Sentences with phrase «modern canons of»

In The Bible After Babel: Historical Criticism in a Postmodern Age, the Old Testament scholar John Collins observes that the rules for historical study are academic rather than confessional, based on modern canons of historical analysis rather than classical principles of faith.

Faults, although a little too controlled, is a worthy addition into the modern canon of «cult» movies and places Riley Stearn firmly into the «ones to watch» category of modern independent cinema

In 2011 she made a filmpoem, Under the Cranes (56 mins) «A polyphonic meditation on time and urban space - a joyous wonder, an instant addition to the modern canon of filmic London» Sukhdev Sandhu, BFI.

BF: His work continues to resist being assimilated into the elegant mid-century modern canon of Abstract painting.

Not exact matches

Our preaching and theology has been one ceaseless effort to conform to the canons of intelligibility produced by the economic and intellectual formations characteristic of modern and liberal societies.

In his previous, more historical studies, Walsh explored overlooked sources, often outside the liberal canon, that made the value of personal experience central to modern political thought.

Given the choice between the canon of scripture and modern principles of interpretation, I have no question where to camp, but I am, to a large degree, challenged by what looks like a major disconnect between modern scholarly discipline and the understanding of our ancestors in the faith.

the Indian literary critic, writer of the post-colonized English says, «English, in this context is decolonized through a nativization of theme, space and time, a change of canon from the Western to the Indian... «19 These stylistic changes in language influence the modern - biblical translation, especially in the Indian context.

So you claim Maccabees, Enoch, Jubilees, Psalms 152 - 155, the Prayer of Solomon, Ascension of Isaiah, Baruch, Ethiopic Lamentations and many more to be complete modern fabrications that were never included by early Christians or Jews in their early canons thus making the current version the only true version that has ever actually existed?

Foremost in this campaign to consider the Scriptures as subject to modern critical analysis but at the same time to treat them as canon is Brevard Childs, professor of Old Testament at Yale.

In Jakim's rendering, the voice of the Underground Man achieves something of the startling novelty it no doubt had in the ears of those who first heard it, when the book made its debut and a new, altogether indispensable fictional personality entered the canon of modern literature.

Indeed, this is the task of every Christian, and it is important to stress that the two approaches are not incompatible: that Christians can be both true to the faith, and at the same time true to the canons of modern scientific inquiry.

You probably have a list of scriptures (the same ones I once used) for this purpose, but if you look at them honestly they do not mention the Bible, but rather «the law», writings of «men of old», «the Word of God», «this book», «this prophecy», «the scripture» or other specified or unspecified writing (s)-- NOT ONE says «the Bible» or can be reasonably interpreted to refer to the Protestant or Catholic canon WE moderns mean when we talk about «the Bible».

This chapter challenges Christians to be true to the faith, and at the same time true to the canons of modern scientific inquiry.

I have a high view of Scripture too, but that is NOT the same as claiming that the 66 - book anthology of ancient writings selected and assembled centuries later by men with political agendas («picking and choosing» the scriptures they liked and omitting others BTW) that we moderns call The Protestant Canon is without error.

The culmination of this project was the 1917 Code of Canon Law, one of the great achievements of modern Catholicism.

The LDS Church derives these doctrines from its expanded canon of «scripture» that includes alleged modern revelations given to Joseph Smith, who claimed to be the Prophet through whom God restored true Christianity to the earth.»

Canon Redford in contrast maintains that modern criticism has not overturned the older tradition that John the Apostle was the author of the fourth Gospel.

Beginning with the obscure reference of canon 19 of Nicaea respecting Paulinian 18 deaconesses and ending with canon 15 of Chalcedon which prohibits the ordination (cheirotonia) of a deaconess before the age of forty we have the canonical framework of the most significant period in the expansion and elaboration of the ministry of women before modern times.

Boasting smarts far beyond those of most superhero movies, the tight scriptwriting of Winter Soldier speaks to modern day concerns like no other entry in the Marvel canon, making genuinely insightful observations on the state of the world today.

Holmes, Watson, and Simza travel from Paris, where a bomb hides a single rifle shot, to Germany, where a munitions plant has an abundance of modern weaponry, to Switzerland, where a castle on a cliff with a waterfall pouring down telegraphs the climactic scene to everyone with even a minor knowledge of Doyle's canon.

Rushmore is a modern gem in the teen outcast movie canon, contrasting the uniformed order of a private school with the odd ambitions of one uncontainable student.

Kramer neatly lays out aspects of Lawrence's life that influenced the source material, and he has some choice things to say about Lawrence's diminished reputation within a canon of modern literature that many academics and culture vultures no long even choose to recognize.

The result is a thought - provoking and thoroughly entertaining addition to the canon of modern queer film.

The Odyssey is fundamental to the modern Western canon, and is the second - oldest extant work of Western literature; the Iliad is the oldest.

His years - long mantra, that in order to push the Western canon of art history in a more diverse and representational direction images of black people and the black experience should hang in museums alongside the so - called «masters,» dovetailed with a promising moment for a select group of African American modern and contemporary artists.

at the Museum of Modern Art presented a kind of canon of global dress in the postwar period, ranging from biker jackets to burkinis, from little black dresses to saris.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

Through her work as a curator and arts administrator, Keith has advanced scholarship of contemporary art of the African Diaspora, growing awareness and appreciation of its role within the broader canon of modern and contemporary art.

The critique goes back to a time, to when the Museum of Modern Art could and did define the canon, with the added irony that Ad Reinhardt mocked the connections before anyone else.

The art historian William C. Agee released Modern Art in America, 1908 - 1968 via Phaidon Press this spring, and, to a not inconsiderable degree, it upends some long - held tenets, clichés, and canons of the art world.

With works on view at the Guggenheim, MoMA and the Whitney in New York, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, and the Walker Art Center in Minneapolis, her place in the canon is assured.

The Met has major holdings of photographers in the modern canon, including Walker Evans and Diane Arbus, «and a deep commitment to different strains of realism,» Mr. Rosenheim explained, «but we needed a master of the studio.»

Together with curators, librarians, and archivists, she works on broadening the scope of museum's collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern Art Perspectives in a Global Age).

Burri's territorial pedigree, however, could not smooth his entry into the canon of modern Italian masters.

What will his position be in the canon of modern art?

An early member of the Chicago - based 1960s collective the Hairy Who (which later morphed into the Chicago Imagist Group), Wirsum's works speak widely to the canon of modern artists who privilege experimentation and transgression over cohesive style, and who used popular culture as if the boundaries between high and low had never existed.

That is not unlike the definition of modern art for Clement Greenberg, although Masheck has a different canon in mind than Greenberg's.

Mixing anecdote and advocacy, the first section of this two - part polemical essay offers an introduction to the concealed history of do - it - yourself publishing — as undertaken by some of the most revered writers in the modern Western literary canon, from Laurence Sterne (1713 — 1768) to Irma Rombauer (1882 — 1941) via Virginia Woolf (1871 — 1922) and Derek Walcott (1930 ---RRB-.

Exploring the very nature of painting, both as a form of a visual language and a vehicle of mere expression, Howard Hodgkin rejected any classical and modern art canons.

Matta, born in Santiago, Chile in 1911, is a seminal figure in the canon of modern art.

In 1974, Harold Rosenberg, one of Saul Steinberg's earliest and most eloquent supporters, wrote that «Cubism... which in the canon of the American art historian is the nucleus of twentieth - century formal development in painting, sculpture and drawing, is to Steinberg merely another detail in the pattern of modern mannerisms; in a landscape, he finds no difficulty in combining Cubist and Constructivist elements with an imitation van Gogh «self - portrait.

This volume provides a unique overview of someone who shaped the development of American art since mid-century and is an excellent resource for readers interested in the stories behind the masterpieces of the Modern canon.

Despite her prominence within the contemporary art canon, Agnes Martin nonetheless remains something of an «artist's artist,» her work revered more by critics and practitioners than those uninitiated to modern art, to whom her spare abstractions can come off as inscrutable.

«And in this regard, the market nourishes itself from institutions and biennials that of late have also been busy reintegrating overlooked modern artists into the art canon.»

We welcome Vincent Como and moderator Terence Hannum for an engaging discussion about the trajectory of the art practice within the modern canon.

If museums offer performing artists the possibility of having their work viewed within the canon of modern art, there have been plenty of headaches.

IMMA has included the artist in landmark exhibitions such as The Moderns (2010 - 2011) ensuring that her work continues to be considered within the canon of Irish and international Modernism.

The critique and deconstruction of the modern canon has shaped both artistic practice and theory over the past three decades.

British Modern Masters does not pretend to be an all - encompassing survey of works from the period, but brings renewed attention to many British artists, some now legends of the art historical canon.