The Vow bests plenty of
modern romance films unfunny and mushy, but not enough to qualify as an enjoyable time.
A litmus test: if you find that you enjoy revisiting sweeping
modern romance films like Titanic and The Notebook, you owe it to yourself to give Somewhere in Time a try, especially as it contains elements that both films have emulated.
Not exact matches
As the struggle with Voldemort suggests, the premise of the story is allegorical — good / light against evil / dark — with obvious revivals of the genre traditions of British heroic legend and medieval
romance, even though the
films have
modern elements.
Agora proves that it is entire possible to have an old - school blockbuster (and I am talking Cecil B. DeMille and Alan Mann spectacle
films with casts of thousands wearing togas and swords) coupled with science, mathematics and commentary on
modern times nudge shoulders with
romance, upheaval and politics of antiquity.
● SIGNATURE MOVE, by Jennifer Reeder, finds common ground between a closeted Muslim lawyer (Fawzia Mirza) and a free - spirited Chicana bookstore owner in this heartfelt and funny
film about how
modern romance can arise from a path steeped in tradition.
It's tempting to attribute the leaden weight of cliché in Possession to some kind of wicked LaBute barb about the zombie - march of most
modern romances, but I fear that the
film is deadly serious in its Harlequin intentions.
The
film, which chronicles the infamous
romance of King Edward VII and Wallis Simpson, juxtaposes it with the «
modern» love trials and tribulations of Abbie Cornish, torn between a jerky husband and a sweet security guard (guess which one Isaac plays).
Ultimately, Meet the Parents is one of the funniest comedies I've seen since Annie Hall, a
film with which it shares a wry sensibility about
modern romance.
The
film takes one of the
modern world's most compelling tragedies and uses it to tell a fairy tale
romance that bridges a class divide.
And being a twenty - somethin like its two main characters, the
film displayed some very revealing truths about
modern - day young
romance.
Perhaps the closest thing imaginable to a
modern day Ernst Lubitsch
film, Love & Friendship sees puffed - up gentry adorned in lace - trimmed garments (colour - coded as to the capacity of their imagination) trying to get their prissy minds around the concept of
modern romance.
It has essentially EVERYTHING your standard / substandard Mutant Reviewers from Hell reader would ever desire in a
film: Michael Cera, the hot / fun «it» girls from various cult (non --RRB- smashes of recent years, a thoroughly
modern perspective towards diversity and human acceptance of differences, video game - inspired fight scenes, an uplifting and resonate (which is to say»80s
film - like)
romance, and a rockin» soundtrack.
That's because the wryly amusing look at the foibles of middle - age
modern romance by filmmaker Nicole Holofcener («Please Give,» «Friends With Money») happens to be the second - to - last
film with James Gandolfini in the cast.
The exhibition will include Levinthal's series of photographs of toy cowboys and soldiers created at Yale, on view for the first time since his thesis exhibition, along with photographs from his well - known
Modern Romance series in which he used isolated tiny doll figurines to create melodramatic mises - en - scene reminiscent of Edward Hopper paintings and
film noir.
The exhibition will include Levinthal's series of photographs of toy cowboys and soldiers created at Yale, on view for the first time since his thesis exhibition, along with photographs from his well - known
Modern Romance series in which he used isolated tiny doll figurines to create melodramatic mises - en - scéne reminiscent of Edward Hopper paintings and
film noir.
But
film festivals, like other old - school distribution methods, shouldn't be forgotten in our
modern - day
romance with the internet.