The author shows that in
modern conflict there are no distinct boundaries between different levels of operations or between war and peace and suggests how we need to change our thinking, planning, training and organisation, and how to do it.
Not exact matches
There are many
conflicts (factual, logical, moral) between science /
modern society and many religious sects / denominations.
Never thought I would agree with Pat Robertson, but my new book shows
Modern Creationism is not a correct interpretation of Genesis,
there is no
conflict between Genesis and scientific theories like Evolution, the Big Bang.
Like I was saying to Magic up above
there is a common need in both to force sense from an old story into something that works in the
modern world, usually at some
conflict with real science.
They examine whether
there have been serious changes in the way the international community recognises and deals with the issue of rape in war and the role that gendered violence plays in
modern conflicts.
At this point,
there's only so much left to say about the most knotted political
conflict in
modern history, and a mid-budget thriller that ends in a massive shootout probably isn't an ideal vehicle to push the conversation forward.
There's nothing new about many of the concerns of this anarchic comedy: the growing gulf between parents and their adult kids; the
conflict between work and family; the alienating, dehumanizing nature of the
modern workplace; the role of women in corporate culture; the economic direction in which
modern Europe is heading.
There is a
conflict in this story between what is traditional and tribal versus that which is
modern and bureaucratic.
While
there have been constantly
conflicting reports about the current state of The Last Guardian since the game has been through more circles of development hell that we can practically make a
modern day version of Dante's Divine Comedy — Inferno.
There's no romantic vision of a primitive culture to be seen - the archetypes here are complicated concoctions of western and eastern cultures, featuring migrant figures who explore the
conflict and intersection between the primitive and rampant first world commercialism of
modern island life.