Sentences with phrase «modern cinema screens»

The latest TV screens have a ratio of 16:9, the shape of modern cinema screens, but as most people still have 4:3 screens broadcasters seldom transmit new wide - screen programme material.

Not exact matches

In close - up Neeson's anguish holds the screen like few other sights in modern cinema, and a comparatively late scene in «Silence» pits Neeson against Garfield in a stimulating, discreetly combative war of words, and beliefs.

In Una, the powerful screen adaptation of David Harrower's play «Blackbird» about the sexual abuse of a thirteen - year - old girl, Australian director Benedict Andrews does what has become increasingly uncommon in modern cinema — he makes us think.

This revered tenet of modern French cinema has been cited as a key influence on Luca Guadagnino's forthcoming feature Call Me by Your Name, and is a rare treat on the big screen.

When you finish shopping, get physical with a free Zumba class in the mall's Center Plaza, marvel at the latest modern art installation, pick up some new cooking skills at The Gourmandise School of Sweets & Savories, or view a classic film or newly released movie at the 14 - screen ArcLight Cinemas.

INDOOR LIVING - Air - conditioned dining room with seating for 12 - Open - sided bar and lounge room with pool table - Home cinema with 130» screen with surround sound and projector - Second bar with stools, armchairs and professional DJ both - Fully - equipped modern kitchen

This modern 4 screen cinema complex screens latest release movies with extra screenings during main holiday periods, has exciting amusement games and a Kids Fun Day on the first Monday of the school holidays.

This has been the case from Greek tragedy to modern cinema — the screen, like the stage, is a mirror as well as a window.

From 1995 to 2005, he programmed and oversaw the New York Underground Film Festival, and he has curated screenings and exhibitions at Artists Space, BAM, the Flaherty Film Seminar, PARTICIPANT INC., the Museum of Modern Art, the New Museum, and Tate Modern, as well as the cinema for Greater New York 2010 at MoMA PS1 and the film and video program for the 2012 Whitney Biennial.

Occupying a space between sculpture, cinema and drawing, his work's historical importance has been internationally recognized in such exhibitions as Into the Light: the Projected Image in American Art 1964 - 77 at the Whitney Museum of American Art, New York (2001 - 2); The Expanded Screen: Actions and Installations of the Sixties and Seventies at the Museum Moderner Kunst, Vienna, Austria (2003 - 4); The Expanded Eye at the Kunsthaus Zurich, Switzerland (2006); Beyond Cinema: the Art of Projection at Hamburger Bahnhof, Berlin, Germany (2006 - 7); The Cinema Effect: Illusion, Reality and the Projected Image at the Hirshhorn Museum, Washington, DC (2008); The Geometry of Motion 1920s / 1970s at the Museum of Modern Art, New York (2008); and On Line at the Museum of Modern Art, New York (2010 - 11).

From 1995 to 2005, he programmed and oversaw the New York Underground Film Festival, and he has curated screenings and exhibitions at Artists Space, BAM, the Flaherty Film Seminar, the ICA, London, the Museum of Modern Art, the New Museum, PARTICIPANT INC., and Tate Modern, as well as the cinema for Greater New York 2010 at MoMA PS1 and the film and video program for the 2012 Whitney Biennial.

From 1995 to 2005, he programmed and oversaw the New York Underground Film Festival, and he has curated screenings and exhibitions at Artists Space, BAM Cinématek, the Flaherty Film Seminar, the ICA, London, Miguel Abreu Gallery, Mass Art Film Society, the Museum of Modern Art, the New Museum, PARTICIPANT INC., the San Francisco Cinematheque, Tate Modern, and the Walker Art Center, as well as the cinema for Greater New York 2010 at MoMA PS1 and the film and video program for the 2012 Whitney Biennial.