how could a big budget modern blockbuster make such a premise the least bit cinematic?
Alien: Covenant echoes Jurassic Park, The Evil Dead, and a movie Scott didn't make, James Cameron's Aliens, but the science fiction fueling its engines, and the science fate that steers the ending, amounts to a sadistic «fuck you» to humanity that's basically unheard of in modern blockbusters.
The two - disc Batman 25th Anniversary Blu - ray set will include a featurette that shows how Tim Burton's movie paved the way for modern blockbusters.
Like most modern blockbusters, Age of Ultron runs a little long, but fortunately there's not too much padding and its new characters grab shares of screen time in direct proportion to how entertaining they are.
So many modern blockbusters err on the side of hand - holding, underlining their plots and character motivations with consistent expository dialogue or overly defined narration.
During our superhero fatigue years of modern blockbuster cinema, the first Deadpool was certainly a breath of fresh air with how much glee it was willing to lampoon the genre's cliches while honestly delivering a bona fide example of its strengths.
In comparison with your average modern blockbuster, in which the story grinds to a halt every 15 minutes to make room for another eye - scorching set piece, there's very little action in the first Star Wars movie: an extended chase through the Death Star corridors, a perfunctory sword fight between two knightly codgers and a pair of space dogfights, and that's pretty much it.
Here Whedon and Goddard look like they're abandoning their convictions for what their film should be, and pandering to modern blockbuster viewers and their incessant craving for elaborate action sequences and expensive special effects.
It's fashionable, of course, to praise modern blockbusters for going «dark,» as if that by itself is genuine evidence of challenging an audience.
About the closest the film comes to modern blockbuster territory is the improbable mayhem of the climax, but by that point a moment of excess after two hours of simmering tension and restraint feels more than earned.
Only Frozen's success stands out more in that class among modern blockbusters.
Blame Marvel and its distributor, Disney, the kings of modern blockbuster moviemaking.
Darkman may be rough around the edges, but it won my heart in 1990 and only seems more welcome today with its homemade charm that completely escapes modern blockbuster cinema.
THE SHARK IS NOT WORKING by Richard Cordiner A look behind the scenes at the making of one of the most troubled film shoots that would go on to become the first modern blockbuster — «Jaws.»
Lord and Miller manage to entertain every possible audience here, poking fun at modern blockbusters and reveling in youthful creativity.
Scott also noted the most troubling factor of Avengers, and indeed, the whole modern blockbuster genre: The sense that Avengers is not so much a movie as it is an annual product launch for a major corporation, featuring characters that are all «dutiful corporate citizens, serving a conveniently vague set of principles.»
Sculpture and Shadow @ Gagosian, King's Cross A complement to the Tate Modern blockbuster is a selection of Giacometti's spindly sculptures, plus photographs of these works by Peter Lindbergh.
• Most scenes in modern blockbusters — superhero movies, comic book stories, FX - driven tentpoles, etc. — feel both perfunctory and dead on arrival.
He noted that unlike most modern blockbusters, which emphasize heavy gunplay and violence, SpyParty instead emphasizes a human - to - human relationship that hinges on the mere threat of violence.
Freed from the origin story box, this second installment of the Wade Wilson franchise has its cake and eats it took, taking any number of shots at the superhero sub-genre (and modern blockbuster filmmaking in general) while still crafting a story that makes sense on its own terms and works as a character piece.
To a certain extent this is symptomatic of modern blockbusters in general, which Simpson and Bruckheimer had a fair amount of influence in shaping.
The movie suffers from being the same shape as so many modern blockbusters, and the plot in the second half of the film is basically another riff on the «reach the glowing doodad on a roof to prevent the end of the world» structure.
Makin» wookiee In comparison with your average modern blockbuster, in which the story grinds to a halt every 15 minutes to make room for another eye - scorching set piece, there's very little action in the first Star Wars movie: an extended chase through the Death Star corridors, a perfunctory sword fight between two knightly codgers and a pair of space dogfights, and that's pretty much it.
In that time, blockbusters like The Dark Knight and Lord of the Rings have proved that the modern blockbuster is growing up.
With only two or so hours of story time, the movies have been forced to sacrifice swaths of her material, and while the scripts have been largely models of adaptation — most, this one included, are by Steve Kloves — the emphasis on action (and interminable games of quidditch) was also a concession to the action - imperative of the modern blockbuster.
Like Gunn, his voice stands out amongst the homogeneity of the modern blockbuster and provides something that is fresh and inventive.
They set the tone of the modern blockbuster, delimiting the medium's possibility in the process.
Topics will range from thematic undercurrents and visual styles (I hope to show how the films develop a serious, even challenging visual language that both reflects and informs current traits of the modern blockbuster) and will also touch on more subtle or obscure details that deserve heightened focus.
The passage of time has made the film feel like an avant garde work that almost acts as a commentary on the modern blockbuster.
There's a single moment in Jaws that reveals why the film remains so much more memorable than most modern blockbusters.
Farrell has never fared too well in the modern blockbuster, always coming off as routine and passive.
Its staggering success means Jaws is regularly singled out as a key stop on the journey to modern blockbuster filmmaking, one in a sequence of»70s films that took disreputable genre material and devoted A-film budgets and marketing to it, with sensational box - office results.
The later sequences are shot with wider - screen lenses, looking more like a modern blockbuster with every jump forward in time even as Shen's life begins to feel more limited and frustrating.
Looking ahead to the New York Film Festival premiere of Susan Lacy's documentary Spielberg, this week's Film Comment podcast considers the household - name auteur: the architect of the modern blockbuster, and a surviving (and thriving) master of the Classical Hollywood vernacular.
It's Ground Zero for the modern blockbuster, logo and all.
«Everything about Mad Max: Fury Road comes across as the antithesis to the modern blockbuster.
As is becoming increasingly common in our modern blockbuster era, superhero comedy Deadpool 2 got sent back for reshoots earlier this year.
A masterclass is executing a great sequel in the realm of the modern blockbuster.
Arriving with all the appendages of a modern blockbuster — a Beyoncé tie - in, a trailer YouTubed 193 million times, a LEGO parody — Fifty Shades Of Gre...
But it isn't exactly fair to blame to the excesses of today's modern blockbuster (Chronicles of Riddick or Van Helsing anyone?)
The era of the modern blockbuster didn't arrive with Star Wars in the summer of 1977, but actually a few years earlier with this Steven Spielberg - directed movie about a giant shark terrorizing a small coastal community (as if you needed to be told that).
Lee helps keep things off - kilter all the way through, too, even though he's not trying to constantly jangle the audience's nerves in the tiresome way of the modern blockbuster, with gun - in - face showdowns and pounding music.
For all of the latter's philosophical intonations, 2001: A SPACE ODYSSEY is the progenitor of the modern blockbuster — an expensive action set piece celebrating tools of destruction.
The movie is so far removed from what we would now demand from a modern blockbuster.
When Purcell is thrown back into the games to finally win his freedom, a sequence of frenetic CTV footage condenses the final exhausting half of a modern blockbuster into just a few minutes of purely visual propulsion.
Cinema has been a passion of mine since my first viewing of Milius» Conan the Barbarian and my film tastes go from experimental to modern blockbuster.