Sentences with phrase «modern film music»

With the help of a gentleman by the name of Juno Reactor, Davis has made the perfect modern film music - wonderful orchestral stylings mixing with electronic elements.

It's become something of an axiom of modern film music that music for any kind of serious film set in the modern day will not have a traditional orchestral score - were Oliver Stone to make Born on the Fourth of July today, I seriously doubt he would have John Williams score it - and so he turned to Craig Armstrong, still primarily known for his instrumental pop music and song arranging for popular singers.

Powell continues to impress and with Mr and Mrs Smith has confirmed himself as one of the most exciting and interesting voices in modern film music.

Alexandre Desplat has emerged in recent times as an original and exciting voice in modern film music; but so far, he has stuck resolutely to art house fare.

Not exact matches

A modern and pop art variety show, the group will focus on modern dance, but will also include music, film, and theatre.

In the interview, she talks about the challenges and joys of making music for a very modern, epic film.

Shame they chose to include modern pop music within the film but other than that its a fair animation that is fun to watch.

At least the movie doesn't resort to tacky modern references or pop music, and like most animated family films these days, «Coco» also has some adult appeal.

Despite the film being set in the 1800s, it has a modern vibe to it, thanks to the contemporary music by Oscar - winning songwriters Benj Pasek and Justin Paul, who wrote the lyrics for La La Land's soundtrack (music was provided by Justin Hurtwitz).

Listen to a snippet here and here, and tell me that you don't hear the driving bass lines of most modern action film music.

The result is a stylistic and colorful film (using modern music set to the old time theme, and a frustrating jump in time that often skips over major plot points in favor of lining up the next musical number.

However, as cornball as the main plot is, this film tries so desperately to be modern, from its fashions and music.

Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.

Of course, there is far more to Powell's music than drum loops, and the way he combines modern electronics and synths with an orchestra is as impressive as any other film composer.

With its thumping music and chic shots of the city after dark, the film looks and feels the way a modern L.A. noir should.

Though it is a thriller at heart, and does have a high - speed driving subtext, the film feels more like a throwback to the music video stylized, R - rated crime dramas of the 1980s than the new Fast & the Furious over-the-top, CGI - infused modern action - thrillers.

1967 - Thoroughly Modern Millie over In Cold Blood - Quincy Jones» music embodied the film and should have won Best Music Smusic embodied the film and should have won Best Music SMusic Score.

With its flowing harmonies, «Disobedience» works equally well as an example of modern classical music at its most thankfully harmonious, Herbert dresses strings lines over each other with gossamer delicateness in a way that's also reminiscent of the hypnotic film works of ephemeral composer Michael Convertino («Bed or Roses») in a way that awakens with its womens» growing self empowerment, also calling to the ear such diverse, ultra-melodic composers as Claude Debussy and Richard Wagner.

Visually it looks fabulous, and it's enjoyably packed full of modern cultural references that take in music, film (ooh, look, isn't that The Iron Giant) and video gaming (wow — an Atari 2600) from the past 40 years.

This ever - striving «Shawshank Redemption» cue still one of the most obviously copied, earth shaking pieces of film music in modern scoring history, raging towards the lightning with its bold defiance.

-- «West Side Story» (1961): There's nothing corny about this beautifully cinematic, electrifying film, which updates the «Romeo and Juliet» story into then - modern - day Manhattan and features the music of Leonard Bernstein (and the lyrics of Stephen Sondheim).

I thought it an interesting film, what with the modern updates by contemporary artists bringing a similar energy to the original in the tracks played.The music also explained pieces of the jig - saw: the multi-personae that he adopts - the psychic trickster, the outlaw cowboy, the mystic savant, the Cassandra of doom.

In part one of our talk, Walter takes questions from other leading sound designers Ren Klyce and Gary Rydstrom about his work, talks about how documentary film has affected modern cinema style, discusses his work in Apocalypse Now and The Conversation, and ends the episode with a discussion of the use of music in The Godfather and The English Patient.

Whether you're of the mind that demonlover is critical of modern, ruthless, globalized capitalism, or that the film is an unintentional celebration of that ruthlessness, Sonic Youth has composed music for it so bafflingly ambiguous and abstract that it could support either opinion.

The relationships and events amount to a credible portrait of modern city and family life, but it's the intimate, improvised shooting style (16 mm, natural light, all on location) and Michael Nyman's evocative, memorable score (this often feels like a film made to music) that define the film and give it the sense of immediacy and compassion that make it so enduring.

In the modern era, book publishing has always competed for attention with other print and audio / visual media: newspapers and magazines; recorded music; radio; television; and feature films.

Filmmaker Emiko Omori's gorgeously filmed introduction to Don «Ed» Hardy, the «godfather of modern tattoo art,» and the history of tattooing is filled with interviews (including Hardy), cleverly presented tidbits, vibrant art, vintage footage, photos, and eclectic background music.

And the county is renowned for its film festivals, writing conferences, annual events, and world - class ballet, opera, classical music, modern dance, and theater.

During a panel interview at Game Music Connect, the title's composers Joe Henson and Alexis Smith discussed how they tried to stay true to the work of Jerry Goldsmith, who scored the film, while also giving the game's music a more modern tMusic Connect, the title's composers Joe Henson and Alexis Smith discussed how they tried to stay true to the work of Jerry Goldsmith, who scored the film, while also giving the game's music a more modern tmusic a more modern twist.

The film's original score can be mixed with modern music along with classic Disney visuals.

Upon moving to Los Angeles, the duo continued to record music, produce videos, and perform plays throughout Southern California, South America and Europe, inspired by their personal experiences, Latin American heritage, and a history of modern avant - garde performance and film.

In conjunction with the ongoing exhibition Frankenstein & Dracula: Gothic Monsters, Modern Science, The Rosenbach of the Free Library of Philadelphia presents a screening of the iconic film Nosferatu, a symphony of horror, accompanied by live organ music.

And they were often hybrid people — they studied something else or had been filming modern dance or music videos.

The connection between raw material and its consumption by the immaterial systems of global capitalism is the main theme running through Metal, a group show of five artists at Middlesbrough Institute of Modern Art, which forms part of the AV Festival, a biennial programme of art, film and music in the northeast of England, now in its sixth iteration.

The 35 mm film From Source to Poem (2016), co-produced by Pirelli HangarBicocca and CAPC musée d'art contemporain de Bordeaux, France, with the participation of Tabakalera, Donostia, Spain, is shot in Culpeper, Virginia at the Packard Campus for Audio - Visual Conservation, part of the Library of Congress: more than 90 miles of shelves that hold a collection of over four million items, both moving - image (films, videos, television episodes) and audio recordings (music, spoken word, radio broadcasts) in obsolete formats as well as modern digital files.

Hélio Oiticica, detail of Tropicália (1967) Tropicália is an incredible exhibition — the first comprehensive survey of one of the most significant chapters in modern cultural history, a period beginning in the late 1960s when daring experiments in Brazilian art, music, film, architecture and theater converged.

Combining visual art, performance, poetry, experimental music and film, Fluxus was similar to Dada, and had a serious problem with serious modern art.

A modern cultural collision moving across the U.S. landscape, Station to Station, organized by artist Doug Aitken, was a three - week train ride from New York to California that connected leading figures and underground creators from the worlds of art, music, food, literature, and film.

This program is aimed at artists in every artistic discipline: Architecture / landscape / urbanism, street arts / circus / puppets, digital arts, visual arts, comics, cinema / movies / video, curating projects, dance / performances, design, literature, youth book, fine arts and crafts, modern music and jazz, classical and contemporary music, contemporary art performances, photography, theatre, musics for films and video games.

The mechanics of the music box, cylinder, metal elements and pins, enlarged and magnified to an industrial scale, remind us of the visual language of films such as Chaplin's Modern Times andFritz Lang's Metropolis, as well as the austere objectivity of German photographer Adolf Lazi's 1930's photographic series.

Her dances and films have been shown worldwide at venues including Anderson Theater, the Whitney Museum of American Art, the Guggenheim Museum, New York Film Festival, the Brooklyn Academy of Music, Dance Theater Workshop, Danspace Project, and the Museum of Modern Art.