Sentences with phrase «modern font design»
Another example is the logo for Yong Gruber in Los Angeles, which features subtle modern elements of modern font design and a bit of color for the accent:
https://lawyerist.com/ Not exact matches
Design trends change quickly, and in the span of a decade or two, the fonts, colors and shapes that seemed cool at the time could be laughed at in the modern era as nostalgic leftovers.
Rounding off the design, the printed front graphic provides a modern approach and the heat transfer gothic «A», inspired by the gothic font that featured on the club's crest in the past, is the official signoff on the back neck area.»
Paper Crabb on Etsy offers a modern take on book plates with gorgeous, bold designs and a spare font.
(which continued on to this second box) Everything was designed with modern lines, rich colors, and sophisticated but more masculine details, including the fonts used in the price list, and even the envelope.
Like a shot of an antique shop raided by the royal court and Chris Van Allsburg, it blends opulent production design with near - absurdist block font, which serves to communicate the clout of the story, its endurance in modern times, a diva sensibility, and even the wintry Russia setting, reflected in the gleam of those imposing, towering letters.
The products» labels feature a cleaner, more modern design with an earthy pallet and eye - catching fonts that boast the nutritional excellence of the premium pet foods.
Beginning in about 1980, the artist began using a sharp font he designed himself, called Boy Scout Utility Modern.
Implementing a more modern logo, screen fonts and icons, the brand has adopted a more approachable design.
TAREK ATRISSI (MFA 2003 Design) Designer; creative director and founder Tarek Atrissi Design, the Netherlands; formerly creative director for Meta Design; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign) Designer; creative director and founder Tarek Atrissi Design, the Netherlands; formerly creative director for Meta Design; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign, the Netherlands; formerly creative director for Meta Design; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign; Arabic language typeface designer behind some of the most visible branding fonts across the Middle East; included in the permanent design collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in Ldesign collection of the Affiche Museum, Hoorn, the Netherlands; exhibited at the Guggenheim Museum, NYC, and The VCU Gallery in Qatar; Adobe Design Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign Achievement Awards (2002); Dutch Design Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in LDesign Award (2007); included in Area, a global overview of contemporary printed graphic design published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in Ldesign published by Phaidon (2007); selected for Print magazine's 20 Under 30 (2005); clients include the Arab Museum of Modern Art, the BBC, MTV, Georgetown University and the V&A Museum in London.
If a firm logo is more of a classic or a modern design (e.g. sans - serif fonts) the website should similarly convey that aesthetic.
In modern computer - based usage, font has come to indicate the style, but not the size or weight, as modern publishing and design applications can easily scale the size and weight of the typeface on the fly.
However, sans - serif fonts are prized on modern resumes for their contemporary look and seamless integration with today's resume designs.
Blue color and blue fonts, both are considered the modern or contemporary design to highlight a resume in the corporate style or professional way.
dayjob.com Available with the resume blank forms to fill out easily, the Modern Looking Single Page Blank CV Design Template has easy editable features and can be personalised with the professional fonts to make your CV look smart and mModern Looking Single Page Blank CV Design Template has easy editable features and can be personalised with the professional fonts to make your CV look smart and modernmodern.
Yet, modern resumes are more striking than traditional ones because the writer designs this part and uses a trendy font, design, and layout.
- Fully editable resume templates for MS Word, Adobe Illustrator & Photoshop - Point & edit, really easy to work with - no advanced skills required - Professional layout & premium design - Modern typography & readable font - Instant access & download - FREE customer support
Stick to modern and contemporary designs that use sans serif fonts, bullet points, and white space to create clearly organized sections.
Two - Page Resume Template - Professional Design Simple Graphics & Modern Font Downloadable Printable CV Package
Download commercial free fonts for modern and innovative graphic design or web projects.
Doors and drawer fonts are available in various types and colors, the buyer doesn't have to struggle as they can design it traditionally or they can have a modern design as well.