Sentences with phrase «modern choreography»

Kim Brandt's smart, affecting, weird - form dances never take for granted the bodily habits or functional protocols of modern choreography and its users.
Having just come from a screening of the legendary Merce Cunningham's spare, modern choreography at the Institute of Contemporary Art / Boston's landmark «Leap Before You Look: Black Mountain College 1933 - 1957» -LSB-...]
Her «smart, affecting, weird - form dances never take for granted the bodily habits or functional protocols of modern choreography and its users.»
Pupils will be expected to respond to a stimuli, drawing from their differing reactions and emotions to create modern choreography telling a story.

Not exact matches

It's not trying to be anything more than a silly modern «sequel» to the classic fairy tale, and it gets major points for great fight choreography and practical sets, costumes, effects, etc..
Then she has a change of heart, opting instead for a less lucrative but more creatively satisfying career in modern dance and choreography.
Elaheh (Freida Pinto) is the only member of the modern dance club with any formal training, having been surreptitiously schooled in technique and choreography by a mother who'd been a prima ballerina prior to the fall of the Shah.
«I also play old and newer music videos in class to show my students how choreography has changed throughout the years, and where some styles were adapted then changed into more modern forms, like tap and break dancing.
Keith Stuart: The vision, the choreography, the sense of scale and detail in Modern Warfare 3 are simply awe - inspiring at times
Motion capture, stuntmen, and choreography are often required to create the elaborate, realistic combat sequences we see in modern video games.
Many of German - born Silke Otto - Knapp's paintings, drawings, and prints are inspired by the choreography of ballet and modern dance; her compositions are often populated by flat figures that appear to float on the surface of her canvases.
Terminus Modern Ballet Theatre presents a world premiere outdoor work with choreography by company member Heath Gill.
Her choreography scrutinizes the mutual influence between the use of gesture and movement in the «low», «commercial» genres — such as romantic comedy, TV soap, or hip - hop video - clip — and in «arts», such as ballet, modern dance and performance.
1 PHILIPPE PARRENO (TATE MODERN, LONDON; CURATED BY ANDREA LISSONI WITH VASSILIS OIKONOMOPOULOS) Parreno has turned the Turbine Hall into a mesmerizing machine producing light, sound, cinematic effects, and choreography: Inflated fish float in the air, huge planes reminiscent of Russian Constructivism ascend and descend inscrutably in the semidarkness, and a flickering apparatus seems to send out signals that trigger reactions throughout the entire museum.
Koetje appears to suggest that, through our constant seduction by the infinite pixels within our iPhone or laptop screens, modern life has fragmented into a constant choreography between the dueling aesthetics of fact and fiction.
In 2014, she devised a choreography and lecture program titled Spatial Confessions for Tate Modern's Turbine Hall.
From the performances and photography of Jo Spence, Marina Abramović, Carolee Schneemann and VALIE EXPORT, to the use of unusual techniques and materials: Hannah Wilke, Helena Almeida and Liliana Porter; and to the revolution of modern dance through the choreography of Trisha Brown and Yvonne Rainer, these artists have redefined the aesthetics of art.
The film, which forms the centrepiece of the exhibition at Modern Art Oxford, is based around the recording of a live choreography event involving amateur Romanian dancers and acting students in Iasi, Romania during the Periferic 8 Biennial of Contemporary Art in October 2008.
Merce Cunningham (American, 1919 — 2009) was a seminal figure in modern dance, revolutionizing performance through his choreography and world - renowned dance company and through partnerships with leading artists, who created costumes, lighting, and set designs for his company's performances.
From 2007 to 2009 she studied Modern Dance Performance and Choreography at Utah Valley University.
Past group exhibitions and international biennials for TPG include: Islands, Constellations, and Galapagos, Yokohama Trienniale, Japan (2017); After Darkness: Southeast Asian Art in the Wake of History, Asia Society, New York, NY (2017); Prospect.3: Notes for Now, New Orleans, LA (2014); Residual: Disrupted Choreographies, Carre d'Art, France (2014); No Country: Contemporary Art for South and Southeast Asia, Solomon R. Guggenheim Museum, NY (2013); 7th Asia Pacific Triennial of Contemporary Art, Queensland Gallery of Modern Art, Brisbane, Australia; The Unseen, Guangzhou Triennial, Guangdong Museum of Art, China; Six Lines Of Flight, San Francisco Museum of Modern Art, CA; Made In LA, Los Angeles Biennial, Hammer Museum, CA; The Ungovernables, New Museum, NY (2012); Project 35, Independent Curators International, Pratt Manhattan Gallery, NY; (2011); Projects 93, Museum of Modern Art, NY; 8th Shanghai Biennale, in collaboration with Superflex, China (2010); What's the Big Idea?
Many of German - born Silke Otto - Knapp's paintings, drawings, and prints are inspired by the choreography of ballet and modern dance; her compositions are often populated by flat figures that appear to float on the surface of her canvasesRead more
Merce Cunningham was a seminal figure in modern dance, revolutionizing performance through his choreography and world - renowned dance company and through partnerships with leading artists.
Taught modern dance choreography to upperclassmen.
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