Sentences with phrase «modern life observations»

Series of modern life observations, presented at «US», Jullien's solo show at Kemistry Gallery in December 2014.

Not exact matches

Eliade sums it up thus: «These few cursory observations have shown us in what sense Christianity is prolonging a «mythical» conduct of life into the modern world.

McCall Smith's books are instead full of small pleasures, passing observations on this or that feature of modern life, unembarrassed moments spent contemplating a painting or a slant of light, all bespeaking a worldly confidence.

But it indicates what much film comedy has become: a slightly sourish cocktail of bad behavior, wry observation, and commentary on how difficult modern life can be, especially for characters who feel entitled to a better one.

The Verbinski and Conrad observations of everyday modern life are always precise and never irrelevant.

Some of the pieces here are mere vignettes, tiny moments of observation or connection that span only a page or two, while others resemble longer journalistic pieces in which, inevitably, Crosley herself is the hapless protagonist even as she investigates the capriciousness of modern life.

This is a thought - provoking and visually stimulating observation of modern working life.

They're not products of perceptual observation, but they certainly are objects that shed light on modern life.

Animated by flânerie — the idle, detached observation of street life that 19th - century writers associated with the rise of modern cities, that was an important strategy of the French Impressionists — and making reference to African tribal art, Ward's oeuvre resonates with the Barnes collection and speaks with penetrating insight and imagination to a broad range of subjects, including black history and culture, the dynamics of power and politics, and Caribbean diaspora identity.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

His deliberate but careful observations of modern life where the real and abstract co-exist strongly permeates in each picture.

I came to this domain not through any climate route but from the observation that cultural mechanisms dominate, and my aim is to make these mechanisms clearer as they occur in many domains (with CC as a great example, because most of it's life is played out in modern times and latterly on the Internet), for those who want to pursue this.

Walking the mountains of New Mexico with John Duncan, a modern - day nomad who teaches at The University of New Mexico about wild greens, and living from the mountains, Daniel and Mirra learn about eating from the wild, and collect some observations on man's relationship with nature along the way.

Every time I come face to face with the idea that somehow GCMs have a life of their own (literally) and are therefore of equal value as observations of the real world, I sense a deep philosophical divide that goes to the heart of modern scientific method and empiricism.