Sentences with phrase «modern human face»

But maintaining a charge on our phone is a universal problem that nearly every modern human face.

Modern humans face many challenges to developing and maintaining healthy gut bacteria.

Not exact matches

It doesn't matter to me whether this is «correct» exegesis — either the Bible finds some way of adapting to the modern notions of morality, or it gets left by the wayside on the ever growing dung - heap of rejected holy texts of human history — in my opinion, that's the historical moment we are currently faced with.

Also in the face of the ecological disaster created by the modern ideas of total separation of humans from nature and of the unlimited technological exploitation of nature, it is proper for primal vision to demand, not an undifferentiated unity of God, humanity and nature or to go back to the traditional worship of nature - spirits, but to seek a spiritual framework of unity in which differentiation may go along with a relation of responsible participatory interaction between them, enabling the development of human community in accordance with the Divine purpose and with reverence for the community of life on earth and in harmony with nature's cycles to sustain and renew all life continuously.

In addition to improving the lot of modern people, science and technology have contributed to the rise and development of problems we have never had to face before in human history.

Yet from all sides today modern knowledge of the human creature and his world is forcing us to face up to the finiteness of human existence, to which, in so many ways, Israel pioneered the road.

Now I am well aware that one of our modern humanists might interrupt at this stage and say, «Now your religion, your belief in God and immortality are put up by your mind, simply because it will not face the true facts — the utter loneliness and futility of human living.»

An important point to note is that the concept of a country is fairly new; I have read, and agree, that modern states did not become such an important unit of human organization until the Great Depression in the 1930s; at that time the problems facing them - broken economies and socialist movements - the country level government was the only organization existing that could solve these problems while the existing power structure stayed in power.

In Africa alone, the continent with the highest fertility rate and lowest use of modern contraceptives, 26 countries will double their population by 2050, according to the U.N. «Fundamentally if you're looking at World Population Day, it is at heart a women's rights issue,» said Roger - Mark DeSouza director of population, environmental security and resilience at the non-partisan policy Wilson Center, based in Washington, D.C. World Population Day is meant to draw attention to the challenges we face with a human population that is constantly growing.

In the modern world, humans wield considerable control over their environment — even over the diseases they face, as several recent outbreaks attest.

Researchers have put a face on one of the oldest modern humans in England — the 10,000 - year - old «Cheddar Man» from Gough's Cave in Cheddar Gorge — and they reveal he had blue eyes and dark skin and hair.

In modern times, however, he said alligators face a threat that could hinder the scaly reptiles» ability to thrive like nothing in their past — humans.

Judging from fossil remains, scientists say the Boskops were similar to modern humans but had small, childlike faces and huge melon heads that held brains about 30 percent larger than our own.

The researchers suggest that modern humans had begun to emerge — literally face - first — at this time.

Modern humans showed big alterations in the activity of genes associated with face shape and larynx shape, compared with our forebears.

And the variation in skull size and facial shape is no greater than in other species, including both modern humans or chimps, says Ponce de León — especially when the growth of the jaw and face over a lifetime are considered.

Rather, they write in a paper published online in the Journal of Anatomy, it appears the chin's emergence in modern humans arose from simple geometry: As our faces became smaller in our evolution from archaic humans to today — in fact, our faces are roughly 15 percent shorter than Neanderthals» — the chin became a bony prominence, the adapted, pointy emblem at the bottom of our face.

The oldest known H. sapiens skulls, which his team considers to be the two Moroccan finds, have faces shaped like those of modern humans, Neubauer says.

«The environments that most modern humans live in are very different than the conditions our ancestors faced 50,000 years ago,» Capra said.

These unusual conditions, they write, may have directly influenced survival and day - to - day life for Neanderthals and anatomically modern humans alike, and emphasize the resilience of anatomically modern humans in the face of abrupt and adverse changes in the environment.

Compared to modern humans, Neanderthals had heavy eyebrows, huge noses, and large, long faces that bulged forward.

Two views of a composite reconstruction of the Homo sapiens fossils are based on tomographic scans of multiple original fossils; they reveal a face that would be nearly identical to that of modern humans, but a less - evolved brain shape.

«From the morphology of the lower jaw, the face of the Mezzena individual would have looked somehow intermediate between classic Neanderthals, who had a rather receding lower jaw (no chin), and the modern humans, who present a projecting lower jaw with a strongly developed chin,» co-author Silvana Condemi, an anthropologist, told Discovery News.

There are no unambiguous archaic sapiens in Asia but two recently - discovered skulls from China seem to have the flattened erectus - type foreheads, yet their ECV's are apparently close to the modern human average and their faces are flatter than the usual erectus specimens.

Mike Morwood: Given the long period of overlap between modern human and «Flores man» populations in the region, it is certain that they came face to face on occasion.

There's little doubt that modern humans now face a gene - environment mismatch in the sense that we're not adapted for a sedentary lifestyle, highly processed foods, regular use of pharmaceuticals, little sun exposure, etc..

We live in a modern society where we face a lot of rules, especially when it comes to human relations and dating.

With the help of a ditzy tabloid reporter he digs into a plot that involves a small army of ET's cousins in human faces (marching into modern day New York dressed like they've stepped out of Happy Days), a lonely man in an insane asylum who may not be crazy after all, and the US government.

Klausner explained that the film is about «connection in the modern world — how we're more technically linked to each other than ever before, but we're in danger of losing the magic of direct, face to face human interaction, with all of its surprises and unknowns.»

Abstract: The modern age is characterized by fast development of science and technology requires a new orientation in human form, able to adapt easily and quickly to changes frequently faced.

Famous for putting a human face on economic and political oppression in developing countries, Mr. Salgado is photographing the most pristine vestiges of nature he can find: pockets of the planet unspoiled by modern development.

Chuck Close is an American artist internationally recognized for redefining modern portraiture and re-establishing the human face as a compelling subject for contemporary art.

San Francisco Museum of Art, June 25 — September 19, 2010 (Catalogue) The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Hekinan City Tatsukichi Fujii Museum of Contemporary Art, Japan, June 8 — July 19, 2010 (Catalogue) Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery of Fine Art, Las Vegas, May 1, 2010 — March 27, 2011 Size DOES Matter, FLAG Art Foundation, New York, February 19 — May 27, 2010 (Catalogue; curated by Shaquille O'Neal) Face to Face, Denver Art Museum, January 30 — June 30, 2010 Realism — The Adventure of Reality, Kunsthalle Emden, Germany, January 23 — May 24, 2010.

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary ArHuman Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Arhuman face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art, IL

The archaeologists acknowledged it is a «bit of a leap» to say that what occurred thousands of years ago may help predict how modern - day humans will cope with climate change but lessons from the past offer hint at how people today can survive these changes.The researchers cited the importance of cooperation amid challenges humans face today.

If anything we absolutely know climates change and modern humans need to face that reality with solid engineering approaches as we continue to progress.

Part of the reason its impact can be hard to understand is because modern humans have never faced a threat like this before.

Just about every issue that affects Canada — building a modern high tech economy, integrating newcomers and members of traditional societies, and promoting human rights in the face of various internal and external pressures — applies to Israel.

With as many advances in technology and communication modern interviewers face, it's important to know that some things just don't go out of style when it comes to human interaction.