Sentences with phrase «modern cultural perspective»

Not exact matches

For he can help us to get some spiritual distance on our cultural situation; he can increase our awareness of those aspects of our modern consciousness which cut the heart out of our Christian experience, and so help to free us from them; he can help engender in us a sense of humor about ourselves which comes from taking a less contemporary and more eternal perspective — a perspective in which our love of God, our gratefulness to Christ and our concern for our neighbor will have a chance to grow.

From these traditions, we have inherited not only the specific substantive emphases that distinguish each from the others but a legacy of common themes as well: (1) a theoretically grounded rationale for the importance of studying religion in any serious effort to understand the major dynamics of modern societies, (2) a view of religion that recognizes the significance of its cultural content and form, and (3) a perspective on religion that draws a strong connection between studies of religion and studies of culture more generally — specifically, studies of.

She is the author of Dancing Skeletons: Life and Death in West Africa 1993, and the co-editor of Breastfeeding: Biocultural Perspectives (1995), which includes her chapters «Beauty and the Breast: The Cultural Context of Breastfeeding in the United States,» and «A Time to Wean: The Hominid Blueprint for a Natural Age of Weaning in Modern Human Populations.»

Yet the vast majority of studies in the human - related sciences are not based on field research, and the most field - oriented disciplines, such as sociology and cultural anthropology, have been least receptive to the modern evolutionary perspective.

IntegBio 35AC is a large lecture (300 students), lower division, non-majors biology class that addresses modern human biological variation from historical, comparative, evolutionary, biomedical, and cultural perspectives.

Aneeka's perspective allowed her to also relate to what modern Asian singles go through from a cultural perspective.

Three themes that emerge from her work are explored in Outcasts: finding a voice, the process of constructing multiple perspectives on female identity; hybrid alternatives to the status quo, harnessing ancient and modern mythologies to subvert the established social and cultural order; and healing and empowerment as pathways to resistance, inclusiveness and recovery from loss and trauma.

The aim is to offer fresh perspectives on Tibetan Buddhist images that have rarely been understood outside of their cultural and devotional contexts, and to forge new connections between different spheres of artistic practice, both traditional and modern.

Perspectives from France and Turkey, Istanbul Modern, Istanbul, Turkey A Different Kind of Order, The ICP Triennial, International Center of Photography, New York, USA [UN] NATRURAL LIMITS, Austrian Cultural Forum, New York, USA Showing Its Colours, MARTa Herford, Herford, Germany Only Sculpture!

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

The journal considered the implications of the modern arts in wide cultural, geographical and theoretical perspectives.

Field Guide, the inaugural exhibition at the new Remai Modern art museum, rethinks the idea of «modern» from multiple cultural, geographic, historic and contemporary perspecModern art museum, rethinks the idea of «modern» from multiple cultural, geographic, historic and contemporary perspecmodern» from multiple cultural, geographic, historic and contemporary perspectives.

He also offered a great perspective on our cultural and commercial move away from wood and toward more «modern» materials, which BEAMZ will offer an alternative to: