Sentences with phrase «modern editions do»

When you consider how thrilling and deeply moving the Bible really is — with timeless scenes of love, passion, war, and betrayal — it is almost an accomplishment to make it seem as boring as most modern editions do.

When you consider how thrilling and deeply moving the Bible really is, it is almost an accomplishment to make it as boring as modern editions do.

Not exact matches

«This new limited edition presentation most certainly does that with its modern look and vibrant colour.»

Set in the medium's native city of Lyon and captained by cinephiles Thierry Frémaux and Bertrand Tavernier, the Lumière Festival, which hosted its 9th edition in 2017, unfolded like an ethereal, kaleidoscopic journey through cinema joining the living and the departed, the modern and the classical, the marginal and the mainstream via an eclectic lineup of new releases, revivals, and restorations, including American westerns selected by Tavernier, from John Ford's My Darling Clementine (1946) to King Vidor's Man Without a Star (1955); Henri Decoin's Monelle (1948); Jacques Rivette's Le Pont du Nord (1981); John Cassavetes's A Child Is Waiting (1963); and Barbara Loden's Wanda (1970).

Ringbrothers is one of the companies that bring one or two new restomods at each edition, and needless to say, it's doing a great job at combining classic designs with modern features and drivetrains.

AWD crossovers don't just leverage the ability to motivate all four wheels for maximum traction, but modern editions of these versatile haulers can also offer sophisticated torque management capabilities and electronic driver's aides that can intervene when the going gets extra dicey.

In a blog, Google said: «Editions At Play is an experiment by Visual Editions and Google's Creative Lab to explore the potential of digital books: that is, books that change dynamically on your phone or tablet, using all the attributes of the modern mobile web to do things that printed books never could.

They are not like modern or contemporary prints that were done in a defined edition from a matrix and signed by the artist and sold through a gallery.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

She has published artist's books such as Anna's Egypt (AUC Press, 2003); Images du Ganges (Editions Fata Morgana, 2003) and Constantin Cavafy: Poèmes (Editions Fata Morgana, hand - painted books, limited edition, 2001), and her works can be found in the collections of the Museum of Modern Art, New York; Art Institute of Chicago; Neue Galerie, Kassel, Germany; Institut du monde arabe, Paris; Guggenheim Abu Dhabi; Kadist Art Foundation, Paris and Musée Carre d'Art, Nîmes, France.

As for modern life, Mathew Cerletty's pellucid image of an edition of the Yellow Pages floating on swimming pool - blue water is incisive: It's a parable about obsolescence, a condition to which painting has yet to succumb and possibly never will as long as humans are around to do it.

-- Tim Burton, retrospective at the Museum of Modern Art + mediagallery thedailybeast.com — Performa, Nouveau Festival, Artissima, la performance reprend du poil de la bête lemonde.fr — «1969» at P.S. 1 newyorker.com — Tom Wudl at L.A. Louver Gallery LAT — David Colosi's «Imaginary Numbers»; Gerhard Richter at Marian Goodman; Josée Bienvenu's «Toluca Editions» LAT — «Mindthegap» at Prism, LA wallpaper.com

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texdo something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa TexDo the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Jean Grove's scepticism was not built on prejudicial interpretation of data, nor did it extend to cynicism or flat denial of positions opposed to her own published views: which meant she was perfectly happy to accept new findings that forced her to adapt her own account, and perfectly happy to associate herself with courteous colleagues of / all / persuasions — Soon, Briffa, Jones, Esper included (all of which is reflected in the second posthumous edition of her book, «Little Ice Ages: Ancient and Modern», published in 2004).

>> Miranda Kerr revealed her not - so - modern attitude to marriage in an interview for the swimsuit edition of Net - A-Porter «s digital magazine The Edit: «I think it is really important not to feel as a woman that you have to do and be everything.

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