I was able to find lodging (the main obstacle for the last two years), and now I was primed for the genre - loving film fest that's the cure for
the modern film festival.
We blend in other topics as well, ranging from the state of
modern film festival - ing, nannys, and other such fun stuff.
Not exact matches
This episode of The
Film Comment Podcast explores how we relate to older
films in the
modern era, and examines the culture that surrounds their appreciation amidst revival runs,
film festivals, and restoration efforts.
Greeted by a rapturous standing ovation at its Sundance premiere — which precipitated it becoming one of the highest - selling acquisitions in the history of the
festival, and the third consecutive
film to win both the Grand Jury Prize and the Audience Award — this slick, funny and bruising high - school saga transcends its YA trappings by dropping the full weight of
film history on a thoroughly
modern milieu.
Romantic dramedies that look at
modern relationships are a dime a dozen at
film festivals.
The movies currently debuting at
film festivals and gearing up for the fall awards season were largely
filmed either before or during the 2016 election — but that doesn't mean they can't reflect
modern politics.
The recovered and restored
films in the Museum of
Modern Art's To Save and Project
festival include two anti-Nazi movies from the mid-1930s.
Like last year, the
festival's closing
film came from Scandinavia and was a well - made
modern riff on a previously beloved genre.
Film preservation at the Musem of
Modern Art, Eadweard Muybridge's contribution to the motion picture, the serious business of being funny, student
film production, Warrendale, Titicut Follies, television breaks a new art form, Bergamo
festival
So a few eyebrows were raised at the inclusion of Agnieszka Smoczyńska's «The Lure,» a
modern fairy tale that played major
film festivals and was barely released otherwise.
Since our screening of FUDOH: THE NEW GENERATION in 1997, which was the first time Miike's unique vision was shown in North America, no fewer than 29 of his
films were showcased at the
festival, including such
modern classics as AUDITION, ICHI THE KILLER, and VISITOR Q. Miike's work also opened Fantasia three times with YATTERMAN and North American premieres of the Cannes selections FOR LOVE»S SAKE and SHIELD OF STRAW.
Juan Antonio Bardem's Death of a Cyclist (1955), one of the first Spanish
films to win the critics» prize at a major European
festival, was crucial in launching the
modern Spanish cinema.
And the county is renowned for its
film festivals, writing conferences, annual events, and world - class ballet, opera, classical music,
modern dance, and theater.
As the Capital City of New Zealand, Wellington is well known for being a vibrant and progressive community, iconic for its art
festivals, involvement in the
modern global
film industry, buzzing cafe culture, and also for being home to New Zealand's most famous museum, Te Papa.
His
films have been screened at the Arnolfini, Bristol; the Danish
Film Institute, Copenhagen; the Konsthall, Malmö; the Museum of
Modern Art, New York; and in various international
film festivals.
Many of his short experimental
films have shown in
festivals internationally and are in the permanent collections of the Museum of
Modern Art, the Whitney, the Guggenheim Museum and the New York Public Library.
Breder continued to lead the Intermedia program until 2000, exhibiting his work at
film festivals and museums worldwide — most notably, the Whitney Biennial; Museum of
Modern Art, New York; and The Kitchen.
His
film and video work has screened in the Museum of
Modern Art, Toronto and London International
Film Festivals.
His
films have been shown at Berlin, Rotterdam, Montreal, Toronto and New York
film festivals and at exhibition venues such as Red Cat, Los Angeles; Tate
Modern, London; the Whitney Museum, New York; The Walker Art Center, Ohio and ZKM, Karlsruhe.
Her
films have been screened at the Cannes, Berlin, Toronto and New York Film
Festivals, The Museum of
Modern Art, New York and The National Gallery of Art, Washington, D.C..
Barba's
films have been screened in many
film festivals and institutions worldwide, including MoMA, New York; Centre Pompidou, Paris; and Tate
Modern, London.
Burns has had work shown at the Whitney Museum of American Art (NY), Pacific
Film Archive (CA), The New York Video
Festival, The European Media Arts
Festival (Germany), The Impakt
festival (Netherlands), The Melbourne International
film festival (Australia), Smart Project Space (Netherlands), Champ Libre
festival (Canada) and most recently showed his new video series Exchange program: Galactica / Lifespace at the Museum of
Modern art in New York City.
Screening: «Coma and My Aleppo» at the Museum of
Modern Art Sara Fattahi's feature - length documentary Coma and Melissa Langer's short
film My Aleppo, which are part of MoMA's 15th annual international
festival of non-fiction
film called «Doc Fortnight,» examine how the civil war in Syria is affecting families that are not directly involved in the battle.
Weberg has exhibited at numerous art /
film festivals, galleries, and museums internationally, including the Oscar Niemeyer Museum, Curitiba, Brazil (2012); Museum of
Modern Art, Buenos Aires, Argentina (2011); and Beijing Contemporary Art Center, Beijing, China (2010).
Her projects have been presented at museums and
film festivals internationally, including MoMA, Guggenheim, Whitney, LACMA, Tate
Modern, Stedelijk Museum, Berlinale, Hot Docs, and SXSW.
Her projects have been presented at museums and
film festivals internationally, including MoMA (New York), Tate
Modern (London), Stedelijk Museum (Amsterdam), MCA (Chicago), MOCA (Los Angeles), Berlinale
Film Festival (Berlin), Torino
Film Festival (Turin), SANFIC (Santiago), Hot Docs (Toronto), and South by Southwest
Film Festival (Austin).
Her
film and performance work Transposition was performed and shown as one of the
festival events for Tate
Modern's underground oil tank spaces in 2012; and her installation Demolition / Escape was shown at Matt's Gallery in Revolver Part 3.
His
film Secteur IX B (redshoes production) is selected by the TIFF
festival, Toronto and was screened at Tate
Modern in July.
She has exhibited widely in museums, galleries and
film festivals including, Asian Triennial Manchester, Cornerhouse, Manchester, 2008; New Delhi New Wave, Primo Marella Gallery, Milan, 2007; Global Feminisms — the inaugural show at the Elizabeth Sackler Center for Feminist Art, Brooklyn Museum, NY, 2007; Saturday Live, Tate
Modern, London, 2006; Sub-Contingent, Fondazione Sandretto Re Rebaudengo, Turin, 2006; Indian Summer, Ecole Nationale des Beaux Arts, Paris, 2005.
His work has been exhibited at numerous international venues and
film festivals, including the Minneapolis Institute of Arts, the Walker Art Center, the Irish Museum of
Modern Art, the Sonorities Festival in Belfast, the Maryland Institute College of Art, the Third Lisbon Architecture Triennial, the Deep Wireless Festival of Radio and Transmission Art in Toronto, the Texas Biennial in San Antonio, and Aurora Picture Show and Hermann Park in Houston.
He is Assistant Curator:
Film at Tate
Modern and has curated retrospectives and
film programmes for galleries,
festivals and television.
Group shows include: 2008 Revolutions - forms that turn, Sydney Biennale, 2007 Multiplex: Directions in Art, 1970 to Present, the Museum of
Modern Art (MoMA), New York and Skulptur Projekte Münster 2007, screenings at the internationale
film festival in Rotterdam 2009, Cinemateque Paris or Filmmuseum München.
Their work is in the permanent collection of the Museum of
Modern Art (NY), and the British Museum, and has been screened at the AFI, BAFICI, Berlin, CPH: DOX, Locarno, NewYork, Toronto, and Viennale
film festivals, and exhibited at London's Institute of Contemporary Arts, the Centre Pompidou, the Berlin Kunsthalle, Marian Goodman Gallery, the X-Initiative, and elsewhere.
Ericka Beckman's work has been the subject of numerous solo and group exhibitions and
film festivals most recently at Kunst - Werke (Berlin, Germany) in 2018; the Secession (Vienna, Austria) in 2017; Walker Art Center (Minneapolis, MN), Muzeum Sztuki (Łódź, Poland), MAMCO (Geneva, Switzerland) in 2016; Whitney Museum of American Art (New York, NY), Raven Row (London, UK) in 2015;
Modern Art Oxford (Oxford, UK) and Swiss Institute (New York, NY) in 2014; Kunsthalle Bern (Bern, Switzerland), Tate
Modern (London, UK) and Centre Pompidou (Paris, France), Castello di Rivoli Museo d'Arte Contemporanea (Turin, Italy) all 2013 and has been included in four Biennials at the Whitney Museum of American Art, New York.
In two weeks» time, Tate
Modern will launch its new Tanks space with a 15 - week
festival of live performance, installation and
film and video works; meanwhile British - German artist Tino Sehgal, who has worked with singing gallery attendants and performing children, is the next to take on the gallery's Turbine Hall.
Her
films, installations and photos have been shown in many institutions and
film festivals including (and amongst others): Moma - PS1, NY; Tate
Modern, London; Palazzo Grassi, Venice; Fondazione Sandretto, Turin and HangarBicocca Milan; Artists Space, New York.
Jamie Isaia (BFA 2003 Photography) Photographer; Filmmaker; Instructor SVA;
films featured at ICA's Birds Eye
Festival, London, A Shaded View on Fashion
film festival, Paris, San Francisco Fashion
Film Festival and The Museum of
Modern Art, NYC; solo exhibitions at Les Rencontres d'Arles, Arles, France, M Project Gallery and Soho Grand Gallery, NYC; group exhibitions at The Museum of
Modern Art, NYC; Institute of Contemporary Art, London; Dactyl Projects; and New York Art Academy; nominated for the Discovery Award at Les Recontres d'Arles; listed in Photo District News» 30 New and Emerging Photographers to Watch (2007); clients include W, Italian Vogue, Japanese Vogue, I - D, Dansk, Tank, Zac Posen, Saks Fifth Avenue, Wolford, Swarovski, Journelle and Rogan, Loeffler Randall.
In fact, within the world of visual art, the term art
festival typically embraces the widest possible spectrum of creative events, involving contemporary art: from traditional media, such as painting and sculpture, to more
modern forms like installation and video art,
film - making, animation and photography, as well as avant - garde art forms such as performance art.
But
film festivals, like other old - school distribution methods, shouldn't be forgotten in our
modern - day romance with the internet.