Sentences with phrase «modern decade of our time»

Not exact matches

Design trends change quickly, and in the span of a decade or two, the fonts, colors and shapes that seemed cool at the time could be laughed at in the modern era as nostalgic leftovers.

Indonesia has the largest Muslim population and it has experienced productive and peaceful times in the decade since the Bali Bombings, actively committed to redressing a long history of human rights abuse and repairing once - frayed bonds with modern neighbors like Australia and New Zealand.

But it is precisely the significance of that decade that the irrationalities and horrors of modern history were borne in upon Americans so seriously that for the first time mass disaffection from the common understandings of American culture and society began to occur.

In other news, our team seems to be rounding nicely into form, with a productive off - season and several new additions already settling in, there seems to be a renewed sense of confidence in the air... our well - oiled machine has conducted business again early this year, so we can just sit back, kick our feet up and watch all those other suckers scramble to make panic moves in the 11th hour... of course, we need to tie up a few loose ends but our team of savvy negotiators, under the tutelage of our faithful leader, will perform their usual magic with ample time to spare... I have to laugh when I look around the soccer world and see all those teams look upon us with envy and scorn as they struggle to mimic our seemingly infallible business model... thank goodness the powers that be had the foresight and fortitude to resist the temptations of the modern football era... instead of listening to all the experts and simply taking the easy way out by making the necessary improvements on the field and in the front office, we chose the path never traveled... we are truly pioneers in our field... sometimes you just have to have faith in the people that have always conducted themselves in a respectful and honest fashion... most fans aren't so fortunate, they will never know what it's like to follow a team that treats everyone in and around the club as if they were an extended member of the family... all for one I say... so when you wake up this morning, please try not to gloat when you see rival fans pacing back and forth waiting for their respective teams to pull the usual panic buys, just say nothing and be thankful that it isn't you... like I've always said, this is why you stay the course... this is when the real benefits of having someone in charge for over 2 decades really pays off... have a great day fellow Gunners

Her Modern Love essay in the New York Times was not only one of the most - read in the decade the column has been running, but it also lead to her publishing a just - released book, Love, Again: The Wisdom of Unexpected Romance, in which she shares stories of other couples that found love late in life, too.

So with all of the modern hobbies available, why are more people passing their free time with activities that have been around for decades — or even centuries?

Even in the brief compass of the two decades in which there was formally a Chartist movement, the professionalization of politics can be observed, raising walls between «grassroots» supporters and leaders, just it has in modern times between the electorate and the elected.

Perhaps the social histories of Britain will record the second decade of the 21st century as being the time when one of the biggest taboos of modern life was finally broken down.

Rising unemployment figures were another sign «of the economic mistakes of the past decade» and said no government in modern times had been left with «such a terrible economic inheritance».

Two decades ago, one of the most extreme examples of space weather in modern times wracked the planet.

At the end of this summer, only a quarter of the Arctic Ocean was still covered in ice, a record low in modern times, and the total volume of ice was just a fifth of what it was three decades ago (see «Record Arctic ice loss»).

As we humans move along in the concept of time, eras and lives — we tend to romanticize past decades by literature, movies and modern interpretations of past clothes and trends.

I went for a modern 90's vibe today — it was one of my favorite decades for film and fashion the first time round (think Sex And The City, Clueless, Melrose Place and other cult classics!)

Since the start of the city's life, there have been amazing attractions for lovebirds of all feathers, from the natural beauty that has graced this part of the world since the dawn of time, to the ultra modern sights and scenes that people have built up over the corse of generations through the decades that followed.

Although presumably made as a way of doing a modern - day version of such somewhat dubious monster mash - ups as «Frankenstein Meets the Wolf Man» and «Freddy Vs. Jason,» the idea of bringing together the greatest metaphorical movie monsters of their respective time periods — the Alien representing fears of the sexual revolution of the 1970s and the Predator symbolizing the might - makes - right military mindset of the following decade — in a battle for supremacy is one that is not entirely unpromising.

With the onset of pocket internet and apps, banking in modern times sure beats the ledgers and check books of decades ago.

Yakuza 0 will take you back in time to the mean streets of Tokyo some three decades past before we fastforward to modern day Japan for some fantastical RPG goodness with (my ever - beloved and highly - anticipated) Persona 5.

At the same time, however, by recycling and affirming in 1967 his own words from nearly a decade earlier, Sylvester suggests that we can celebrate Bomberg for his genuine accomplishments as a painter and teacher while frankly acknowledging his important, if limited impact in the history of modern art — an impact which is still being assessed today.

2016 Impermanencia, Bienal de Cuenca, Cuenca, Ecuador Busan Biennale, Busan, Korea Decade by Decade: Art Acquired in Its Time, Weatherspoon Museum of Art, University of North Carolina, Greensboro, NC Modern Heroics, Newark Museum, Newark, NJ Half the World: Abstract Sculpture by Women, 1947 - 2016, Curated by Paul Schimmel and Jenni Sorkin, Hauser, Wirth & Schimmel, Los Angeles, CA 30 Americans, Cincinnati Art Museum, Cincinnati, OH

A better chapter began nearly a decade later with the pioneering exhibition The Quilts of Gee's Bend in 2002, that earned accolades from the chief art critic of The New York Times as «some of the most miraculous works of modern art America has produced.»

Private museums like the Menil Collection in Houston, the Fondation Maeght in Saint - Paul de Vence or the Louisiana Museum of Modern Art in Humlebaek have existed for a long time, but over the past decade, many more private museums have been founded all over the world.

At that time, and largely due to the foresight of Gallery benefactor A. Conger Goodyear - who donated more than two hundred and fifty works over the course of nearly four decades and who, in 1929, went on to become the first board president of The Museum of Modern Art in New York - the institution began to acquire significant works by innovative artists.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

Thanks to the generosity of the Museum of Modern Art in New York, and The Phillips Collection in Washington, D.C. — the two museums that jointly own the series — all sixty panels will be shown together for the first time in two decades on the West Coast.

By that time, she had spent almost two decades collaging found images to expose and manipulate the ideological structures that underpinned photography, crafting series such as «Modern History,» 1977 — 79, for which she excised the text from the front pages of newspapers so that the size and position of the remaining images — of statesmen or a solar eclipse or a masked Sandinista guerrilla — laid bare a visual grammar of power.

Honors: Guggenheim Fellowship Two National Endowment for the Arts grants, among other commendations Public collections Solomon R. Guggenheim Museum, New York, New York Los Angeles County Museum of Art, California The Museum of Modern Art, New York, New York National Gallery of Victoria, Melbourne, Australia San Francisco Museum of Modern Art, California Walker Art Center, Minneapolis, Minnesota Whitney Museum of American Art, New York, New York Retrospective: traveled to Irish Museum of Modern Art, Dublin The Van Abbemuseum, Eindhoven, The Netherlands Le Consortium, Dijon, France Museum of Art, Rhode Island School of Design, Providence New Museum, New York, New York The Museum of Contemporary Art, Los Angeles Roberta Smith wrote in The New York Times on Feb. 17, 2011 of Benglis» retrospective, «Whether you have been watching Ms. Benglis» varied career for decades or know her primarily from the latex pieces and her star turn in Artforum, this exhibition pulls together and elaborates her remarkable career in a thrilling way.

Private museums like the Menil Collection in Houston, the Fondation Maeght in Saint - Paul de Vence or the Louisiana Museum of Modern Art in Humlebaek have existed for a long time, but over the past decade, >> more JRP Ringier ISBN 9783037645208 US $ 29.95 CAN $ 39.95 TRADE Pbk, 6 x 8.25 in.

A retrospective conceived by Tate Modern in London that is now on view at the Deutsche Bank KunstHalle shows the wide spectrum of her oeuvre for the first time, encompassing works and documents spanning eight decades.

Museum of Contemporary Art San Diego and the Timken Museum of Art, San Diego, CA, November 10, 2012 - February 9, 2013 «Inaugural Exhibition by Gallery Artists,» Los Angeles, CA, September 22 - October 27, 2012 «Letters from Los Angeles: Text in Southern California Art,» Jack Rutberg Fine Art, Los Angeles, CA, November 17 - December 22, 2012 2011 «The Lord & The New Creatures,» Nye + Brown, Los Angeles, CA, September 10, 2011 - TBD «Arsenale: Graphics from the Museion Collection,» Museion - Museum of modern and contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Novembmodern and contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — NovembModern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — November 28.

Developed in close collaboration with Atlas, this beautiful volume looks back at a career that has spanned four decades and covers over 75 projects, including works recently exhibited at Tate Modern and the 2012 Whitney Biennial, capturing the movement and pace of the artist's celebrated and highly collaborative time - based art.

Leben Mit Der Kunst (Group Show)-- Galerie Thomas, Munich multiplicity — Virginia Museum of Contemporary Art (MOCA), Virginia Beach, VA If you're accidentally not included, don't worry about it — Galerie Zürcher — New York, New York City, NY Four Decades — John Berggruen Gallery, San Francisco, CA Hyper - Resemblances — Miriam and Ira D. Wallach Art Gallery — Columbia University, New York City, NY Modern Icons — Malerei aus der Sammlung Ludwig — Ludwig Forum für Internationale Kunst, Aachen Ilusión óptica — Museo de Arte Moderno de Mexico City, Mexico City Slow 206H — Espace de l'art concret, Mouans Sartoux Contemporary Masters — The Kirk Varnedoe Collection — Telfair Academy of Arts & Sciences, Savannah, GA Aspects of the Self: Portraits of Our Times — Center for the Arts at Virginia Tech, Blacksburg Vis - à - vis.

Former MOCA Senior Curator Alma Ruiz has spent over three decades at that venerable Los Angeles museum, during which time she has exhibited some of the most influential and experimental modern and contemporary artists in the world.

In the reviews of The Forever Now: Contemporary Painting in an Atemporal World, the Museum of Modern Art's first survey of contemporary painting in a very long time, a few critics recalled the modest but important surveys of new art the museum used to mount decades ago.

Here is critic Hilton Kramer on the occasion of the Guggenheim's 1970 retrospective: «The last three decades of Picabia's production are among the saddest of modern times.

«Civil Progress: Life in Black America,» Greg Kucera Gallery, Seattle, WA, February 6 — March 30, 1997 «Blind Spot: Coming of Age,» White Columns, New York, NY, May 8 — 29, 1997 «Kimchi Xtravaganza,» Korean American Museum, Los Angeles, CA, June 16, 1997 — January 10, 1998; catalogue «The Dual Muse: The Writer As Artist, The Artist As Writer,» Washington University Gallery of Art, St Louis, MO, November 7 — December 21, 1997; catalogue «Thirty - Third Annual Exhibition of Art on Paper,» Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC, November 16, 1997 — January 18, 1998; catalogue «Heart, Mind, Body, Soul: American Art in the 1990's,» Whitney Museum of American Art, New York, NY, November 26, 1997 — January 4, 1998 «La Biennale di Venezia, XLVII Esposizione Internationale d'Arte,» Venice, Italy, 1997; catalogue «A Decade in Collecting: Recent Acquisitions in Contemporary Drawing,» Museum of Modern Art, New York, NY, 1997 «Coming of Age,» White Columns, New York, NY, 1997 «Identity Crisis: Self Portraiture at the End of the Century,» Milwaukee Art Museum, Milwaukee, WI, 1997; traveled to Aspen Art Museum, Aspen, CO; catalogue «Kinds of Abstract,» Seattle Art Museum, Seattle, WA, 1997 «Rhapsodies in Black,» Hayward Gallery, The South Bank Centre, London, UK, 1997; travels to Arnolfini Gallery, Bristol, UK; The Mead Gallery, Coventry, UK; California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, San Francisco, CA; Corcoran Gallery of Art, Washington D.C.; catalogue «Sunny Days / Critical Times,» The Bohen Foundation, New York, NY, 1997 «Un Bel Ete,» Casino Luxembourg, Luxembourg City, Luxembourg, 1997

Modern Times ranges over the whole of the 20th century, and also spans the decades on either side.

«The Paintings of Mike Cloud: In Celebration of Black History Month,» Lincoln Center Gallery, New York, NY, February 1 — March 3, 2007 «Not For Sale,» PS1 Contemporary Art Center, Long Island City, NY, February 11 — April 30, 2007 «Paper Trail: A Decade of Acquisitions,» Walker Art Center, Minneapolis, MN, March 16 — September 23, 2007 «Simply Red,» The Fabric Workshop and Museum, Philadelphia, PA, April 7 — May 19, 2007 «Collected Identities: Gifts from the Blake Byrne Collection,» Nasher Museum of Art, Duke University, Durham, NC, April 19 — September 30, 2007 «For the Love of the Game: Race and Sport in America, Wadsworth Atheneum, Hartford, CT, June 9 — October 21, 2007 «Gallery Artists,» Regen Projects, Los Angeles, CA, July 7 — August 25, 2007 «Taking Aim: Selections from the Elliot L Perry Collection,» Clough - Hanson Gallery, Rhodes College, Memphis, TN, August 31 — October 11, 2007 «ART PROTECTS,» Galerie Yvon Lambert, Paris, France, September 8 — 9, 2007 «Modern Times: Alumni Collect,» Bowdoin College Museum of Art, Brunswick, ME, October 14, 2007 — March 9, 2008 «Read Me!

Mobile conceptions of time and location, the likes of which undergird modern cosmic physics, similarly permeate Irish's decade - long painterly inquiry into the histories of Western imperialism and resistance knotted around the Vietnam War.

Royale Projects presents «TONY DELAP: modern times» (the title taken from a sculpture created in 1966 that anchors the exhibition), a brief survey of paintings, drawings, and sculptures from the sixties through the current decade that expose how Tony DeLap continues to redefine «modern» by tweaking and mutating formalist ideals.

Assistant Curator at Tate Modern and co-curator of Conflict, Time, Photography, Shoair Mavlian gives a tour of this exhibition featuring photographs spanning moments, days and weeks to decades after conflict.

In the late 1960s and early 1970s, Ernest Trova was among the most widely acknowledged sculptors working in the United States, resulting in invitations to exhibit in three Whitney Annuals, three Venice Biennales, and Documenta 4 in Kassel, Germany.i In 1969 his work was heralded by the New York Times as «among the best of contemporary American sculpture,» and throughout those decades examples of his art were prominently displayed in dozens of major museums including the Museum of Modern Art, the Whitney Museum of American Art, and the Walker Art Center in Minneapolis.

A decade later, when the Museum of Modern Art staged a major retrospective, a writer in the New York Times described him as «the most remarkable sculptor to have appeared anywhere in the world during the past 25 years».

Data for the modern rate of annual ice sheet mass changes indicate an accelerating rate of mass loss consistent with a mass loss doubling time of a decade or less (Fig. 10).

There's no reason that the sensitivity on time scales of tens of thousands of years (Vostok record) should be the same as the sensitivity on time scales of decades (modern record).

PICTURED ABOVE: A report by Realogics illustrates the supply of new condominiums in their year of substantial completion, as well as the present status of sales — clearly the boom of new for - sale developments a decade ago is not replicated in more modern times, despite the market fundamentals being substantially better.