Sentences with phrase «modern dance work»

References to popular culture can be found in the «music video» of Mark Verabioff, an ersatz theatre ovation by Kate Gilmore, faux aerobic exercise tapes by Susan Lee - Chun, and a modern dance work by Yvonne Rainer.

Not exact matches

Circa: Il Ritorno - Australia's Circa has always created work at the crossroads of cirque and modern dance.

If you must venture into sites, use one many ones circa il ritorno australias always created work crossroads cirque modern dance.

The dancing is more modern as well, with hard, hip - hop numbers working their way in with the foot - stomping country line dances and sillier «80s routines.

I'll show it to my children because it's a film about female friendship and lord knows there aren't enough of those, and I'll show it to significant others, because if they don't swoon a little as Frances dances to «Modern Love,» or beam at the final shot, then I won't be entirely sure it's going to work out.

Pina: Criterion Collection Rated PG for some sensuality / partial nudity and smoking Available on DVD and Blu - ray / Blu - ray 3D Shortly before Wim Wenders was to begin filming his documentary about German modern dance legend Pina Bausch, she passed away suddenly, leaving him to make this Oscar - nominated tribute to her work.

As a musician, Dr. Scripp has composed many works in the past for musical theater, modern dance, film, and children's animation, and directed a variety of community orchestras and contemporary performing groups in the Boston area.

Making reference to the reaper who appears in everyday lives in Hans Holbein's 16th - century series «The Dance of Death,» as well as to the shadows that enthrall the fictional prisoners in Plato's allegory of the cave (a recurring theme in Kentridge's work), the piece also conjures a modern - day New Orleans funeral march.

Belgian dancer and choreographer Anne Teresa De Keersmaeker introduced her postmodern dance work «Violin Phase» — the third of four movements set to the music of Steve Reich — at the National Museum of Modern and Contemporary Arts on Monday and Tuesday.A square - shaped sheet of white sand was placed in the middle of a white cuboid space while the late afternoon sunlight streamed in.

For the first time, a show takes up MoMA's entire sixth floor, opened up a bit to adapt better to large work and sudden changes — including a rarely seen blow - up of a painting from the 1940s to a stage set for modern dance.

«ANNE TERESA DE KEERSMAEKER: WORK / TRAVAIL / ARBEID» This Belgian choreographer's five - day «exhibition» in the atrium of the Museum of Modern Art was a model of how to translate dance from the set format of a theater to the open spaces and schedules of a museum.

Cunningham has since the 1950s been considered among the most significant choreographers in modern dance, and Johns worked for thirteen years as artistic advisor to the Cunningham Dance Comdance, and Johns worked for thirteen years as artistic advisor to the Cunningham Dance ComDance Company.

Isadora's work is inspired by both modern dance and classical ballet.

Over the past decade, choreographer Pam Tanowitz has created a body of work that fuses ballet with classic modern dance, creating abstract movement that challenges stylistic expectations, as well as conventions of composition and the concert - going experience.

Multimedia artist Tobin Rothlein created an interdisciplinary work combining dance, documentary film, and multi-screen video projections to address modern war culture.

Practices inspired by anarchism, critical whiteness, post / modern dance, activist art, the Bay Area, wicca, punk, and queer - feminism motivate and mobilize Hennessy's work.

Recently, the artist has shown his work in solo exhibitions at the Tate Modern, London (Bodyspacemotionthings, 2009); at the Museum Abteiberg, Mönchengladbach (Notes on Sculpture — Objects, Installations, Film, 2009/2010) as well as in a group exhibition at the Hayward Gallery, London (Move: Choreographing You — Art & Dance, 2010/2011).

He has also organized or co-organized projects including Unfinished Conversations: New Work from the Collection (2017), Modern Dance: Ralph Lemon (2016), Maria Hassabi: PLASTIC (2016), Projects: Neïl Beloufa (2016); Greater New York (2015); Steffani Jemison: Promise Machine (2015), among others.

Works on view range from Adonna Khare's massive 40 - foot - long carbon pencil drawing Elephants (2012), to Andy Warhol's colorful Endangered Species prints to a rare collection of sketches by modern dance choreographer and innovator Merce Cunningham, among others, several of which are works on paper and thus rarely on exhWorks on view range from Adonna Khare's massive 40 - foot - long carbon pencil drawing Elephants (2012), to Andy Warhol's colorful Endangered Species prints to a rare collection of sketches by modern dance choreographer and innovator Merce Cunningham, among others, several of which are works on paper and thus rarely on exhworks on paper and thus rarely on exhibit.

Inspired early in his career by modern dance — notably through his relationship with members of New York City's influential Judson Church dancers — and Japanese Zen gardens, the artist sought to create works that engage viewers in movement, taking in his large - scale sheet - metal pieces by navigating the space around them.

Recent works include «Concertos No. 4» (National Museum of Modern Art, Tokyo, 2012), performed with ball - speakers kicked around by blind athletes in a completely darkened space, and «Vesna's Fall» (Judson Church, Black Mountain College, 2014), a decidedly modernist dance piece made in collaboration with Lindsey Drury.

Belgian dancer and choreographer Anne Teresa De Keersmaeker introduced her postmodern dance work «Violin Phase» — the third of four movements set to the music of Steve Reich — at the National Museum of Modern and Contemporary Arts on Monday and Tuesday.

The Korean Cultural Center Washington, D.C. proudly presents Dance of Light, a solo exhibition featuring 70 radiant, spiritual works that evoke an abstract vision of the natural world by Bang Hai Ja, celebrated as being among the first generation of professional artists from Korea to embrace abstract art in the modern era.

Rethorst's work has been presented by The Museum of Modern Art, The Kitchen, Dance Theater Workshop, Danspace Project at St. Mark's Church, and the Whitney Museum Of American Art, as well as at various dance theaters, universities, and festivals throughout the United StDance Theater Workshop, Danspace Project at St. Mark's Church, and the Whitney Museum Of American Art, as well as at various dance theaters, universities, and festivals throughout the United Stdance theaters, universities, and festivals throughout the United States.

Hamilton works primarily in photography, film and performance including the modern dance piece Dapline!

Orrico is a former member of Trisha Brown Dance Company and Shen Wei Dance Arts, and was one of a select group of artists to re-perform the work of Marina Abramović during her retrospective at the Museum of Modern Art, New York.

Rethorst's work has been presented by The Museum of Modern Art, The Kitchen, Dance Theater Workshop, Danspace Project at St. Marks, The Whitney Museum, and others.

From working with world - renowned Dior Designer, Hedi Slimane, to teaming up with modern - dance choreographer Merce Cunningham, Snarkitecture's portfolio demonstrates an ability to quickly switch between disciplines, grounded in their alternative backgrounds in artistic and architecture trainings.

It will be presented by 25 high - contrast black and white photographs, which are from editorial images of the 90's for VOGUE, HARPER»S BAZAAR, INTERVIEW and many other international magazines, to his personal work inspired by modern dance, landscapes, early German and East European cinema and photography.

In the exhibition we see the subversive creativity and the physical, ironic language used in Hail reflected in the work of contemporaries of Clark and Atlas's day, as well as among modern - day artists active in visual art and dance, music and pop culture, with their rebellious expressions.

Because she preferred to work in isolation, Eshkol's work in modern dance is little known outside of Israel.

Though widely recognized for her photographic images of the American modern dance movement from the 1930s and 1940s, Barbara Morgan began her career as a painter, and continued to produce works on paper throughout her life.

Recent work includes; The Keeners, SPACE, London (2016), Voicings, Serpentine Gallery Offsite Project, London (2016), Lay me down, NoTT Dance Festival, Nottingham, UK (2015) and Modern Art Oxford, Oxford, UK (2015), Swell the Thickening Surface of, Hayward Gallery, London (2014), MAKE, BALTIC, Gateshead, UK (2013) and Yorkshire Sculpture Park, Yorkshire, UK (2012); REMAKE, Baltic 39, Gateshead, UK (2012) and Lanchester Gallery, Coventry, UK (2012); Chorus; Swell the Thickening Surface of, Tintype, London (2013); Paper Portraits, National Portrait Gallery, London (2010).

Paul Klee: Works from Chicago Collections, January 16 — February 20 * Wit and Humor, February 28 — March 31 * Forty - Second Annual Exhibition by the Professional Members, April 8 — May 1 * Twentieth - Century Drawings from The Museum of Modern Art, New York, May 11 — June 6 Stephen Pace / George McNeil, June 11 — 30 Abstract Paintings from the Whitney Museum of American Art, October 1 — November 1 * Braque: An Exhibition to Honor the Artist on the Occasion of His Eightieth Anniversary, November 6 — December 8 * Stravinsky and the Dance, December 13, 1962 — January 10, 1963 *

Modern Fuel is pleased to present Dust is dancing, a three - person exhibition at Modern Fuel from March 2 to April 15 with work by Paul Kajander, Laurie Kang, and Colin Miner.

Trajal Harrell and Ola Maciejewska take as their starting point the work of Loïe Fuller, a performance artist, long before the term was invented, who influenced both Picasso and modern dance.

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Sydney Biennale, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

Her work has been shown at the New Museum for Contemporary Art, the Guggenheim Museum, PS1 Contemporary Art Center, The Whitney Museum of American Art, Art in General, Artists Space, Dance Theater Workshop, Performance Space 122, the Public Theater, and the WOW Cafe in New York and at Los Angeles Contemporary Exhibitions, Track 16, Gallery 2102 and The Project in Los Angeles; internationally at the Tate Modern, London; Museo Reina Sofia, Madrid; Museum Moderner Kunst and the Generali Foundation, Vienna; the Deutsche Guggenheim, Berlin and in galleries, exhibition or performance spaces in California, Florida, Rhode Island, Texas, and Vermont, Bogotá, Berlin, Copenhagen, Malmö, Vienna, Vancouver and Zagreb, as well as in 45 lesbian living rooms across the United States.

Recent exhibitions include Yvonne Rainer: Dance Works at Raven Row, London (2014), A Bigger Splash: Painting after Performance at Tate Modern (2012) and Pop Life: Art in a Material World (2010).

The first monograph of his work was published by The Museum Of Modern Art (part of their new Modern Dance Series) in 2016.

This season features works in ballet, urban vernacular, early tap and rural percussive, authentic jazz and modern dance; collaborations with two visual artists, a composer, and featuring live music.

The two other works showing are «Das Siebte Blau» (The Seventh Blue), a modern dance piece by Christian Spuck; and «Workwithinwork,» a ballet by William Forsythe set to a frenetically paced violin score.

In the 1960s, VanDerBeek began working with the likes of Claes Oldenburg and Allan Kaprow, as well as representatives of modern dance, such as Merce Cunningham and Yvonne Rainer.

They have evolved from a set design she created for her sister's modern dance company in 2006, followed by a series of related works entitled Gamboa, which were made in Rio by craftsmen who make the floats for Carnival.

The exhibition shows his desire and ambition to establish a modern theatrical and choreographic art through his manifesto - work, the «Triadic Ballet», but also through the Bauhaus performances and dances, or his staging of works by important composers, such as Igor Stravinsky or Arnold Schönberg.

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Biennale of Sydney, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

Featuring over 50 masterpieces of modern Japanese art from the Tokyo National Museum, the exhibition includes six objects designated «Important Cultural Properties of Japan,» including Dancing Lady Maiko Girl by Kuroda Seiki and the iconic Portrait of Reiko by Kishida Ryusei as well as other important works in Japanese modern art history such as Mount Fuji Rising above Clouds by Yokoyama Taikan and Spring Rain by Shimomura Kanzan.

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.

Unsettling and disorienting, her works cross disciplines and borrow from such varied sources as vaudeville, modern dance, musical theater, and historical drama.

Yael Davids» work has been shown in exhibitions and performed at Kunsthaus Dresen (2012), Kunsthalle Basel (2011), If I can't dance, I don't want to be part of your revolution at Van Abbelmuseum Eindhoven (2010) and Tate Modern London (2008).