Sentences with phrase «modern corporations work»

Reconceived from the inside out, the transformation features environmentally sustainable attributes, outdoor spaces and extra high ceilings, reflecting how modern corporations work, recruit, collaborate, and thrive.

Not exact matches

Named after the 13th constitutional amendment, which abolished slavery except as «punishment for crime,» the doc uses archival footage and expert commentary to make the case that slavery hasn't disappeared from the U.S. — it's evolved into our modern system of mass incarceration, one in which many prisons are run by for - profit companies and prisoners can be paid a pittance to work for corporations.

Adam Smith believed the joint - stock company — the precursor of the most successful form of economic organization in the planet's history, the modern corporation — couldn't possibly work.

Under the Skin tells the story of an alien seductress, prowling the streets of modern - day Glasgow seeking out vulnerable, lonely young men with a view to harvesting them for an unseen, unaddressed alien corporation for whom she presumably works.

Brennan's work is included in collections, such as the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation.

An iconic video installation by media artist Paik Nam - june (1932 - 2006) has been turned off due to safety concerns, the National Museum of Modern and Contemporary Art said Thursday.The MMCA said it has unplugged the late visionary artist's video work titled «The More The Better» after a safety check by the Korea Electrical Safety Corporation warned of a fire risk.

Brennan's work is included in the collections of the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation.

His work is prominently collected by museums, corporations, and individuals nationally, including The Metropolitan Museum of Art, The Museum of Modern Art, and Whitney Museum of American Art in New York; San Francisco Museum of Modern Art; Museum of Fine Arts, Houston; and the Dallas Museum of Art.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Miyajima's work is included in numerous public and private collections around the world, such as Benesse Art Site (Naoshima, Japan), Chiba City Museum of Art (Japan), Contemporary Art Museum (Kumamoto, Japan), Dallas Museum of Art (US), Dannheisser Foundation (New York, US), Denver Art Museum (US), DESTE Foundation for Contemporary Art (Athens), Goetz Collection (Munich, Germany), Group Home Sala (Akita, Japan), FARET Tachikawa (Tokyo), Fondation Cartier pour l'art contemporain (Paris), Foundation Teseco per l'Arte (Pisa, Italy), Hara Museum of Contemporary Art (Tokyo), Hiroshima City Museum of Contemporary Art (Japan), Iwaki City Art Museum (Fukushima, Japan), Izumi City Plaza (Osaka, Japan), Kunisaki City (Japan), Kunstmuseum Bern, Kunstmuseum Stuttgart (Germany), la Caixa Collection of Contemporary Art (Barcelona, Spain), Museum of Contemporary Art (Chicago, US), Museum of Contemporary Art Tokyo, Modern Art Museum of Fort Worth (Texas, US), Museum of Modern Art (Saitama, Japan), Museum of Modern Art (Shiga, Japan), Nagoya City Art Museum (Japan), National Gallery of Canada (Ottawa), National Museum of Modern Art (Kyoto, Japan), Samsung Foundation for Culture (Seoul), San Francisco Museum of Modern Art (US), Schweizerische Mobiliar Genossenschaft Collection (Bern), Staatsgalerie Moderne Kunst (Munich), Taipei Fine Arts Museum, Tate Collection (London), Tokyo Opera City Art Gallery, Toyota Municipal Museum of Art (Aichi, Japan), TV Asahi Corporation (Tokyo), and Université de Genève (Switzerland).

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

He has exhibited in the United States and Europe, and his work is in the permanent collections of the San Francisco Museum of Modern Art, the Microsoft Corporation Art Collection, Washington, and the Modern Museet, Stockholm.

His work is in a number of public and private collections including, the Museum of Modern Art, the New York Public Library, the DeCordova Museum, the Dreyfus Corporation, the Lila Acheson Wallace Print Collection and the Joseph Seagram's Collection.

Selected exhibitions include: Offside, Josée Bienvenu Gallery, (2008), Aldrich 2007 Emerging Artist Award Show, Aldrich Contemporary Art Museum, Ridgefield, CT, Acclimations, Villa Arson, Nice, France (2008); His work is included in several collections such as The Museum of Modern Art (New York, NY), Fundacio La Caixa (Barcelona, Spain), Progressive Corporation (Mayfield Village, OH), Fundacio Villa (Barcelona, Spain), Caja Madrid (Spain).

His work is included in several collections such as The Museum of Modern Art (New York), Fundacio La Caixa (Barcelona, Spain), Progressive Corporation (Mayfield Village, OH), Fundacio Villa (Barcelona, Spain), Caja Madrid (Spain).

The display of 75 works of Western and Chinese modern and contemporary art showcases the YAGEO Foundation Collection of Pierre Tie Min Chen, CEO of the YAGEO Corporation, who started the collection when he was a student.

I then started talking to the Meadows Museum about the project as well as the Modern Art Museum in Ft. Worth, and we ended up with this exciting institutional collaboration that will bring together multiple examples of work made by Eve Sussman and the Rufus Corporation.»

For this Tuesday Evenings presentation, the Modern is proud to act as the black - box testing site for the «beta» version of whiteonwhite: algorithmicthriller, the latest work - in - progress by Eve Sussman Rufus Corporation.

In many ways, if you look at the how the modern profit - driven markets work, what we're seeing is an accumulation of power, a few corporations running the world in such a way that they are able to shape what is bought and sold in markets, and set the terms in which those markets work.

The Cambie Malone's Corporation, the B.C. Supreme Court applied some «modern» thinking to the parties» relationship and determined that an employment relationship existed despite the non-exclusive, non-traditional working arrangement in place.

Developer Tofigh Shirazi of the Beachtown Galveston Corporation worked with Atlanta - based interior designer Susan Bozeman and San Antonio - based architects Michael Imber and Brandan Moss to forge a look that combines traditional and modern, highlighting the beauty of Galveston's architectural history and balancing it with light, fresh interiors.