Sentences with phrase «modern lines draw»

Not exact matches

Attacking Christianity We can say of many of the secondary lines of attack upon Christian dogma drawn from the modern sciences and modern critique that the interpretations offered of the evidence is never necessary, and that frequently the evidence itself is too scrappy and too little evaluated as fact to be worth considering.

Having drawn the battle line at the Bible, conservatism will be required to exhaust itself in theories and explanations of how the Bible is not only infallible but does in fact, when read correctly, substantiate all the new theories discovered by the modern age.

The essay clearly draws the battle lines: the ambitious, narrow, worldly scholars who refuse to address the large human questions and seek only fame in the modern academy versus the religiously faithful who stand by the eternal principles even at the expense of their careers.

The Young Pope is just too far from reality to draw any real lines to modern faith journeys.

This idea that women are emotional, men are wanting to follow Jesus (in a warrior masculine way - whatever that looks like) stuff can be okay at times - but drawing to strict lines about this stuff is what I find repellent in a lot of modern Christian circles.

Where Willibald, twelve centuries earlier, had seen a swamp and told a story about Christianity's triumph over it, Endō, in a modern version of the medieval story, draws a direct line between Ferreira's previous failure and Rodrigues's personal «struggle» over his faith.

From it I draw the perspective that his data was more in line with modern statistical science and he points out Keys only proved (with erratic data) a co-relation between dietary fats and serum cholesterol.

Clean, modern lines complement the fun drawing for a classic yet playful design.

For a modern look that illuminates your eyes, take a gold or bronze liner and draw a thin line along your bottom lashes.

I'd describe my style as «modern eclectic» — I'm drawn to clean lines (especially mid century modern) mixed with fun accents and bright colors.

The drawings show an SUV featuring an aggressive front end with a very modern split headlight design, which is along similar lines to the smaller, recently introduced Kona, and a neat, pinched rear end with an angled tailgate.

On numerous points of detail the designers have drawn inspiration from the SLS and CLS modern Mercedes classics — examples being the sporty, self - assured front end, the powerdomes on the bonnet or the three - dimensional side design featuring an additional brawny muscle extending over the dropping line from the rear door to the boot lid.

Best Comics - Related Book The Art of Daniel Clowes: Modern Cartoonist, edited by Alvin Buenaventura (Abrams ComicArts) Marie Severin: The Mirthful Mistress of Comics, by Dewey Cassell (TwoMorrows) Marvel Comics: The Untold Story, by Sean Howe (HarperCollins) Mastering Comics, by Jessica Abel and Matt Madden (First Second) Team Cul De Sac: Cartoonists Draw the Line at Parkinson's, edited by Chris Sparks (Andrews McMeel) Woodwork: Wallace Wood 1927 — 1981, edited by Frédéric Manzano (CasalSolleric / IDW)

It's not a beautiful piece of hardware that will magnetically pull drool out of people's lips in a trickle, but it's black - and - chrome modern enough with just the right lines (borrowed from the Storm) that it will draw eyes, if only for a split second.

When the breed drew the attention of British fanciers, Italian Greyhounds were added to the gene pool to produce the clean, graceful lines of the modern Whippet.

The exhibition presented a group of five walls drawn from prior exhibitions including Christopher Williams: The Production Line of Happiness, the artist's first major museum survey which travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 - 2015.

In his Aerei (1977), or Airplanes series, Alighiero e Boetti left as negative space line drawings of modern and historical airplanes.

Hefuna's work was recently featured in the exhibition On Line: Drawing Through the Twentieth Century at tartistshe Museum of Modern Art.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

1995 Kiki Smith: 24 February 1995 — 23 April 1995 New Art from Cuba: Bruguera, Kcho, Rodriquez, Los Carpinteros 1995 Guillermo Kuitca: 5 May — 23 June 1995 Drawing the Line: 7 July — 10 October 1995 John Virtue: 7 July — 10 September 1995 Seven Stories about Modern Art in Africa: Kentridge, Koloane, El Salahi, Samba: 27 September — 26 November 1995 Emil Nolde

Central to the display were Haring's not - for - sale sketchbooks — pages and pages of decorative line drawings and studies of penises drawn, say the handwritten captions, in front of places like Tiffany's and the Museum of Modern Art.

Abstract Wall Art, Line Drawing, Black and White Abstract Art Print, Print Set of 3, Large Abstract Art, Living Room Decor, Modern Wall Art

Like Jennifer Bartlett (MATRIX 73), who spent a soggy winter in the South of France, obsessively drawing and redrawing a garden scene in a multitude of modern art styles, Steir systematically explored line and color while making explicit allusions to admired artists in her intaglio prints, the Drawing Lesson series drawing and redrawing a garden scene in a multitude of modern art styles, Steir systematically explored line and color while making explicit allusions to admired artists in her intaglio prints, the Drawing Lesson series Drawing Lesson series (1978).

Group shows have included Building Blocks: Contemporary Works from the Collection, Museum of Art, Rhode Island School of Design, Providence, Rhode Island (2011), Painting the Glass House: Artists Revisit Modern Architecture, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2008), and Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum, Cornell University, New York (2006).

Using spray paint on top of paint brushed marks, you can draw a line of references from Pollocks dripped paint (similarly applied from a distance), to modern day graffiti.

Lines, Grids, Stains, Words: Minimal Art Drawings from the Collection of The Museum of Modern Art, New York

Connie Butler is Chief Curator of Drawings at the Museum of Modern Art in New York, where she has curated such exhibitions as «Marlene Dumas: Measuring Your Own Grave» (2008 - 09) and «Paul Sietsema Figure 3» (2009) and co-curated «On Line: Drawing Through the 20th Century» (2010 - 11).

Occupying a space between sculpture, cinema and drawing, his work's historical importance has been internationally recognized in such exhibitions as Into the Light: the Projected Image in American Art 1964 - 77 at the Whitney Museum of American Art, New York (2001 - 2); The Expanded Screen: Actions and Installations of the Sixties and Seventies at the Museum Moderner Kunst, Vienna, Austria (2003 - 4); The Expanded Eye at the Kunsthaus Zurich, Switzerland (2006); Beyond Cinema: the Art of Projection at Hamburger Bahnhof, Berlin, Germany (2006 - 7); The Cinema Effect: Illusion, Reality and the Projected Image at the Hirshhorn Museum, Washington, DC (2008); The Geometry of Motion 1920s / 1970s at the Museum of Modern Art, New York (2008); and On Line at the Museum of Modern Art, New York (2010 - 11).

Lines Which Do Not Exist was published for the artist's Fall 2010 exhibition at The Drawing Center in New York — his first overview in a public institution in New York since 40 Years of Painting at The Museum of Modern Art (2002).

What / Why: «The School of the Museum of Fine Arts, Boston's current exhibition, «Something Along Those Lines,» features modern and contemporary artists whose works draw on performative, sculptural and conceptual engagements with the line, including Gego, Felix Gonzalez - Torres, Sol LeWitt and more.

Trawling libraries for de-accessioned publications — «those that are no longer morally in line with modern times,» she explains — Báez tears out the pages and adorns them with miniature drawings, paint, and cutouts, revealing her astounding technical skill and draftsmanship.

Drawn to bold structures, shapes and lines, self - taught photographer Jürgen Schrepfer (b. 1962) explores cityscapes with a camera, uncovering moments of artistic beauty in the modern metropolis.

He distilled the diversity of his experiences through the artistic force of his line - drawings, which in - turn express his modern individuality as an artist.

Important exhibitions include: On Line: Drawing Through the Twentieth Century at The Museum of Modern Art, New York (2010); Ends of the Earth: Land Art to 1974 at the Museum of Contemporary Art, Los Angeles and Haus der Kunst, Munich (2012); Alice in Wonderland at Tate Liverpool, UK (2012); and FORTY at MoMA P.S. 1 (2016).

Through focused comparisons between Italian masters and their modern and contemporary counterparts, The Brutal Line examines how artists have used drawn marks to express extreme physical or existential states.

Miguel Covarrubias: Drawing a Cosmopolitan Line presents artwork that links Covarrubias» commercial art, scholarly publications, and studio practice, to demonstrate the cosmopolitan modernism of his life and work, which were deeply influenced by his life - long practice of moving between modern cities and sites remote from New York or Mexico City.

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

Although Covarrubias is best known for his lively caricatures of famous figures, which will be included in this exhibition, the primary purpose of Miguel Covarrubias: Drawing a Cosmopolitan Line is to define the breadth and significance of Covarrubias» contribution to the history of modern art.

To illustrate this last point, a line can be drawn through examples from early Modern art to the present.

1986 Drawings, Annette Gmeiner, Kirchzarten, Germany Rose Art Museum, Brandeis University, Waltham, USA Abstraction / Abstraction, Carnegie Mellon University, Pittsburgh, USA; Klein Gallery, Chicago, USA (Elaine King, Curator) Paravision II, Margo Leavin, Los Angeles, USA (Collins & Milazzo, Curators) What It Is, Tony Shafrazi, New York, USA (Wilfried Dickhoff, Curator) Modern Sleep, American Fine Arts Co., New York, USA (Collins & Milazzo, Curators) The Kaldewey Press, Tibor de Nagy, New York, USA The Inuite Line, Hirschl & Adler Modern, New York, USA

1993 The Brush Stroke, Ruth Bloom, Santa Monica, USA The Permanent Collection Revisited, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA New York on Paper, Thaddaeus Ropac, Paris, France Drawing the Line Against AIDS, Venice Biennale, Venice, Italy and Guggenheim Museum Soho, New York, USA Color, Pamela Auchincloss, New York, USA New York Painters, Sammlung Götz, Munich, Germany New Moderns, Baumgartner Gallery, Washington, D.C., USA (Joseph Masheck, Curator) Off the Mall: Inside Washington's Foremost Art Galleries, Art Museum of the Americas, Washington, D.C., USA Zeichnungen Setzen Zeichen, Kunstler Der Documenta IX, Raymond Bollag, Zurich, Switzerland Galerie nächst St. Stephan, Vienna, Austria The American Livre de Peintre, Grolier Club, New York, USA The Spirit of Drawing, Sperone Westwater, New York, USA Italy — America: Abstraction Redefined, Galleria d'Arte Moderna, San Marino Republic (Demetrio Paparoni, Curator) Jours tranquilles à Clichy, Paolo Goyannes, Paris; Tennisport, Long Island City, NY, USA (Alain Kirili, Curator) Summer Exhibition, Sperone Westwater, New York, USA

Her scholarly work has been commissioned and published in edited anthologies, academic journals and exhibition catalogues, including Exhibiting Craft and Design: Transgressing the White Cube Paradigm 1930 - present (Routledge 2017), Danica Maier: Grafting Propriety from Stitch to Drawn Line (Black Dog Books 2017), More Caught in the Act: Performance by Canadian Women (YYZ Books 2016), The Handbook of Textile Culture (Bloomsbury Academic 2015), the Journal of Modern Craft online, and Textile: Cloth and Culture.

Like Aguilera, Mehretu seeks to make sense of 21st - century chaos, to draw lines around the modern maelstrom, and she does so by giving the chaos form.

IVAM — Institut Valencià d'Art Modern, Valencia, Spain The Brutal Line: Drawing Death, Being, and Becoming.

In January 2011, a re-imagined section of How Can You Stay was per - formed at the Museum of Modern Art in New York City in conjunction with On Line: Drawing Through the Twentieth Century.

Drawing from vast collections of photographs, Melissa Catanese and the Archive of Modern Conflict blur the lines between curating and creating, revealing how unpredictable narratives and associations can emerge through deliberate editing and recontextualization while offering a perspective that is distinctly their own.

2012 Art is Study Pratt Institute, US 2011 Structural Interventions The Collective, Miami 2011 Carrack Modern, NC 2010 FreeStyle Archityper 2 Raw Space Gallery, New York 2009 B - Lines b - Boy Drawings and Sculpture Fifty8 Gallery, New Jersey 2009 Reflections on Stylewriting Longwood Art Gallery, New York 2008 FreeStyle Archityper Brighton University of Art, England (Residency)

In his three years at mima Gavin has curated a number of important exhibitions including British Surrealism & Other Realities (2008); Katy Moran: Paintings (2009); The End of the Line: Attitudes in Drawing (2009); Gerhard Richter: Modern Times (2009) in partnership with ARTIST ROOMS; Ellsworth Kelly: Drawings 1954 - 62 (2010); A Certain Distance Endless Light: A project by Felix Gonzalez - Torres & William McKeown (2010) and Bonnie Camplin: Railway Mania (2010).

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

In January 2011, a re-imagined section of How Can You Stay was performed at the Museum of Modern Art in New York City in conjunction with On Line: Drawing Through the Twentieth Century.