Sentences with phrase «modern film soundtracks»
Both are fairly flat and anemic when compared to modern film soundtracks, but can be labeled as serviceable in consideration of their age.
http://www.dvdizzy.com/ Not exact matches
People reported that the singer's birth plan «had been to have natural childbirth with the soundtrack of a romantic 1988 Alan Rudolph film called «The Moderns» playing.»
Indeed, Waititi has made an uplifting film tuned by a lively, modern soundtrack; although legal dangers await both of them in various forms, Hec and Ricky show they have a resilience not only for surviving the outdoors, but for keeping their spirits high.
Despite the film being set in the 1800s, it has a modern vibe to it, thanks to the contemporary music by Oscar - winning songwriters Benj Pasek and Justin Paul, who wrote the lyrics for La La Land's soundtrack (music was provided by Justin Hurtwitz).
The question hangs over the film, making for an introspective journey; this isn't When Worlds Collide so much as The Double Life Of Véronique in a modern American setting, with a touch of Hal Hartley melancholy, whimsy, and an atmospheric indie soundtrack.
Formalist technics can be worked seamlessly into modern films, like the comic book qualities of Edgar Wright's Scott Pilgrim Vs. The World, or they can be sloppy, like every time a current Top 40 hit makes its way into the soundtrack of a period piece.
EXTRAS: The Blu - ray release includes a trio of featurettes covering the making of the film, Karen O's soundtrack, and interviews with various celebrities on the subject of love and relationships in the modern age.
In a way, it's of a similar mindset to the crude romantic comedies which came out around 2000, especially any of the Farrelly Brothers films, which went for lowbrow laughs at the expense of some dim bulb characters, featuring a nonstop soundtrack of modern pop - rock hits, and with a sweetness underneath to try to make it seem cute in its own juvenile way.
It's as if he binged watched every film on the subject (including 1954's «Prince Valiant» and the 1967 musical, «Camelot») added «Game of Thrones» to that list and then decided to make King Arthur: Legend of the Sword with a modern soundtrack and populating it with supposed artists who supposedly know their craft.
It has essentially EVERYTHING your standard / substandard Mutant Reviewers from Hell reader would ever desire in a film: Michael Cera, the hot / fun «it» girls from various cult (non --RRB- smashes of recent years, a thoroughly modern perspective towards diversity and human acceptance of differences, video game - inspired fight scenes, an uplifting and resonate (which is to say»80s film - like) romance, and a rockin» soundtrack.
However, none of this would have amounted to much without the perfect recreation of the Sixties fluff comedy look of the film, complete with sumptuous Technicolor vibe, light jazz and lounge soundtrack, gaudy wardrobe, split - screen conversations, process shots, and none of the camera techniques that have been development in the last 40 years that would suggest this is a modern film.
Bluebeard (Edgar G. Ulmer, 1944) Screened during Fantasia at the launch of the book Recovering 40s Horror Cinema (highly recommended), this serial killer film set in Paris but filmed in a poverty row Californian studio has a busy soundtrack like a completely modern film.
If you missed Alan Howarth performing his soundtrack to Halloween last Halloween, here are some more chances to catch modern maestros performing their film scores alongside the movies they soundtracked.
I've created the soundtrack for Tip of My Tongue, a film by Lynne Sachs, premiering at the Museum of Modern Art in NYC, February 25 and 26, 2017
The exhibition includes Christian Marclay's cinematic collage and working timepiece The Clock (2010); Sarah Lucas» biomorphic sculpture series NUDS (2009 - 10); George Shaw's hallucinatory paintings of West Midlands council estates; Elizabeth Price's seductive and unsettling film User Group Disco (2009) set to an 80's soundtrack; Maaike Schoorel's atmospheric paintings; Matthew Darbyshire's exploration into taste and display in An Exhibition for Modern Living (2010) and Duncan Campbell's examination of the public persona of Britain's youngest ever woman MP, Bernadette Devlin in Bernadette (2008).