The jaunty
modern jazz score is by Johnny Mandel, with the formidable Gerry Mulligan on baritone sax.
Not exact matches
The soundmix feels a bit more
modern than the cinematography, with a wiretapping making gimmicky use of the discrete surrounds, the various gunshots packing a wallop, and Alberto Iglesias's conspiracy -
jazz score enveloping the viewer.
Hurwitz's
jazz - inflected
score, both
modern and retro carries us through the film on notes of resonant magic.
In his approach to
scoring the film, Cacavas uses
modern jazz / pop sensibilities to
score the villains of the piece, saving the traditional orchestral writing for Van Helsing and his associates.