Sentences with phrase «modern piece of architecture»

Not exact matches

While it is anxious not to set a precedent, and allow Assange to remain a fugitive in London in defiance of a European arrest warrant, it is also bound by the 1961 Vienna Convention on Diplomatic Relations — a treaty which (in contrast to the treaty on diplomatic asylum) does enjoy widespread support as a core piece of the legal architecture governing modern diplomacy.
Funnily enough — in one version of the «Hannah...» script, this scene ends with a description about finding a piece of ugly modern architecture — and how it won't be hard to find.
After time to explore this magnificent piece of ancient engineering at your own pace, you return to Beijing, pausing en - route at the Bird's Nest and the Water Cube - examples of Beijing's modern architecture - for a photo opportunity.
Spacious modern architecture with clean lines, rich tones and contemporary fittings make Malibu Bay an experience with a difference... the open plan living really gives a sense of tranquility, with lush sub-tropical surroundings and landscaped pool areas, the owner has spared no expense, from the designer decor and furnishings to the modern art pieces surrounding the walls.
As if to usher in a new era for the building, they slowly restored and remodeled pieces of antique furniture, creating a triumphant mix of classic fin - de-siècle architecture and comfortable modern design.
Get lost exploring full pieces of Italian Renaissance architecture, or appreciate the sleek wooden lines of modern furniture.
Incorporating aspects of sculpture, furniture and architecture, these pieces resemble streamlined mattresses and also suggest scale models of vast modern buildings whose roofs involve some previously unknown engineering technology.
1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102
Several pieces in the exhibition have been conceived in direct response to the architecture of Modern Art's gallery at Helmet Row.
What to see and do The permanent collection of the Centre Pompidou — amounting to over 100,000 pieces of modern and contemporary art, design, and architecture — is one of the largest in the world and includes masterpieces by Pablo Picasso, Marc Chagall, Joan Miro, Amedeo Modigliani, Henri Matisse, Vassily Kandinsky, Ferdinand Leger, Constantin Brancusi, Man Ray, Jean Dubuffet, Henri Cartier - Bresson, Le Corbusier, Alberto Giacometti, Andy Warhol, Bruce Nauman, Jasper Morrison, -LRB-,..)
Minimal and spare, Nunes» pieces push the boundaries of genre, rendering the iconic shapes and structures of modern architecture and Minimalism outside the parameters of the blank canvas.
If you take a classic camelback sofa, for instance, and cover it in a neutral linen, suddenly the piece takes on a modern sensibility because you're seeing the architecture of the piece rather than the textile.
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