Although graffiti at Pompeii and the number of the Beast in the Apocalypse show
the modern notation for numbers, there is evidence for the survival of the older system known to us from Athenian temple treasury accounts and the Purian marble)(Ibid.)
Modern notation (FIGURE 2), however, goes beyond mere intervallic relations and sets up a correspondence between the notation and the well - tempered tuning system.
Morrey didn't use
modern notations.
Not exact matches
Until Western musicologists like Ernest Newlandsmith brought Western musical
notation to Egypt (and of course, the advent of
modern recording equipment), every tune's survival depended entirely on the presence of living cantors who remembered it.
Throughout most of the book the traditional
notation for dates, BC and AD, has been replaced by the
modern convention, BCE (Before the Common Era) and CE (Common Era).
Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of
Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate
Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «
Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of
Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).
Recent group exhibitions include 140 Characters, Museum of
Modern Art, Sao Paulo; Descartes» Daughter, Swiss Institute, New York; and
Notations: The Cage Effect Today, Hunter College Art Gallery, New York.
Opere scelte dalla Collezione François Pinault,» Palazzo Grassi — François Pinault Foundation (IT), «
Notations / Forms of Contingency: New York and Turin 1960 / 1970s,» Philadelphia Museum of Art, Philadelphia (USA), «Zero to Infinity: Arte Povera 1962 - 1972,» Hirshhorn Museum and Sculpture Garden, Washington DC (USA), The Museum of Contemporary Art, Los Angeles, (USA), Walker Art Center, Minneapolis (USA), Tate
Modern, London (UK), «Arte Povera,» Toyota Municipal Museum of Art, Toyota (JP), «The Italian Metamorphosis, 1943 - 1972,» Triennale, Milan (IT), Kunstmuseum, Wolfsburg (A), Solomon R. Guggenheim Museum, New York (USA), «The Knot Arte Povera at P.S. 1, MoMA P.S. 1, New York (USA), «Prospect» 68,» Städtische Kunsthalle, Düsseldorf (DE), «Op Losse Schroeven: Situaties en cryptostructuren,» Stedelijk Museum, Amsterdam (NL), «Live in Your Head: When Attitudes Become Form / Works, Concepts, Processes, Situations, Information,» Kunsthalle Bern, Bern (CH); and he has taken part in various international biennales, such as: 39th, 44th and 52nd Biennale di Venezia (IT), as well as VII Biennale de Paris (FR), XII Biennal de São Paulo, São Paulo (BR), Documenta IX and Documenta V, Kassel (DE).
1976 Philadelphia College of Art, Philadelphia, Private
Notations: Artists» Sketchbooks II The Fine Arts Museums of San Francisco, M.H. De Young Memorial Museum, San Francisco, The Great American Foot Show Transworld Art, New York, An American Portrait 1776 - 1976 The New Gallery of Contemporary Art, Cleveland, 60s: American Pop Art and Culture of the Sixties The Art Galleries, California State University, Long Beach, CA The Lyon Collection
Modern and Contemporary Works on Paper Australia Council, Sydney, Illusions of Reality, exhibition traveled to Australian National Gallery, Canberra; Western Australian Art Gallery, Brisbane; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; Tasmanian Museum & Art Gallery, Hobart (catalogue) Newcomb College, Tulane University, New Orleans, Drawing Today in New York
Today performed and taught by the circle of dancers with whom she closely practiced — the Noa Eshkol Chamber Dance Group — Eshkol's dance compositions give form to the
notation system and represent a significant chapter of
modern dance history that has remained nearly undiscovered.
The nonprofit organization Artis funds research trips to Israel for artists and curators, and it was on one of these expeditions that the curator Prem Krishnamurthy was taken with the work of Noa Eshkol — a
modern dancer who developed a rigorously mathematical movement
notation system and later made dynamic tapestry collages from found scraps of fabric.
The formally reduced and at the same time most coherent group of structures is the series of black paintings, Soñé que Revelabas, reminiscent of
modern musical
notation.
To accord with
modern thermodynamic
notation, alter Eq.