In dramatizing Mathison's script, Spielberg and his usual army of key collaborators — led by Janusz Kaminski (director of photography), Rick Carter (production design), Michael Kahn (film editing), and John Williams (original musical score)-- have fashioned a movie for children that looks at home in
modern cinemas while retaining an «old - fashioned» pacing and temperament.
Not exact matches
A single bachelor, an oddly attractive neighbor and a popular women's magazine are the ingredients of this delicious romance that pays homage to classic Bollywood
cinema while spinning a unique
modern love story.
These battle scenes feel more akin to
modern action
cinema and
while they may be the main event to historians and war buffs, they're also more routine and less entertaining for the average viewer.
In their respective performances in I, Tonya and Lady Bird, these performers embodied two of the most memorable mothers in
modern cinema, and took two totally different approaches: Janney was all delicious high camp and toxic bluster,
while Metcalf created a subtle, close - to - the - vest performance of a mother whose love expresses itself in disapproval.
Like with the greatest
modern director of romantic comedies, She's Funny That Way questions the very nature of the
cinema's relation to reality, reveling in the idealized illusions
while simultaneously undermining their spell by pointing out their unreality.
So
while Vernon, Florida has become something of a Medium Cool for a new generation of film brats (All the Real Girls director David Gordon Green cites the work as one of his all - timers), The Thin Blue Line has become the moment that many point to as the definitive
modern reintroduction to the debate about the matter of degrees that separates fiction from non-fiction
cinema.
Lam's «On Fire» movies are classics of Hong Kong
cinema and hugely influential around the world and
while Lam, like may old guard directors, seems to be struggling a bit with how to best employ
modern technology and techniques his signature style is still on full display here.
Wild Wild West has absolutely no thrills or chills, and
while there is definitely a
modern sensibility to the entire production, the humor is of the oldest and corniest in
cinema.
Today, the film is considered one of the great cult classics of
modern cinema — «the «Citizen Kane» of bad movies,» as Ross Morin dubbed it in 2008
while an assistant film professor at St. Cloud University in St. Cloud, Minnesota.
And
while there's no novelty in seeing a
modern game that is meant to look like an old one (imagine if
cinema saw so many silents like The Artist), it is pleasant to see the rudimentary form explored so rigorously.
While each exhibition addresses ideas of culture and the self through filmic processes,
Modern Art Oxford's exhibition of Piercing Brightness best represents how we might understand
cinema's potential within the gallery and its ability to reshape the contemporary art - viewing experience.