Sentences with phrase «modern horror films»

It's a fine - looking presentation of an oddly eccentric modern horror film that has aged well.
A complaint heard all too often about modern horror films is that they aren't very scary.
It's also that rare modern horror film that has fairly strong acting in it.
Modern horror films suffer from two of the same problems; either they go too far, or they're too derivative and generally play on the same tried and true formula.
David Reynolds, Games Publisher at Microgaming, comments: «Halloween is a true classic and set the standard for modern horror films.
Before I begin my review, I would like to point out that even though I am not a fan of most modern horror films, I do love the horror comedy genre and horror films from the 70s and 80s.
The film boasts performances by Brea Grant (Rob Zombie's Halloween and H2, «Dexter,» «Heroes») and 80's horror icon Barbara Crampton, who starred in From Beyond and Re-Animator before popping back up in modern horror films such as Adam Wingard's You're Next and We Are Still Here.
Moreover, it lacks the shattering claustrophobia of my favorite modern horror film, The Descent (2005), a film that was as meticulous when it came to the construction of scares as it was when it came to fully realizing its characters.
The tale of a CD ROM game that gives new definition to the term «interactive» is the subject of this horror movie, notable for its lack of the blood and guts that have characterized modern horror films.
To tackle Halloween — one of the most influential modern horror films ever made — was an onerous task to say the least.
It's nothing new to see loads and loads of CG thrown into modern horror films, an inclusion that makes one wonder if there was a point where a PG - 13 rating was considered.
The Witch is a puritanical nightmare of the highest order and deserves to be called one of the best modern horror films of the last decade.
This is a parody of modern horror films from the teen - slasher genre, that pokes fun at some of the biggest hits of recent years.
Considering how bad many modern horror films are, it doesn't seem sufficient to simply point out that Orphan is better.
I'd love to hear your take / review on the 2003 Horror film «Wrong Turn», it is one of my favorite modern horror films, I think it's smart, fun and pays wonderful homage to old school horror.
There's very little jump - shock here, which is the stock - in - trade for most modern horror films, although a red - faced monster will no doubt be the draw for future sequels.
There was an obvious apprehension to the mundanity of modern horror films and the creators of these horror masterpieces (Yes, masterpieces) sought to bring the audiences, the fans of horror, something great and unexpected.
Sam Raimi's simply superb Drag Me to Hell stands as a good measure of the value of the modern horror film: Its instantly recognizable archetypes, young cast, dark humor, and ingenious promotions translated to a return of over $ 80 million at the box office on a $ 30 million budget.
Since the 1979 thriller served as the blueprint for the modern horror film, Laurie is long - held by aficionados to be the gold standard, as final girls go.
A satirical take on the modern horror film that will save this from the bargain and make you laugh.
It's a surprisingly refreshing approach for a modern horror film that helps us focus on the core of the movie — the bloodbath.
Moon is truly a modern horror film, eschewing a tiresome slasher mentality to explore the very nature of identity and the perversion of human life through advances in science and corporate skullduggery.
Ti West's period chiller is a modern horror film that feels at once nostalgically hackneyed and invigoratingly fresh.
In her scenes with McAvoy, Buckley displays a warmth that's unlike anything in most modern horror films, her Dr. Fletcher becoming the film's heroine and a timely reminder of how important it is to care for the wellbeing of those around us.
You're deciding what movie to see on a Saturday night and wonder: What if someone took the suburban spookiness of many a Steven Spielberg or J.J. Abrams movie and combined it with the captive - prisoner subgenre of the modern horror film.
The film does have its graphic moments, but it's more focused on character and atmosphere and is refreshingly intelligent and deep for a modern horror film.
The tapes are a really nice element to the game and expand on the story and help give the game an expansive back story which wouldn't be out of place in a modern horror film.
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