Sentences with phrase «modern material research»
Of particular interest for modern material research in solid state physics are «strongly correlated systems,» so called for the strong interactions between the electrons in these materials.
https://www.sciencedaily.com/ Not exact matches
Other ancient DNA studies have been discredited after supposedly ancient genetic material turned out to be modern contaminants, but those fears don't apply to this new research, says micropaleontologist Michal Kucera of the University of Bremen in Germany.
The Eugenics Archive provides materials that stimulate independent, critical thinking about the parallels between eugenics and modern genetics research.
Recent research concerns morphological and phylogenetic aspects of modern human diversity, based on analysis of recent and fossil skeletal material.
Dow Coating Material press release: Modern Science Meets Modern Art: Dow Research Helps Tate Restore Rothko Masterpiece about Rothko restoration
Other ReMSTEP activities this year include connecting educators with four scientists at the Institute for Frontier Materials — interviewing them about their research into modern materials such as carbon fibre and its application in the automotive Materials — interviewing them about their research into modern materials such as carbon fibre and its application in the automotive materials such as carbon fibre and its application in the automotive industry.
Various research materials from René d'Harnoncourt Papers, REG 393, Museum of Modern Art Archives, New York, including installation view and floor plan of Timeless Aspects of Modern Art, 1948.
Researching this material has been enriching particularly in light of the gallery's commitment to understanding contemporary art through the filter of historic works (most specifically following our 2005 exhibition Looking at Words: the Formal Use of Text in Modern and Contemporary Works on Paper).
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
Her work often features participatory performances employing historical narratives and modern materials to recreate and reinterpret objects and bygone environments that she has researched extensively.
These are the driving forces for her research of both modern and traditional elements of Japanese aesthetics concerning light, shadow, movement, materials and surfaces.
Port to Port and The Pollock Gallery present Wide Open, a research exhibition exploring modern global infrastructures that shape our contemporary geological and material landscape, consisting of works by Marcos Agudelo, Ursula Biemann, More & More Unlimited (an Illogistics Company ™)(Marina Zurkow, Sarah Rothberg, and Surya Mattu), Rebecca Moss, Armin Mühsam, Liam Young, and Tamir Zadok.
New Materialism Training School, Research Genealogies and Material Practices: Tate Modern, Fri 27 - Sun 29
From the perspective of the digital native, familiarity with print material is no longer essential to understanding the process of legal research.85 And we lose credibility with many modern law students if we suggest that something of value can only be found in a book.86