Not exact matches
The Foucault by whom we are first moved to question modernity, the Foucault by whom we are first shown the absurdity of the
modern project
from its beginning, is not the Foucault of the epistemological Order of Things and Archaeology of
Knowledge, but the Foucault of the historical Discipline and Punish, Madness and Civilization, and Birth of the Clinic.
In the preface to Creative Synthesis and Philosophic Method, Hartshorne celebrates «our English inheritance of critical caution and concern for clarity»; he seeks to learn more
from Leibniz, «the most lucid metaphysician in the early
modern period,» as well as
from Bergson, Peirce, James, Dewey, and Whitehead, «five philosophers of process of great genius and immense
knowledge of the intellectual and spiritual resources of this century.
In Science and the
Modern World, metaphysics was to complete its work and thereby provide a first step in the
knowledge of God to which additions could be made
from religious experience.
They are at least surely right not to fall back on the Catholic proofs of the soul
from abstract
knowledge adduced before the arrival of
modern science.
The Bible, The Qur «an and Science by Dr. Maurice Bucaille THE HOLY SCRIPTURES EXAMINED IN THE LIGHT OF
MODERN KNOWLEDGE Translated
from French by Alastair D. Pannell and The Author
Modern knowledge has repeated this move
from freedomless causation to freedom - permitting, indeed enhancing causation.
A primary objective of education today, in homes, in schools, and through the mass media of communication, should be the full and forceful dissemination of
knowledge about the extreme destructiveness of
modern weapons of war and about the awful consequences for everybody which would result
from their use in any large - scale conflict.
If this aspect differed in kind in the case of Jesus
from every other member of the species man, then in the present state of our
knowledge it would seem impossible rightly to describe Jesus as a man.17 It may be the case that most Christians (and most Christian theologians) in most centuries have accepted this claim: but most have not shared either our
modern sensitivity to the difference between history and mythology or our concern for the principles of logic.
I regard a Christology as
modern if it uses every relevant insight of
modern knowledge to differentiate the historical element in its interpretation of the event Jesus Christ
from the mythological, and remembers that the actual event comprises only history and the ontological reality of God's presence and action within that history — whilst the mythology expresses that reality in ways which may indeed convey deep truth, yet have in themselves the status not of ontological reality but of poetry.
That is, it arises precisely
from what has been most characteristic and creative about
modern civilization: its dynamically accumulating
knowledge and technology, its expanding industrial system and its emphasis on egalitarian consumerism.
Yet
from all sides today
modern knowledge of the human creature and his world is forcing us to face up to the finiteness of human existence, to which, in so many ways, Israel pioneered the road.
In spite of all our
modern sophistication, scientific
knowledge, technological expertise, philosophical wisdom and traditional forms of spirituality, it is
from these basic instincts for survival and regeneration that the new path of faith will come.
In obedience to this principle, derived
from historical investigation,
modern theology set itself the task of reinterpreting the Christian faith in the light of
modern knowledge.
Having left behind an interpretation of profession as a response to a personal call
from God, along with the church's corresponding recognition of personal charisma (a God - given grace), Protestants adopted a
modern secular view of profession as the possession of the specialized
knowledge and skills necessary to qualify for institutional approval and, thereby, employment.
What is said
from this perspective can not be contained within the organization of
knowledge based on
modern principles.
We have set prayer in the context of the Christian faith that God is Love as revealed in Jesus Christ; and we have sought to take account of
modern knowledge of the world so that prayer does not seem an unreal escape
from the facts that we all know about that world.
And it gradually dawns on me that the very state I was attempting to characterize» that the concept of «wisdom» has been diluted in the
modern period until it is indistinguishable
from knowledge (Prof. Crosby's letter giving evidence of this)» can affect the way a reader encounters these terms.
In addition,
modern religion has become more internally differentiated such that religious
knowledge has become more distinct
from religious experience and meaning, religious techniques have become more distinct
from religious values, and religious statements have become objectified over against the largely privatized meanings and interpretations they are given.
We are fearfully unprepared
from a personal standpoint for the technical unity which the progress of
modern knowledge has presented to us.
Why should the contemporary Christian be innocent of the
knowledge of Hell unless the Church has succeeded in establishing itself as a haven
from the horror of the
modern world?
The
modern worldview has put its faith in experts, each producing bricks of
knowledge they hope will stick together with bricks
from other disciplines.
This immodest desire was reawakened when the Enlightenment took an arrogant wrong turn, when we
moderns began to confuse the
knowledge of how things work with
from whom they came, when we began to mistake discovery for creation and when we began to reject all but what we could measure and thus pretend to own.
And the
knowledge gained
from modern science shows that he is further constituted by a wide array of distinct chemicals, atoms, and sub-atomic particles.
From the ancient Hippocratic Oath to
modern codes like the AMA Principles of Medical Ethics, physicians have understood that the doctor — patient relationship must be founded on trust, which is the reason that physicians publicly promise to use their
knowledge and skills only for purposes of healing, and never for taking life.
We would concur noting that the task of defending these spiritual and supernatural realms as fulfilling and flowing
from our
knowledge of the physical and natural realms is the philosophical challenge at the heart of the
modern culture war.
«This result was a surprise to us,» Donihue said, «and has important management implications as we think about integrating
knowledge from agrarian cultures and traditions into
modern ranching practice.»
In «Recipes for Thought:
Knowledge and Taste in the Early
Modern English Kitchen,» Wall explores the subversive, witty and largely undocumented ways that women of the period used recipes and food to do everything
from read, write and treat illness to wax philosophic about issues still debated today.
Famous travellers
from past and present, such as Odysseus, Marco Polo, Christopher Columbus, Ferdinand Magellan, Captain Cook, David Livingstone, Amelia Earhart and Mark Thatcher, were offered the benefits of
modern knowledge like atlases and globes, links to global positioning systems and Jules Verne's Around the World in Eighty Days.
In the
modern «
knowledge - based» society that Europe aspires to be, it is rather difficult to survive and develop a successful scientific career if you are stuck with only the «hyperspecialised» skills that typically result
from a standard doctoral education.
CASEA exists to encourage the relatively youthful aboriginal population to take advantage of opportunities of a
modern knowledge - based economy, opportunities that aboriginal people were unable to benefit
from in the past.
This gap in
knowledge led to a debate over the shape of the mammalian evolutionary tree: Did haramiyids belong on the crown mammal branch,
from which all
modern mammals descend, suggesting that mammals began to diversify more than 210 million years ago in the Triassic?
While the ongoing process of research into vitamin A and its effects is a boon to children and adults throughout the world,
modern agriculture and food processing conglomerates gain nothing
from this
knowledge.
The program draws
from traditional yoga theory and
modern knowledge of the body and mind to cover the complete scope of Yoga.
Her mixture of anatomical
knowledge and eastern philosophy make her classes
modern and playful, but always steeped in reverence for the ancient tradition of yoga that they stem
from.
The best part of the tour is the expertise and
knowledge imparted by local architect and history lover Jeff Morrison, who will make those three hours fly and expose walkers to a wealth of information about Atlanta's history, now forgotten,
from the significance of the railroad to
modern times.
Holmes, Watson, and Simza travel
from Paris, where a bomb hides a single rifle shot, to Germany, where a munitions plant has an abundance of
modern weaponry, to Switzerland, where a castle on a cliff with a waterfall pouring down telegraphs the climactic scene to everyone with even a minor
knowledge of Doyle's canon.
Learning the times tables doesn't avail when running
from lions, in other words, but in the
modern world that
knowledge has more than proved its mettle.
Horace Mann, often considered the father of
modern public education, offered a powerful rejoinder of what is missing
from today's discourse about public education: «Every addition to true
knowledge is an addition to human power.»
And it is the job of our
modern educators to keep as much
knowledge from children as possible.
Be warned, though, that it's helpful to approach this book having general
knowledge of world history
from the Egyptians to
modern times.
Now, as a
modern, forward - thinking dog owner, you have the advantage of not just the vast array of commercially prepared pet foods, you also have the advanced nutritional
knowledge gained through the years of studies and scientific research conducted by nutritional experts
from all over the world.
The concept of Pocket Mindfulness provides people with practical daily
knowledge to help cultivate «real» awareness in a hectic
modern world that is hell bent on pulling the mind
from pillar to post.
In the
modern era, people that are bilingual in both English and Japanese have sometimes taken it to a cool level, using their
knowledge to translate some of the in game Japanese text
from a Famicom game into English, so that those that can not speak Japanese can begin enjoying games that were never available to us.
The following extract
from «The World Backwards» gives some impression of the inter-connectedness of culture at the time: «David Burliuk's
knowledge of
modern art movements must have been extremely up - to - date, for the second Knave of Diamonds exhibition, held in January 1912 (in Moscow) included not only paintings sent
from Munich, but some members of the German Die Brücke group, while
from Paris came work by Robert Delaunay, Henri Matisse and Fernand Léger, as well as Picasso.
Mark Dion The Salmon of
Knowledge Returns, 2015 Epoxy resin, steel, tar, wood, foam, paper, aerosol enamel, acrylic paints, adhesives, glass eyes, mixed media 196 x 300.5 x 90.5 cm, Collection Irish Museum of
Modern Art, On loan
from the artist, 2016.
Having danced for both George Balanchine and Merce Cunningham in her professional career, Armitage gained acute, direct
knowledge from two masters of 20th - century American dance — aesthetics she used to develop her own voice within the dichotomy of classical and
modern dance.
Gerlikas employs the most traditional materials of
modern sculpture, wood and brass, which require specific
knowledge and meticulous hand production even if the three pieces obdurately resemble found objects, either
from nature or distant cultures.
London Art Week will be presenting works
from seven millennia and works ranging
from priceless antiquities to the leading names in
modern art, London Art Week presents the best the capital has to offer, complete with special events and art experts on hand to share their specialist
knowledge and advice.
2008 Selective
Knowledge, Institute for Contemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California
from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of
Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Museum.
1991 Telekinesis, curated by Patrick Painter, Mincher / Wilcox Gallery, San Francisco, California, US 20th Century Collage, Margo Leavin Gallery, Los Angeles, California, US Children in Crisis, Lorence Monk Gallery, New York, US The Readymade Boomerang (Print Portfolio), DAAD Galerie, Berlin, DE L'Art Se Porte Bien, Confort Moderne, Poitiers, FR Metamemphis 1991, Galerie Tanit, Cologne, DE Arte Fiera» 91, Mostra Mercato Internazionale d'Arte Contemporanea Bologna, IT Saga 91, Eric Linard Editions, Grand Palais, Paris, FR The Political Arm, John Weber Gallery, New York, US The Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, US Group Show, Daniel Newburg Gallery, New York, US Poet's Walk (public sculpture), Citicorp Plaza, Los Angeles, California, US The Fetish of
Knowledge, Real Art Ways, Hartford, Conneticut, US Artists» Sketchbooks, Matthew Marks, New York, US Solaris, Mai 36 Galerie, Lucerne, CH Tokyo Art Expo, Harumi New Hall, Tokyo International Trade Center, Tokyo, JP Audio Arts, Wiens Laden & Verlag, Berlin, DE Blast Art Benefit, The X-Art Foundation Inc., New York, US Designated Space, Museum Dhondt - Dhaenens, Deurle, BE Franklin Furnace's 15th Anniversary Art Sale, Marian Goodman Gallery, New York, US This Land..., Marian Goodman Gallery, New York, US Tre Opera / 1965 -1975, Primo Piano, Rome, IT Inheritance and Transformation, The Irish Museum of
Modern Art, Dublin, IR Tabula Rasa, Biel / Bienne, CH Für die Stimme, Wiens Laden & Verlag, Berlin, DE Group Show, Galerie Edouard Merino, Palais Albany, Monte Carlo, FR Learn to Read Art - An Exhibition of Artists» Books and Multiples
From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York
From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View
From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York
From The Sixties: Selections
from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York
from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books
from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York
from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York, US