Sentences with phrase «modern image in»

With all America to choose from, professional tennis had managed to open its newest tour and its quest for a sharp, modern image in a primitive animal exhibition hall in the stockyards of Kansas City, Mo..

She builds layers of meaning by combining ephemera, oil paint and beeswax, rendering modern images in an ancient medium.

Not exact matches

Facebook COO Sheryl Sandberg and top editorial and marketing executives weigh in on why it's increasingly becoming good business to present strong, modern images of women in ad campaigns.

But he's more in the modern image of a soldier / theorist than the bombastic Pattonesque stereotype of yore.

American inventor Chester Carlson made his first xerographic image — a precursor to the modern photocopy — in Queens, New York, in 1938.

But in 2013, the whole Randolph and Mortimer Duke image just isn't what's hot in modern mustard culture.

TCBY has attempted to rebrand itself since 2010 to keep up with the new image of froyo, trading in its full - service model and outdated décor for self - serve machines and brightly colored, modern decorations.

The Website Builder with over 85,000 images in the gallery and 175 + mobile - responsive themes curated by professional designers, gives your website a modern look.

Problem # 1,000,000,000 something, is now we have those like the religious pharisees of both ancient and modern times trying to reinvent a God in their image or fit their agenda.

Levy, a professor of historical theology at Providence College, overturns the image of a placid medieval Church and shows instead that the crises of interpretive authority that we associate with the early modern period in fact have their roots in the turbulent controversies of the Middle Ages.

Montpellier was seductive in its invitation to lie back and let the culture wash over its visiting students» an image, perhaps of modern day Vanity Fair.

Thompson explores the Psalms, the Synoptic Gospels as well as John, the Wisdom literature, the current debate over the «astonishing exchange» in Christ, and the image of the child in Scripture and modern spirituality.

Dramatizing the trauma of expulsion from Paradise, Maine sometimes employs the cadences of the Old Testament («The sun rises and sets and does not change») and sometimes the concise, allusive conjunction of high and low that characterizes modern prose (as in the Babel image, or when Eve reflects on their vicissitudes «ever since their departure from the Garden to fight their way through this deathtrap called Creation»).

But doesn't the image of the Church as a «fortified city», taken from the Old Testament, conflict with the spirit of Lumen Gentium, the Vatican II dogmatic constitution on the Church, and Gaudium et Spes, the Pastoral Constitution the Church in the Modern World?

It is not simply that God has died — although he has for millions of people in the modern world; positive images of the future have also died.

CNN iReporter Julio Ortiz - Teissonniere submitted some images from a a new show currently at the Park Avenue Armory in New York City depicting a modern take on DaVinci's famous «Last Supper.»

If a new meaning of nature has pervaded modern history, an autonomous world existing in - itself, then so likewise man himself no longer appears as the image of a transcendent Creator.

Others paint the contrast in images of modern luxury and wealth vs. modern misery and exploitation, emphasizing the causal connection between the two.

The particularity of the American regime is counterpoised by its foundation in universal human rights, the modern articulation of our equality as beings created in the image of God.

Or perhaps modern shepherd kneeling beside sheep with leg caught, Chevrolet in background, first - aid kit spread behind him, and binoculars temporarily laid beside first - aid kit, While there may be humorous elements about this image, it is an important reminder that the means of shepherding may change, and hopefully may improve, but that the tender and solicitous concern and the relevance of the shepherd's actions to the needs of the sheep remain constant.

But we need to note that the images and metaphors that were used in the modern revival of concern for pastoral care, with which I am in deep sympathy, have only recently become concerned about shepherding, and for a time were quite different in character.

If so, then human minds, created in the image and likeness of God, should be able to understand the world in which we find ourselves; much of the skepticism of modern society needs then to be rethought by Christians.

I had been interested in creating a modern - day reinterpretation of the Stations of the Cross — the traditional set of images depicting the journey of Christ from trial to crucifixion and burial — for the Easter edition of Premier Christianity magazine.

The conclusion reached is that the modern philosophical tradition was mistaken in postulating sensory images as objects of perception.

While we moderns might suggest that Bianco work on self - esteem issues, the images of an overcoat of charity and innerwear of lowliness of heart — the heart where the Holy Spirit also dwells — show how the will has to be changed thoroughly if we are to live in relationship with both neighbor and God.

«92 Grasping generates solution to immediate problem as well as universalization of the images» particularity.93 W. Berry notes with concern that «the most powerful and the most destructive change of modern times has been a change in language: the rise of the image, or metaphor, of the machine.

In Walt Whitman's image, the modern subject is a solitary spider on a promontory, throwing forth «filament, filament, filament, out of itself» in order to «explore the vacant, vast surrounding.&raquIn Walt Whitman's image, the modern subject is a solitary spider on a promontory, throwing forth «filament, filament, filament, out of itself» in order to «explore the vacant, vast surrounding.&raquin order to «explore the vacant, vast surrounding.»

It has a textual context that determines its function.106 Metaphor, however, is not considered as an image in modern semantics.

In the final essay, «American Dionysus,» Patterson points out that the current image of African - American men, when decoded and examined, illuminates the entire landscape of modern American popular culture.

For many Americans the words Islam and Muslims evoked disjointed images of violence, religious fanaticism, rejection of the modern world, mistreated women, and praying men bowing in the direction of Mecca.

The perplexity of this leader from the image — ridden West, standing in the presence of a mystery that still evaded him, is a true symbol of Israel's place in the ancient world: a place that might well be equally unique in the modern, save for our debt to Israel herself.

These visions of God in the heavenly court and God's assistant Wisdom challenge the modern technological and power - oriented images of creation.

That is to say, expressionism had the power to communicate forcefully the images and the feeling of the artist; therefore, the great German expressionists, such as Emil Nolde, whose «Head of a Prophet» is one of the most powerful statements of the haunting and mysterious sense for Christ of modern art, evoke in us a response that is not the response of immediate and instant recognition.

But while the programs of the «Christ of culture» advocates are rich in the vocabulary of 19th century Christian evangelism, the images — and hence the real messages — resonate with The Technique, the gambits of modern television advertising.

The contemporary ecological crisis represents a failure of prevailing Western ideas and attitudes: a male oriented culture in which it is believed that reality exists only as human beings perceive it (Berkeley); whose structure is a hierarchy erected to support humanity at its apex (Aristotle, Aquinas, Descartes); to whom God has given exclusive dominance over all life forms and inorganic entities (Genesis 1 - 2); in which God has been transformed into humanity's image by modern secularism (Genesis inverted).

The image that Birch and Cobb are using for mechanism is of a simple machine — a household or factory machine but not, for example, a modern computer, which can take into account its environment in almost any desired degree of complexity.

Informed by contemporary experience of the apparent eclipse of mystery, by the sorrow and oppression in much social existence, by the horrors of genocide, and by the modern threat of meaninglessness to the individual's existence, we now seem to be noticing more explicitly than ever before the image of God's self - emptying, or kenosis, that has always been present in Christian tradition.

As we continue, in many areas, to move beyond the modern into a post-modern era, we need to re-examine our images of clergy and congregation.

Undoubtedly, one of the major problems that has beset theological aesthetics is, on the one hand, the modern and post-modern loss of faith in the image and likeness of God in created human nature; and on the other, the loss of conviction that truth is objectively real and attainable by the human person, intellectually and by feeling (aesthesis).

In Pope John's frequently remembered image, the time had come to open the windows of the Church and let the winds of the modern world blow iIn Pope John's frequently remembered image, the time had come to open the windows of the Church and let the winds of the modern world blow inin.

The media also carry the myth that the tremendous media avalanche of words, sounds and visual images that invade our lives through the media is part of the price we must pay for living in modern society.

The assumption underlying much contemporary thought is that authentic human existence is achieved only in moments where we become fully conscious of our creativity.11 The dominant anthropological image is that of homo faber.12 The influence of Marx and existentialism is present here, and these two strands of modern thought are always suspicious of any ideological or religious inclinations to undermine a sense of our human productivity.

, 47, and passim).7 In short, it seems to me that Hall, like Ellul and a number of other modern philosophers of technology, has accepted an image of technology not as it is but as certain of its practitioners would like it to be (and as many of its critics fear it is): as an embodiment of pure abstract rationality.

then if god did everything, don't use modern technology or modern medicine because god made you in his image, thus you shoudl survive any disease or accident easily.

For years, Jacques Ellul has warned repeatedly that our modern addiction to images is a kind of terrorist time bomb ominously ticking away in the comfortable hotel of free democratic society.

As a matter of fact, Barth and Brunner likewise have come closer to each other, as David Cairns points out in The Image of God in Modern Theology.

Already the modern traditional or orthodox Christian has made a wager incorporating such a risk: he has bet that Jesus Christ is the same yesterday, today, and forever, and thus he has bet that finally there is only a single image or epiphany of Jesus, regardless of the time or history in which it appears.

Though the record may be a callback to the stripped down rock sound that made U2 one of the biggest bands in the world, expect some modern influences: Photographers recently captured an image of Chris Martin hanging around the U2 gang, fueling rumors that the new record may contain collaborations with the Coldplay frontman.

If we were made in the image of god, he looks nothing like modern man.

The ideal modern American bourgeois individual is featured as a self - contained and self - actualized individual who can be properly understood apart from the principalities and powers that operate in society and history.4 This stereotype may be difficult for us to seriously question, for our own images of self are shaped by this very ideal.