Sentences with phrase «modern feeling painted»

Not exact matches

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A classic iron bed frame painted white and rustic weathered wood nightstands feel like they could have been antique family pieces but we paired them with white and brass modern table lamps for a fresh look.

Cinematographer Nicholas D. Knowland combines the soft lens feel of the 70's with a more modern aesthetic, utilizing (along with editor Matyas Fekete) dizzying montages and lovely match cuts, painting with a palette of inky, satisfying blacks.

Gerda's paintings had an art deco feel and were mainly portraits of modern women.

Marble floors and contemporary design elements create a modern feel, while wooden furniture and paintings, depicting local scenes, showcase Hawaiian culture.

The former contains yet more stunning examples of MercurySteam's eye for beautiful environments, proving that they know their stuff when it comes to epic, fantasy landscapes and gothic architecture, while the latter paints a more interesting modern age than what we ultimately saw in the game, which felt uninspired.

The earlier styles of non-objective painting also became less fashionable, focusing more on making a modern world rather than on how dismayed or thrilled they felt to live in it.

With his turn back to painting women in 1952, supporters did feel betrayed, and the Modern shied away from collecting him.

The contrast between the reclaimed «artistic» waste and the richness of the paint highlights a dynamic tension between Ruby's contemporary practice and the early - modern belief in the supremacy of «pure artistic feeling» over the visual depiction of objects.

«I don't feel mine is the most modern contemporary, beyond - the - pale, gone kind of painting,» Kline told Frank O'Hara as late as 1959, «But then, I don't have that kind of fuck - the - past attitude.»

In Britain, where Tate Modern owns only one canvas, it often feels as if there are more biographies in print than paintings on permanent display.

You'll explore modern digital painting techniques, how to use a Wacom tablet for a natural feel, building custom Photoshop brushes, and much more in these computer painting lessons.

Despite its half - century historical sweep, in essence «The Painting of Modern Life» felt like an intimate group show, presenting several works by each of the 22 featured painters, sequenced and hung with intelligence and restraint, never forcing the argument but letting the arrangement suggest its own rich conversation.

By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics.

Gazing up at these paintings feels like apprehending some modern species of the sublime.

«I feel a real need to express colour, and I could attest through experience to the therapeutic aspect of modern painting, which makes light come to life on the palette»

The range of objects and other contemporary junk materials employed within the genre is well illustrated in the works of Joseph Beuys (1921 - 86), such as Eurasia Siberian Symphony (1963, panel, chalk drawing, felt, fat, hare, painted pole, Museum of Modern Art NYC); Ed Kienholz (1927 - 94), such as Back Seat Dodge»38 (1964, truncated Dodge automobile, resin, paint, fiberglass, clothing, chicken wire, beer bottles, plaster, Los Angeles County Museum of Art); Niki de Saint - Phalle (1930 - 2002), such as her Monster of Soisy (1963, paint, various objects, metal frame, George Pompidou Centre); Marisol (b. 1930), such as her Woman and Dog (1964, wood, plaster, synthetic polymer, taxidermied dog head, and miscellaneous items, Whitney Museum of American Art).

Unstill Life personalizes the modern art world and makes it feel immediate, not a painting on a museum wall.

NEW YORK — From a striking steel horse by Deborah Butterfield to Chuck Close's felt hand - stamped portraits and a fascinating set of tin types made modern with whimsical strokes of brightly colored paint, Armory Modern offered a restrained complement to the main Armory Show's contemporary shomodern with whimsical strokes of brightly colored paint, Armory Modern offered a restrained complement to the main Armory Show's contemporary shoModern offered a restrained complement to the main Armory Show's contemporary showcase.

About the Abstract Expressionist movement and his fellow artists Motherwell said: «But really I suppose most of us felt that our passionate allegiance was not to American art or in that sense to any national art, but that there was such a thing as modern art: that it was essentially international in character, that it was the greatest painting adventure of our time, that we wished to participate in it, that we wished to plant it here, that it would blossom in its own way here as it had elsewhere, because beyond national differences there are human similarities that are more consequential...» (5)

Unlike the pair of Marsden Hartley canvases that greet you as the elevator doors open on the gloriously sunlit eighth floor, «Painting, Number 5» (1914 - 1915) and «Forms Abstracted» (1913), whose bright colors and crisp forms feel like a clarion call for the Modern Age, the story of the seventh floor begins with a chapter called «The Circus,» after Alexander Calder's fanciful diorama of 1926 - 31.

Oliafur Eliasson, the Danish - Icelander whose Weather Project made the sun rise in Tate Modern's Turbine Hall in a haze of shimmering vapour, feels just the artist to complement an exhibition of Turner's late paintings.

SELECTED SOLO EXHIBITIONS 2016 Jonathan Ferrara Gallery, The Invisible Side of the Universe, New Orleans, LA 2015 LSU Museum of Art, Shaw Center for the Arts, Margaret Evangeline: On War, Baton Rouge, LA 2014 Eli and Edythe Broad Art Museum, Sabachthani, Lansing, MI 2012 Heriard - Cimino Gallery, Dreaming In Quicksilver, New Orleans, LA Kim Foster Gallery, As - If, New York City Stux Gallery, Timebomb, New York City Bertrand Delacroix Gallery, Everyday Magic, New York City Eleanor D. Wilson Museum of Art, Bayous and Ghosts, 2 - person with Hunt Slonem, Roanoke, VA Butters Gallery, Recklessly Blooming, Portland, OR 2011 Cohn Drennan Contemporary, Steel, 2 person with Suguru Hiraide, Dallas, TX 2010 Heriard - Cimino Gallery, Writing to Alexandrie, New Orleans, LA 2009 Elizabeth Moore Fine Art, Hot House, New York, NY DTR Modern, Distinct Conceptual Voices, Boston, MA HPGRP Gallery, A Feeling in My Bones, New York, NY Olin Gallery of Roanoke College, Margaret Evangeline Paintings and Video, Salem, VA 2008 The Ogden Museum of Southern Art, Silver Bullets and Holy Water, New Orleans, LA Byron Roche Gallery, Chicago, IL DTR Modern, Steel Canvas, Boston, MA 750 7th Avenue Exhibition Lobby Margaret Evangeline: Large Paintings and Works on Metal (1998 - 2006), Curator, Helen Varola, New York, NY

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

One reason the paintings feel modern is their scale.

These paintings feel like set pieces — portraits of a modern or contemporary art world in which the participants establish an intimate rapport based on long interaction.

Please feel free to message me about shipping international to other locations. - Don B:: Type: Painting Medium: Acrylic Style: Modern Subject: Abstract Tags: rothko warm glowing minimalist red brown Width: 48.0 Height: 46.0 Depth: 0.1 Weight: 3 lbs Framed: no:: All art on Zatista is original and signed.

Barnett Newman is one of my favorite painters and I stand in front of the big red painting at the Modern to get lost and to feel like a real person.

Lorrain's paintings, which stir little passion in modern eyes, give faint feel for the graphic dexterity behind them, which this show unveiled.

Perhaps because of his training at the New York School of Art with Robert Henri (1869 - 1929), leader of the Ashcan School, Hopper - unlike other modern artists of his generation - did not feel any need to emphasize the abstract qualities of his paintings to make them look modern.

«Every so often I get an anxious feeling and would like to produce that bombed - out effect of modern painting.

Although I admired the modern painting of Europe, I never came under the influence of any one artist or school -LSB-...] Recently I felt that most painting modern or conservative was terribly remote from conditions that were really, really affecting people's lives.

«The resulting videos, in the collection of the Museum of Modern Art, might seem at first like conceptual exercises or blurred Gerhard Richter paintings set in motion, but they come to convey the almost palpable feeling of a city that has achieved self - consciousness.»

The Museum of Modern Art's recent Abstract Expressionist New York exhibition offered many vivid reminders of how compellingly mysterious, psychologically intense, emotionally moving, and spiritually transcendent many of the seminal works of American Ab Ex painting still feel, more than a half - century after they were made and first seen.

It is primarily in modern painting and sculpture that such contemplativeness and communion with the work of another human being, the sensing of another's perfected feeling and imagination, becomes possible.

Blue is used symbolically throughout art history, and the fragmentary presence of that color on these sculptures and its use in later Renaissance, Baroque and Modern paintings was something that I came to feel was the accumulative tone of my experience.

New countertops and fresh paint make a big difference in both kitchen and bath spaces, Pellegrin says, and suggests updating the bath with an upscale shower and replacing worn, dated fixtures to give the area a modern look and feel, considered a plus by homebuyers.

For home sellers who want to give a more modern feel to a home full of wood accents and brown toned tile and stone, taupe paint can be an effective and inexpensive way to create a more modern feel that still complements the more permanent elements of the house.

The muted paint colors, pops of color and rustic / modern feel of their home is really breathtaking.

Here a smart Roman blind and matching pleated curtains add warmth, while the heather paint shade lends a modern country feel to this dining room.

So far, our wonderful people at the church have painted the walls of the nursery a fresh modern neutral and are going to infuse the space with pops of bright color and fun patterns and art to give it a clean, modern and youthful feel.

I have painted a good portion of my home in those fresh modern blue tones and it makes me feel so good but I do like the white accents and fluffy pillows feel along with it.

I really love the lighter paint color in the staircase - it just really opens up the space and makes it feel modern and up - to - date!

Panelled walls give the room a hunting - lodge feel, but are painted in a soft shade of grey to add a modern twist.

Slate flooring is a modern, elegant choice for this country kitchen that, when combined with white painted cabinets, offset the beams and low ceiling to keep the room feeling spacious.

Grey is a popular choice in home decor at the moment and a soft shade is a great option for a hallway, adding a sophisticated feel when teamed with crisp white woodwork, or mix it up by opting for a two - toned paint effect for a modern take on the dado rail.

Vintage finds combined with painted furniture and other modern pieces create a comfortable, relaxed feel in this traditional living room with a touch of country.

I find painting everything one colour — skirting boards, walls, dado rails, cornices and ceilings — unifies the mood of a room, making it feel modern but cocooning.

Painting them black gave them a more modern feel, which is what we were going for in this space.

11 — «If the space you are painting has a modern feel to it, typically pure white or whites with a blue tint to them will work best.