ongoing series refracts traditional painting and
modern cultural references through the prism of the digital age, where everything can be accessed at once, according to the gallery.
Visually it looks fabulous, and it's enjoyably packed full of
modern cultural references that take in music, film (ooh, look, isn't that The Iron Giant) and video gaming (wow — an Atari 2600) from the past 40 years.
None of the names really mean anything, or stand for anything, and if there is a higher theme we're supposed to derive from the cavalcade of classical and
modern cultural references, we're damned if we can find it.
Visually it looks fabulous, and it's enjoyably packed full of
modern cultural references from the past 40 years
Not exact matches
Speaking at the San Antonio Conference, Lesslie Newbigin made
reference to his own
cultural background in these terms: «As I look back on my own life as a missionary in India, I realize now in a way that I never did at that time that I was not only carrying the gospel but that I was also a carrier of this so - called
modern world - view which I now see to be breaking down because it is false.
1 Etymology 2 History 2.1 Prehistory 2.2 Medieval kingdoms 2.3 European contact (15th century) 2.4 Independence (1957) 2.5 Operation Cold Chop and aftermath 2.6 21st century 3 Historical timeline 4 Geography 4.1 Climate 4.2 Rivers 4.3 Wildlife 5 Government 5.1 Foreign relations 5.2 Law enforcement and Police 5.3 Military 5.4 Administrative divisions 6 Transportation 7 Economy 7.1 Key sectors 7.2 Manufacturing 7.3 Petroleum and natural gas production 7.4 Industrial minerals mining 7.5 Real estate 7.6 Trade and exports 7.7 Electricity generation sector 7.8 Economic transparency 8 Science and technology 8.1 Innovations and HOPE City 8.2 Space and satellite programmes 8.3 Cybernetics and cyberwarfare 8.4 Health and biotechnology 9 Education 9.1 Overview 9.2 Enrollment 9.3 Foreign students 9.4 Funding of education 9.5 Provision of educational material 9.6 Kindergarten and education structure 9.7 Elementary 9.8 High school 9.9 University 10 Demographics 10.1 Population 10.2 Legal immigration 10.3 Illegal immigration 10.4 Language 10.5 Religion 10.6 Fertility and reproductive health 11 Universal health care and health care provision 12 Culture 12.1 Food and drink 12.2 Literature 12.3 Adinkra 12.4 Traditional clothing 12.5
Modern clothing 12.6 Music and dance 12.7 Film 12.8 Media 12.9 Sports 12.10
Cultural heritage and architecture 13 National symbols 14 Tourism 15 See also 16
References 17 Further reading 18 External links
The dialogue is a weird mix of stone age and «street» with just enough
modern one liners and
cultural references to spoil any immersion you might be able to dive into.
No such drastic punishment awaits Wes Anderson's («The Grand Budapest Hotel»)
modern day Isle of Dogs, however, though there are some who would be inclined to banish it to movie purgatory for its many Japanese
cultural references that tread a thin line between homage and appropriation.
The dialogue is a weird mix of stone age and «street» with just enough
modern one liners and
cultural references to spoil any immersion you might be able to dive into.
The exhibition title
references many facets of arts and culture traditions from ancient history to the
modern day, arising out of Smith's meditations on the number's spiritual significance as a marker of immortality, as well a number of noteworthy
cultural and historical facts and figures featuring the number itself.
The works express strong contrasting elements, such as the fusion of Western
cultural elements with integration of classical and
modern art, layered with
references from Chinese classical art forms and details.
The phenomenal buoyancy of this trend, including the National Portrait Gallery, Tate Britain, Tate
Modern and the Royal Academy, predicates London's unique position as the leading global art centre, a touristic and
cultural nucleus with no immediate
reference, for example, to the indigenous local day - to - day art schools and their agendas.
Guston's existentialist canvases, which some found cartoonish or crude, are saturated with the influence of Italy's
cultural and artistic heritage: from ancient and
modern cityscapes that populate his Roma series, to
references from Federico Fellini's films, his work is indebted to the Italian masters, Masaccio, Piero della Francesca, Giotto, Tiepolo and De Chirico to whom he pays tribute to in «Pantheon» (1973).
Fusing Nigerian and American source materials, histories and
cultural references her works typically show members of Akunyili Crosby «s family in
modern domestic interiors in a palette of subdued pastel hues, rife with printed fabrics and vibrant greenery.
Without any
modern reference or climate science knowledge, history speaks very well to the great convenience of powerful
cultural consensus, whether spawned by science, religion, or indeed past climate fears.