Sentences with phrase «modern fiction by»

Clive Barker has made his mark on modern fiction by exposing all that is surreal and magical in the ordinary world...

Not exact matches

Living by Fiction is apparently a discussion of modern and postmodern fFiction is apparently a discussion of modern and postmodern fictionfiction.

While the apparent subject of Living by Fiction is thus modern fiction, Dillard seems more interested in the notion of fiction as a metaphor for culture and creaFiction is thus modern fiction, Dillard seems more interested in the notion of fiction as a metaphor for culture and creafiction, Dillard seems more interested in the notion of fiction as a metaphor for culture and creafiction as a metaphor for culture and creativity.

Midwives describe the desire to peel away these fictions of medicalized prenatal care, exposing strong and capable women who «grow» and birth babies outside the regulatory and self - regulatory processes naturalized by modern, technocratic obstetrics...

Obviously this is a pretty broad question, and I don't care if these are primary sources, to collaborative works by modern historians, to historical fictions (as I'm sure much of this detail will be left to the imagination as not much evidence will remain), but I'm looking for how humans ran societies, and the issue they dealt with, on a day to day basis, because people live on a day to day basis, and don't, like historians, summarize a decade in a couple of pages of writing.

The Incredibles, written and directed by Brad Bird, served up something of a definitive superhero tale, using an average family with extraordinary gifts to comment on modern standards and mining the rich history of superhero fiction for endless laughs and excitement.

And as a person who's normally enthralled solely by history and science fiction, this Crash reminiscent film is due credit, because it's not only an eye - opening depiction of modern «ailments,» but an admirably acted film that puts other think - pieces to shame.

Based on the novel by Deborah Ellis, superb animation and endearing dialogue set apart this heartbreaking piece of modern historical fiction.

Updating a script written by Robert Lowell (a man who has been deceased since 1977), Haley updates the action to modern day Cleveland, but this mob affiliated kidnap caper feels exactly like direct - to - video fodder from the mid to late 90's modeling snappy, impressionistic dialogue around loopy bits of violence and pronounced plot twists, a common template following the success of Tarantino's Pulp Fiction (1994).

Though some may know of Greene's connection to the movies only by way of his brilliant scripts for Carol Reed's masterpieces The Fallen Idol and The Third Man, as Tonkin puts it, «No giant of modern fiction has ever had such a long and — mostly — fruitful liaison with the cinema as Graham Greene.»

It features several of the most popular and identifiable characters in modern fiction and, by most markers, fails to live up to even their pulpy roots.

TIME AFTER TIME Picked up to series STUDIO: Outerbanks Entertainment / Warner Bros TV TEAM: Kevin Williamson (w, ep), Marcos Siega (d, ep) LOGLINE: Based on the novel by Karl Alexander and movie, it delivers a fantastical cat - and - mouse adventure through time when famed science fiction writer H.G. Wells is transported to modern - day Manhattan in pursuit of Jack the Ripper.

Seen by many as an allegory for WWII — with the demonic overlord as Hitler — and interpreted by others, with its «slant - eyed» and yellow - skinned Orcs, as a virulently racist tract, The Lord of the Rings is indisputably a benchmark in modern fiction, gaining its popularity from the paperback release in the 1960s.

2 fully differentiated (by colour) lessons to support the teaching of synthesis (writing a summary of differences) Differentiation: purple = lower blue = middle yellow = higher Resources use modern and 19th century non fiction texts on prisons and tattoos to guide students in responding to the synthesis task on the new specification language paper.

3 fully differentiated (by colour) lessons to support the teaching of comparison between 2 non fiction texts - one modern and one from the 19th century.

6 fully differentiated (by colour) lessons to support the teaching of language analysis for new specification AQA paper 2 -(non fiction texts) Differentiation: purple = lower blue = middle yellow = higher Resources use a range of modern non fiction and 19th century non fiction texts to guide students through answering Q3 - language analysis.

Proclaimed a «modern classic» by the Sunday Telegraph (UK), The Loney marks the arrival of an important new voice in fiction.

A Visit From the Goon Squad, by Jennifer Egan (Fiction) The Warmth of Other Suns, by Isabel Wilkerson (General Nonfiction) How to Live: Or A Life of Montaigne by Sarah Bakewell (Biography) Half a Life, by Darin Straus (Autobiography) One with Others, by C.D. Wright (Poetry) Lyric Poetry and Modern Poetry — Russia, Poland, and the West, by Claire Cavanaugh (Criticism)

Download Free Stories for Reading and Enjoyment, Fiction and Non-Fiction — by modern, little known authors from all walks of life.

A recent article in The Guardian by We Need to Talk about Kevin author, Lionel Shriver (who I was lucky enough to meet at a literary festival a few years ago) rightly said: «If all modern literature comes to toe the same goody - goody line, fiction is bound to grow timid, homogeneous, and dreary.»

A former co-editor of the East Bay Monthly (a regional general interest magazine), she reviewed fiction for several years for the San Francisco Chronicle and was the second «Modern Love» columnist published by the New York Times.

As noted on the publication's web site, «The Literary Review Bad Sex in Fiction Award was inaugurated by [Evelyn Waugh's son] Auberon Waugh in 1993 to «draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel, and to discourage it».

Today I'm reviewing Illusion by Frank Peretti, who practically invented the modern Christian speculative fiction genre with This Present Darkness.

Owen's short story «Everything Stops» has been selected for publication in an anthology of short fiction published by Fiction Attic Press called «Modern Shorts», available at fiction published by Fiction Attic Press called «Modern Shorts», available at Fiction Attic Press called «Modern Shorts», available at Amazon.

Four Ways to Pre-Write Your Scenes on The Otherside of the Story with Janice Hardy Five Quick Tips for Better Dialogue in Fiction on The Creative Penn 5 Examples of Misplaced Modifiers on Daily Writing Tips How to Cure the Sagging Middle on Hugs and Chocolate The 100 Best Blogs for the Modern Writer on LiveHacked.com How to Find the Right Title for Your Book — A Brainstorming Workshop by Roz Morris Writing an Outline by Sophie Masson on Writer Unboxed Kurt Vonnegut Can Bite Me by Tiffany Reisz on The Other Side of the Story with Janice Hardy How to Engage Your Reader — A Guest Post by Matthew Turner on Storyfix.com

Written by JEFF PARKER / Art by MARC LAMING / Colors by JORDAN BOYD / Letters by SIMON BOWLAND / Published by DYNAMITE ENTERTAINMENT The heroes of modern American Comics owe much to their Pulp Fiction predecessors.

In the introduction, I talk about my current fiction rebranding for JFPenn.com: Ancient Mystery, Modern Thrill and tell you a bit about my protagonist Morgan Sierra as I have been challenged by a listener to reveal a little more.

But in this case, it's not hastily penned videogame fiction nor dispassionate Dorling Kindersley encyclopaediae, but rather a unique insight into one of the most popular adventure franchises on the planet, helmed by one of modern gaming's most iconic stars.

The game recreates the drama of modern zombie fiction by making team members core to the player's travel progress.

The Long Journey Home is a Space Exploration RPG that combines the best of classic space adventures like Starflight and Star Control II with the replayability of modern roguelikes, in a procedurally generated, endlessly surprising living universe inspired by beloved modern Science Fiction shows like Farscape and Firefly.

Pattison's Free Traveller is inspired by various narrative fictions that exist in time from the 1940's island narrative, The Invention of Morel, by Adolfo Bioy Cesares, reading this from a modern perspective to Visit Port Watson!

An evening of dance and music performed by Non Fiction and the past)(modern performance duo.

Current projects include In the Shadow of the Negress: A Brief History of Modern Artistic Practice, which explores the constitutive role played by fictions of black womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother: Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical essays.

Inserted into the modern ruins of damaged homes, collapsed infrastructure, and piles of detritus is a free - form narrative — part science fiction, part video game, part real - life experiences like stop - and - frisk interrogations — enacted by members of the self - taught Brooklynbased dance troupe Ringmaster Crew.

Drawing on extracts from apocalyptic works by Octavia Butler and Mary Shelley, the film employs a science fiction device which invites viewers to imagine the excavation and dissection of modern life from a future point in time.

French actress AMIRA CASAR, photographed by JUERGEN TELLER, divulges an appreciation for Caspar David Friedrich, Thomas Bernhard, and metaphysics; artist RICHARD HAMILTON asks how far back we need to go to be modern in a conversation with REM KOOLHAAS and HANS ULRICH OBRIST, photographed by JUERGEN TELLER; science - fiction writer JEFF VANDERMEER uncovers the beauty in alien forms;

Previous exhibitions include the first major U.S. museum exhibitions of work by Chantal Akerman, Urs Fischer, and Miguel Angel Rios; group shows A Fiction of Authenticity: Contemporary Africa Abroad, Damaged Romanticism: A Mirror of Modern Emotion, and One Way or Another: Asian American Art Now; and ambitious exhibitions of work by Jane and Louise Wilson, Jessica Stockholder, and Chuck Close.

Koetje appears to suggest that, through our constant seduction by the infinite pixels within our iPhone or laptop screens, modern life has fragmented into a constant choreography between the dueling aesthetics of fact and fiction.

Recent exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York (2013); Science is FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).

The artist's work utilizes afrofuturistic themes to reimagine our past, present, and future by taking science fiction iconography and applying it to modern day challenges that involve media consumption and creative expression.

Current Forehead and Brain, Albright - Knox Art Gallery, Buffalo March 10 — June 17, 2018 - Being: New Photography 2018, The Museum of Modern Art, New York March 18 — August 19, 2018 - Kiss the architect on the mouth, Simone Subal Gallery, New York April 15 — May 13, 2018 - Picture Fiction: Kenneth Josephson and Contemporary Photography, Museum of Contemporary Art, Chicago April 28 — December 30, 2018 Upcoming B. Ingrid Olson and Robert Overby, Jessica Silverman Gallery, San Francisco June 8 — July 14, 2018 Past KLEIN / OLSON, The Renaissance Society, Chicago - double - ended arrow, Simone Subal, New York - The vases my monitors their frames, cura.basement, Rome - From her come a gang and a run, Document, Chicago Text / publications Exhibition text by Holly E. Hughes Salt published by Hassla Exhibition text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV / Bio

He has been featured in group exhibitions throughout Europe and the U.S., including Expanding Frontiers: Propos d'Europe 15, curated by Rolf Hoff, Foundation Hippocrène, Paris (2016); The Painter of Modern Life, Curated by Bob Nickas, Anton Kern Gallery, New York (2015); The Stand In (or A Glass of Milk), Curated by Alexandra Gaty, Public Fiction (The Museum of), Los Angeles (2013); Pour une grammaire du hasard, Curated by Corrinne Charpentier, Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (2012); and Golden Age: Reference Work, Museum of Contemporary Art, Chicago (2011).

Along with a sampling of short plays, visual essays, poetry and fiction by never - before - published authors, issues contain new installments of two series: «Modern Artifacts,» for which undiscovered treasures from The Museum of Modern Art Archives are reproduced in facsimile, and «Guarded Opinions,» which features museum guards» commentaries on the art they oversee.

Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

4) «The idea that climate science and economics are being suppressed by a modern Lysenkoism is pure fiction.»

For that reason it's being used more often by modern fiction writers.

The idea that climate science and economics are being suppressed by a modern Lysenkoism is pure fiction.