Sentences with phrase «modern university culture»

After all, modern university culture inclines to the proposition that objective truth is one thing; the love that commends it — in the person of a great teacher, for example — is quite another thing.

Not exact matches

2018 speakers included: Paola Antonelli, Senior Curator of Architecture & Design and Director of Research & Development, Museum of Modern Art, New York City; Kristina Blahnik, Chief Executive Officer, Manolo Blahnik; Joe Gebbia, Co-founder and Chief Product Officer, Airbnb; Kenya Hara, President, Nippon Design Center, Inc.; Thomas Heatherwick, Founder and Design Director, Heatherwick Studio; Miguel Mckelvey, Co-founder and Chief Culture Officer, WeWork Author Alice Rawsthorn; Sarah Stein Greenberg, Executive Director, Hasso Plattner Institute of Design (d.school), Stanford University, Patricia Urquiola, Designer, Architect, and Founder, Studio Urquiola; and Sam Yen, Managing Director, SAP Labs Silicon Valley and Chief Design Officer, SAP

The scholars who study Islamic culture today point out that the chief factors which have influenced contemporary Arab Muslim society are: the Western ideas which penetrated Arab society through education and increased contact with the West, socialist concepts which have spread throughout the world, communist doctrines which challenge religion in general, the expansion of university education, the admission of Muslim women to higher education, the study of ancient and modern philosophy in the universities, and the modern Muslim movements which have been so influential.

Paul S. Boyer, professor of history emeritus at the University of Wisconsin in Madison, is the author of When Time Shall Be No More: Prophecy Belief in Modern American Culture (1992).

In When Time Shall Be No More: Prophecy Belief in Modern American Culture, Paul Boyer, a senior historian at the University of Wisconsin, and one of the best in the business, seeks to address the world of secularized academics and journalists who can scarcely imagine, let alone appreciate, the breadth and depth of popular apocalypticism in contemporary America.

The intramural dialogue over what Mark Noll has called «the scandal of the evangelical mind» worries that intellectually serious people have passed evangelicals by while we were allured by the sensations of revivalism, seduced by a materialistic market - driven culture, overtaken by the «disaster of fundamentalism» in the face of challenges from modern science and technology, and robbed of our universities through negligence and the inertia of secularized education.

Dr Peter Hodgson, formerly head of the Nuclear Physics theoretical division at the University of Oxford, has long been involved in the science — faith debate and has contributed widely to the Catholic Church's appreciation of modern physics, especially as a consultant to the Pontifical Council of Culture.

The Realities of Faith (New York: Oxford University Press, 1962); The Secularization of Modern Cultures (New York: Oxford University Press, 1966).

And the further interesting thing is that the forms of religion that are more bizarre or alien to modern Western «scientific» culture — astrology, occultism, Zen, yoga, Sufism — appeal to the «intelligentsia» and so ironically tend to cluster about our contemporary university centers (the remaining seats of that culture).

James Hitchcock of St. Louis University writes, «The Pope has... committed the Church to a relationship with culture which is both modern and traditional in the best sense of each term.»

Merlin Ronald, Origins of the Modern Mind: Three Stages in the Evolution of Culture and Cognition (Cambridge: Harvard University Press, 1991).

Modern intellectual culture assumes the «fact - value dichotomy» so easily, in fact, that the future relations of piety and intellect at Union will undoubtedly involve some mighty wrestling to keep the two intimate with each other, no matter how insulated some of our university colleagues prefer them to be.

Dr. Carl Henry, of Christianity Today, a postwar conservative theological journal, and Professor Martin Marty, of The University of Chicago, found themselves in agreement as to the extent of Christianity's impact on modern culture.

John M. Staudenmaier, «The Influence of Communication Technologies on Modern American Culture: A Framework for Analysis,» paper presented at the University of Dayton Conference on Religious Telecommunications, Dayton, OH, September 26, 1988, p. 4.

I thought Evangel readers would appreciate knowing about my Christianity Today interview with James Davison Hunter, Professor of Religion, Culture, and Social Theory at the University of Virginia and author of To Change the World: The Irony, Tragedy and Possibility of Christianity in the Late Modern World (Oxford, 2010), which promises to be the most important book written on Christian cultural engagement in the last 50 years.

The initial answer is that those who are most fully socialized into the culture of the modern university are socialized away from paying any special attention to Jesus.

The sign said: «Modern American Culture Museum of the Oxford University Press: Tonight's Feature: A Journey into the Evangelical Subculture of America.»

1 Etymology 2 History 2.1 Prehistory 2.2 Medieval kingdoms 2.3 European contact (15th century) 2.4 Independence (1957) 2.5 Operation Cold Chop and aftermath 2.6 21st century 3 Historical timeline 4 Geography 4.1 Climate 4.2 Rivers 4.3 Wildlife 5 Government 5.1 Foreign relations 5.2 Law enforcement and Police 5.3 Military 5.4 Administrative divisions 6 Transportation 7 Economy 7.1 Key sectors 7.2 Manufacturing 7.3 Petroleum and natural gas production 7.4 Industrial minerals mining 7.5 Real estate 7.6 Trade and exports 7.7 Electricity generation sector 7.8 Economic transparency 8 Science and technology 8.1 Innovations and HOPE City 8.2 Space and satellite programmes 8.3 Cybernetics and cyberwarfare 8.4 Health and biotechnology 9 Education 9.1 Overview 9.2 Enrollment 9.3 Foreign students 9.4 Funding of education 9.5 Provision of educational material 9.6 Kindergarten and education structure 9.7 Elementary 9.8 High school 9.9 University 10 Demographics 10.1 Population 10.2 Legal immigration 10.3 Illegal immigration 10.4 Language 10.5 Religion 10.6 Fertility and reproductive health 11 Universal health care and health care provision 12 Culture 12.1 Food and drink 12.2 Literature 12.3 Adinkra 12.4 Traditional clothing 12.5 Modern clothing 12.6 Music and dance 12.7 Film 12.8 Media 12.9 Sports 12.10 Cultural heritage and architecture 13 National symbols 14 Tourism 15 See also 16 References 17 Further reading 18 External links

More recently, a report by Kevin N. Laland of the University of St. Andrews in Scotland and his colleagues in Nature Reviews Genetics, building on an earlier proposal by Robert Boyd of the University of California, Los Angeles, and Peter J. Richerson of U.C. Davis, argued that human culture, defined as any learned behavior, including technology, has been the dominant natural selection force on modern humans.

In addition to emphasizing the recruitment of graduate students, American universities have a number of on - campus service facilities such as modern research labs, well - stocked reagent rooms, and cell culture facilities.

Forensic experts at North Carolina State University have now published guidance on how research into modern - day forensic analysis of child - abuse victims can be used to shed light on how children of earlier cultures were treated.

CALICO Journal Cambridge Journal of Education Canadian Journal for the Scholarship of Teaching and Learning Canadian Journal of Action Research Canadian Journal of Applied Linguistics - Revue canadienne de linguistique appliquee Canadian Journal of Education Canadian Journal of Educational Administration and Policy Canadian Journal of Environmental Education Canadian Journal of Higher Education Canadian Journal of Learning and Technology Canadian Journal of School Psychology Canadian Journal of Science, Mathematics and Technology Education Canadian Modern Language Review Canadian Social Studies Career and Technical Education Research Career Development and Transition for Exceptional Individuals CATESOL Journal CBE - Life Sciences Education CEA Forum Center for Educational Policy Studies Journal Change: The Magazine of Higher Learning Changing English: Studies in Culture and Education Chemical Engineering Education Chemistry Education Research and Practice Child & Youth Care Forum Child Care in Practice Child Development Child Language Teaching and Therapy Childhood Education Children & Schools Children's Literature in Education Chinese Education and Society Christian Higher Education Citizenship, Social and Economics Education Classroom Discourse Clearing House: A Journal of Educational Strategies, Issues and Ideas Cogent Education Cognition and Instruction Cognitive Science Collected Essays on Learning and Teaching College & Research Libraries College and University College Composition and Communication College Quarterly College Student Affairs Journal College Student Journal College Teaching Communicar: Media Education Research Journal Communication Disorders Quarterly Communication Education Communication Teacher Communications in Information Literacy Communique Community & Junior College Libraries Community College Enterprise Community College Journal Community College Journal of Research and Practice Community College Review Community Literacy Journal Comparative Education Comparative Education Review Comparative Professional Pedagogy Compare: A Journal of Comparative and International Education Complicity: An International Journal of Complexity and Education Composition Forum Composition Studies Computer Assisted Language Learning Computer Science Education Computers in the Schools Contemporary Education Dialogue Contemporary Educational Technology Contemporary Issues in Early Childhood Contemporary Issues in Education Research Contemporary Issues in Technology and Teacher Education (CITE Journal) Contemporary School Psychology Contributions to Music Education Counselor Education and Supervision Creativity Research Journal Creighton Journal of Interdisciplinary Leadership Critical Inquiry in Language Studies Critical Questions in Education Critical Studies in Education Cultural Studies of Science Education Current Issues in Comparative Education Current Issues in Education Current Issues in Language Planning Current Issues in Middle Level Education Curriculum and Teaching Curriculum Inquiry Curriculum Journal Curriculum Studies in Health and Physical Education Cypriot Journal of Educational Sciences

She has exhibited internationally at venues including the Liverpool Biennial, the San Francisco Museum of Modern Art; and P.S. 1, New York; and has had notable solo exhibitions at the University Art Museum at the University of Albany; the Center for Art, Design, and Visual Culture at the University of Maryland Baltimore County; and the Hirshhorn Museum and Sculpture Garden, Washington, DC.

Panelists include Brian Wallis, Curator of the Walther Collection and former Chief Curator of the ICP; Paul Milkman, scholar and author of PM: A New Deal in Journalism 1940 - 1948; Jason Hill, Associate Professor of Modern and Contemporary Art and Visual Culture at the University of Delaware and author of the forthcoming book Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture and Laetitia Barrere, Andrew W. Mellon Postdoctoral Curatorial Fellow at the Metropolitan Museum of Art.

1997 New Concepts in Printmaking I, Museum of Modern Art, New York (installation) The Peter Halley Project, University at Buffalo Art Gallery, Research Center in Art & Culture, State University of New York, Buffalo, NY (installation, booklet) Peter Halley, Three Small New Paintings, Galerie Thaddaeus Ropac, Salzburg, Austria Galleria Massimo Minini, Brescia, Italy (catalogue) Galleria Gian Enzo Sperone, Rome

Madison Museum of Contemporary Art, Madison, WI Memorial Art Gallery of the University of Rochester, Rochester, NY The Metropolitan Museum of Art, New York, NY Milwaukee Art Museum, Milwaukee, WI Mint Museum of Art, Charlotte, NC Montclair Art Museum, Montclair, NJ Mount Holyoke College Art Museum, South Hadley, MA Museum of Fine Arts, Boston, MA The Museum of Modern Art, New York, NY National Gallery Museum of Art, Washington, DC Neuberger Museum, State University of New York at Purchase, New York The Newark Museum, Newark, NJ Pennsylvania Academy of the Fine Arts, Philadelphia, PA Perez Art Museum, Miami, FL Philadelphia Museum of Art, Philadelphia, PA The Rhode Island School of Design Museum, Providence, RI The Saint Louis Art Museum, St. Louis, MS San Francisco Museum of Modern Art, San Francisco, CA Savannah College of Art and Design, Savannah, GA Smithsonian American Art Museum, Washington, DC Schomburg Center for Research in Black Culture, The New York Public Library, New York, NY The Studio Museum in Harlem, New York, NY Tougaloo College, Tougaloo, MS University Art Museum, Berkeley, CA The University of Oklahoma Museum of Art, Norman, OK Virginia Museum of Fine Arts, Richmond, VA Wadsworth Atheneum, Hartford, CT Weatherspoon Art Museum, University of North Carolina, Greensboro, NC Westmoreland Museum of American Art, Greensburg, PA Whitney Museum of American Art, New York, NY Yale University Art Gallery, New Haven, CT

Amistad Research Center, Tulane University, New Orleans, LA The Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Bennett College for Women Collection, Greensboro, NC Cleveland Museum of Art, Cleveland, OH Corcoran Gallery of Art, Washington, DC de Young Museum, San Francisco, CA Fisk University Gallery, Nashville, TN Hampton University Museum, Hampton, VA Howard University, Gallery of Art, Howard University, Washington, DC Milwaukee Art Museum, Milwaukee, WI LeMoyne - Owen College, Memphis, TN The Metropolitan Museum of Art, New York, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY Museum of Nebraska Art, Kearney, NE National Portrait Gallery, Smithsonian Institution, Washington, DC North Carolina Museum of Art, Raleigh, NC Philadelphia Museum of Art, Philadelphia, PA Savannah College of Art and Design, Lawrence, KS Schomburg Center for Research in Black Culture, New York, NY Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, NE Spencer Museum of Art, The University of Kansas, Savannah, GA The Yale Collection of American Literature, The Beinecke Rare Book and Manuscript Library, New Haven, CT

Major institutions with work by Chase - Riboud in their permanent collections include the Berkeley Art Museum, University of California; The Metropolitan Museum of Art (New York, NY); Ministry of Culture, France; The Museum of Modern Art (New York, NY); National Collections of France; Newark Museum (NJ); New Orleans Museum of Art (LA); New - York Historical Society Museum (NY); the Philadelphia Museum of Art (PA); and The Studio Museum in Harlem (New York, NY).

Major institutions with work by Chase - Riboud in their permanent collections include the Berkeley Art Museum, University of California; The Metropolitan Museum of Art (New York, NY); Ministry of Culture, France; The Museum of Modern Art (New York, NY); National Collections of France; Newark Museum (NJ); New Orleans Museum of Art (LA); New - York Historical Society Museum (NY); the Philadelphia Museum of Art (PA); the Smithsonian African American Museum, (DC); and The Studio Museum in Harlem (New York, NY).

Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Cameron Art Museum, Wilmington, NC Colby College Museum of Art, Colby College, Waterville, ME Hampton University Museum, Hampton University, Hampton, VA Harvard Art Museums, Harvard University, Cambridge, MA La Salle University Art Museum, La Salle University, Philadelphia, PA Library of Congress, Washington, DC The Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY Nasher Museum of Art, Duke University, Durham, NC National Collections of France, Ministry of Culture, Paris, France National Museum of African American History & Culture, Smithsonian Institution, Washington, DC Newark Museum, Newark, NJ New Orleans Museum of Art, New Orleans, LA New - York Historical Society Museum & Library, New York, NY The Galleries at Pasadena City College, Pasadena City College, Pasadena, CA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Art Alliance, Philadelphia, PA Philadelphia Board of Education, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Ruth Chandler Williamson Gallery, Scripps College, Claremont Colleges, Claremont, CA St. John's University, Queens, NY Smithsonian American Art Museum, Washington, DC Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA The State Museum of Pennsylvania, Harrisburg, PA The Studio Museum in Harlem, New York, NY United States General Services Administration, Washington, DC

Catlett's work can be found in major collections such as those of the Museum of Modern Art, Metropolitan Museum of Art, [18] Library of Congress, [18] Minneapolis Institute of Arts, [19] National Museum in Prague, the Toledo Museum of Art, the Clark Atlanta University Art Galleries, the Palacio de Bellas Artes in Mexico, the Instituto Politécnico Nacional, [1][2][3] Carnegie Mellon University, [8] the University of Iowa, [11] the June Kelly Gallery and the Schomburg Center for Research in Black Culture in New York.

The jury includes Roxana Marcoci, senior curator of photography at the Museum of Modern Art in New York; Elvira Dyangani Ose, freelance curator and lector of visual cultures at Goldsmiths, University of London; Florian Ebner, head of photography at Museum Folkwang, Essen, Germany; Duncan Forbes, co-curator and director at Fotomuseum Winterthur in Winterthur, Switzerland; and Clare Grafik, head of exhibitions at Photographers» Gallery in London.

Erika Doss is professor of American Studies at the University of Notre Dame where she teaches courses in modern and contemporary American art and culture.

His books include Nietzsche: Naturalism and Interpretation (University of California Press, 1999) and Audio Culture: Readings in Modern Music (Continuum, 2004).

Group shows include Brooklyn Museum, 1955, 58, De Cordova Museum, Boston, 1960, 65, Riverside Museum, New York City, 1960, Städtisches Museum, Schloss Morsbroish, Leverkusen, Germany, 1960, 61, Whitney Museum American Art, New York City, 1961, 62, Pittsburgh Museum, 1961, City Museum, Städtisches Museum, Trier, Germany, 1961, Nul Stedelijk Museum, Amsterdam, 1962, Institute Contemporary Art, 1964, 65, Modern Art Gallery, Washington, 1965, Chrysler Museum, Provincetown, Massachusetts, 1965, Museum Modern Art, Stockholm, Sweden, 1966, Metropolitan Museum, Tokyo, 1965, Museum Modern Art, New York City, 1966, Woman's Work - American Art, Philadelphia, 1974, Improbable Furniture, University Pennsylvania, 1977, Neich und Plastisch - Soft Art, Zurich, 1979, National Museum Art, Osaka, 1980, National Museum Modern Art, Tokyo, 1981, Yokohama City Gallery, 1982, Landmark Tower, Yokohama, 1993, Guggenheim Museum, 1994, Scream Against the Sky, San Francisco Museum Modern Art, 1995, Otis Gallery, Los Angeles, 1995, Ars 95, Helsinki, 1995, Louisiana Museum, Denmark, 1995, Los Angeles County Museum Art, Museum Modern Art, New York, Walker Art Center, 1998, Taipei Biennale, Taipei Art Fair, 1998, Serpentine Gallery, 2000, Le consortium, Maison de culture Japan, Paris, Le Abattoirs, 2001, KUNSTHALLE, Wien, 2002, The Whitney Biennial, 2004, Kunstverein Braunschweig, Zacheta National Gallery of Art, 2004, National Museum Modern Art, Tokyo, 2004, 05, Mori Art Museum, 2004, National Museum Modern Art, Kyoto, 2005, many others.

Tarek Abou El Fetouh (curator) John Akomfrah (artist and filmmaker) Rheim Alkadhi (artist) Noora Al Mualla (Curator of Modern Arab Art, Sharjah Art Foundation) Monira Al Qadiri (artist) Hoor Al Qasimi (Director, Sharjah Art Foundation) Saira Ansari (Researcher, Sharjah Art Foundation) Rasheed Araeen (artist) Marwa Arsanios (artist) Mohammad Ali Atassi (Director, Bidayyat) Sarnath Banerjee (artist, writer and graphic novelist) Daniel Blanga Gubbay (Researcher and Curator, Aleppo.eu) Yaminay Chaudhri (artist and Co-founder, Tentative Collective) Ali Cherri (artist) Manuel de Rivero (Co-founder, Supersudaca) Manthia Diawara (University Professor and Director, Institute of African American Affairs, New York University) Mona El Mousfy (Founder and Managing Director, SpaceContinuum) Shilpa Gupta (artist) Ayesha Hameed (artist and Lecturer, Visual Cultures, Goldsmiths College) Dale Harding (artist) Salah Hassan (Goldwin Smith Professor and Director, Institute for Comparative Modernities, Cornell University) Mohamed Ahmed Ibrahim (artist) Saba Innab (artist and architect) Eungie Joo (Curator of Contemporary Art, San Francisco Museum of Modern Art) Butheina Kazim (Co-founder, Cinema Akil) Maha Maamoun (artist) Ahmed Mater (artist) Almagul Menlibayeva (artist) Sally Mizrachi (Co-founder, lugar a dudas) Naeem Mohaiemen (artist) Paribartana Mohanty (artist) Aram Moshayedi (Curator, Hammer Museum) Hania Mroué (Founder and Director, Metropolis Art Cinema) Neo Muyanga (composer and musician) Zeynep Öz (curator) Claudia Pagès (artist) Sharmini Pereira (Founder and Director, Raking Leaves) Filipa Ramos (Co-curator, Vdrome) Uzma Rizvi (Associate Professor, Anthropology and Urban Studies, Pratt Institute) Abir Saksouk (Architect, Public Works) Larissa Sansour (artist) Mario Santanilla (artist) Zineb Sedira (artist) Wael Shawky (artist) Reem Shilleh (Co-founder, Subversive Film) Martine Syms (artist) Yoshiharu Tsukamoto (Co-founder, Atelier Bow - Wow) Alper Turan (Co-founder, DAS Art Project) Deepak Unnikrishnan (writer) Antonio Vega Macotela (artist) Hajra Waheed (artist) Ala Younis (artist and curator)

As a leading provider of creative education, University of the Arts London has thought carefully about its modern language courses and designed a programme that explores the fascinating relationships between language, art and culture.

2017 Past Skin, MoMA PS1, The Museum of Modern Art, New York, NY Invisible Cities, The Wallach Art Gallery at Columbia University, NY Mundos Alternos: Art and Science Fiction in the Americas, «Pacific Standard Time», UCR / California Museum of Photography, Riverside, CA COMM ALT SHIFT, Aljira A Center for Contemporary Art, Newark, NJ Biennale of Moving Images, Faena Bazaar and Faena Hotel, Miami Beach, FL Biennale of Moving Images, Faena Art Center Buenos Aires, Argentina Digital Bodies, Eli and Edythe Broad Art Museum, East Lansing, MI Vision All Together, Durango Arts Center, Durango, COSouth Florida Consortium Exhibition, Museum of Contemporary Art, North Miami, FL South Florida Consortium Exhibition, Museum of Contemporary Art, North Miami, FL Prospect 4: The Lotus in Spite of the Swamp, New Orleans Biennial, New Orleans, LA No burden as heavy, David Castillo Gallery, Miami Beach, FL Change Agents, Art and Culture Center of Hollywood, Hollywood, FL

Lavin received a Ph.D. from Columbia University and published her first books, Quatremère de Quincy and the Invention of a Modern Language of Architecture and Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture, in 1992 and 2005.

Robert Slifkin is an Associate Professor of Fine Arts at the Institute of Fine Arts, New York University where he teaches courses addressing various aspects of modern and contemporary art and culture.

Allen Memorial Art Museum, Oberlin College, Oberlin, OH American Academy of Arts and Letters, New York, NY Amon Carter Museum, Fort Worth, TX The Art Institute of Chicago, Chicago, IL Arkansas Arts Center, Little Rock, AR California African American Museum, Los Angeles, CA Chicago Public Library, Chicago, IL The City College of New York, New York, NY Clark Atlanta University Art Galleries, Atlanta, GA Colby College Museum of Art, Waterville, ME Deutsche Akademie Der Kunst, Berlin, Germany Fisk University Art Galleries, Nashville, TN Flint Institute of Arts, Flint, MI Gibbes Museum of Art, Charleston, SC Hampton University Museum, Hampton, VA High Museum of Art, Atlanta, GA Hirshhorn Museum and Sculpture Garden, Washington, DC Howard University Gallery of Art, Howard University, Washington, DC Intergrafik, Berlin, Germany Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL Library of Congress, Washington, DC Long Beach Museum of Art, Long Beach, CA Los Angeles County Museum of Art, Los Angeles, CA Los Angeles County Public Library, Los Angeles, CA Los Angeles State College, Los Angeles, CA Lucas Museum of Narrative Art, Chicago, IL Metropolitan Museum of Art, New York, NY Montclair Art Museum, Montclair, NJ Montgomery Museum of Fine Arts, Montgomery, AL Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York, NY National Academy Museum, New York, NY National Afro - American Museum and Cultural Center, Wilberforce, OH The National Archives, Washington, DC National Gallery of Art, Washington, DC National Gallery of Australia, Canberra, Australia Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT Oakland Museum of California, Oakland, CA Pasadena Museum of California Art, Pasadena, CA Pioneer Museum and Haggin Galleries, Stockton, CA Princeton University Art Museum, Princeton, NJ The Pushkin Museum of Fine Arts, Moscow, Russia Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Selma Burke Art Center, Carnegie Institute, Pittsburgh, PA Sheldon Museum of Art, University of Nebraska - Lincoln, Lincoln, Nebraska Smithsonian American Art Museum, Washington, DC Staatlichen Kunstsammlungen Dresden, Germany Syracuse University Art Galleries, Syracuse, NY Taller de Grafica Popular, Mexico City, Mexico Tuskegee University, Tuskegee, AL University of California, Berkeley Art Museum and Pacific Film Academy, Berkeley, CA University of Illinois, Chicago, IL University of Michigan Museum of Art, Ann Arbor, MI Virginia Museum of Fine Art, Richmond, VA Whitney Museum of American Art, New York, NY Wichita Museum of Art, Wichita, KS The Wylie and May Louise Jones Gallery, Bakersfield College, Bakersfield, CA

Zhang Huan's work is part of nearly 50 public collections worldwide, including Center of Contemporary Art, Malaga, Spain; Centre national d'art et de culture Georges Pompidou, Paris; Denver Art Museum; The Hara Museum of Contemporary Art, Tokyo; The Israel Museum, Jerusalem; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Barcelona; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, San Diego; Museum of Fine Arts, Boston; The Museum of Modern Art, New York; National Gallery of Australia; Philadelphia Museum of Art; S.M.A.K., The Municipal Museum of Contemporary Art Gent, Belgium; Saatchi Collection, London; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Storm King Art Center, New York; and Yale University Art Gallery, Connecticut, among others.

Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture Penn State University Press 2016

Independent curators Cecilia Alemani (High Line Art, New York), Tom Eccles (Center for Curatorial Studies, Bard College), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society, University of Chicago) and Fabian Schöneich (Portikus, Frankfurt), are devising special sections of the fair and a program of ambitious artist commissions and talks.

Independent curators Cecilia Alemani (High Line Art, New York), Clara M Kim (Tate Modern, London), Jacob Proctor (Neubauer Collegium for Culture and Society at the University of Chicago), Fabian Schöneich (Portikus, Frankfurt) and Tom Eccles (Center for Curatorial Studies, Bard College, New York) will curate sections dedicated to innovative solo shows and a program of ambitious artist commissions and talks.

She holds a double M.A. in Media Studies from The New School and Modern Culture / Urbanity and Aesthetics from Copenhagen University, as well as a B.A. in Film and Media Studies from Copenhagen University.

Coming May 17 Northwestern University professor Hannah Feldman, a highly acclaimed scholar of late modern and contemporary art and visual culture, is the Hood Museum of Art's eleventh annual Dr. Allen W. Root Contemporary Art Distinguished Lecture speaker.

2003 Fresh: Works on Paper, a Fifth Anniversary Exhibition - James Kelly Contemporary, Santa Fe, NM Collection D'Estampes Contemporaines - Galerie Akié Arichi, Paris Entre el clavel y la espada: Rafael Alberti en su siglo - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla Classic Works From the 1960s - Loretta Howard Gallery, New York City, NY Black White - Danese, New York City, NY The Eunice and Hal David Collection of 19th and 20th Century Works on Paper - Hammer Museum, Los Angeles, CA The Eighties - Part II: USA - Galerie Klüser, Munich Grafik - Art Forum Ute Barth, Zurich El Expresionismo Abstracto Americano en las Colecciones Españolas - Museo de Arte Contemporáneo Esteban Vicente, Segovia The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp - MFAH — Museum of Fine Arts Houston, Houston, TX Some Assembly Required - Collage Culture in Post-War America - Polk Museum of Art, Lakeland, FL Roads Taken: 20th Century Prints and Drawings from the Collection - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA American Art - The Wilfred Davis Fletcher Collection - Boise Art Museum BAM, Boise, ID Pairings — Hackett Freedman Gallery, San Francisco, CA (closed, 2009) Some Assembly Required: Collage Culture in Post-War America - MMoCA - The Madison Museum of Contemporary Art, Madison, WI Motherwell, Hartung, Fruhtrunk, Sonderborg, Vedova, Trökes - Galerie Dube - Heynig, Munich A Century of Painting - From Renior to Rothko — Guggenheim Hermitage Museum, Las Vegas, NV Trace Evidence - Frederick R. Weisman Art Museum, Minneapolis, MN Leckerbissen - Fischerplatz Galerie, Ulm Graphic Works from the Lopez Collection - Cirrus Gallery, Los Angeles, CA Painting Explosion - 1958 1963, Part I - Blanton Museum of Art, Austin, TX Abstract Expressionism - Art Movement in the 20th Century - Tehran Museum of Contemporary Art, Tehran

Worlds and Views, The Museum of Modern Art, New York, USA Acting Out: The Invented Melodrama in Contemporary Photography, University of Iowa Museum of Art, Iowa City, IA, USA; toured to the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY, USA (organized by UIMA curator Kathleen A. Edwards, catalogue) Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London Africa Remix, Contemporary Art of a Continent, Museum Kunst Palast, Düsseldorf, Germany; toured to Hayward Gallery, London; Centre Georges Pompidou, Paris, France; Mori Art Museum, Tokyo, Japan African Voices, New Museum of World Cultures, Gothenburg, Sweden Translation, Palais de Tokyo, Paris, France

American Academy of Arts and Letters, New York, NY Arkansas Arts Center, Little Rock, AR Charles B. Goddard Center, Ardmore, OK Colby College Museum of Art, Waterville, ME Heckscher Museum of Art, Huntington, NY Hood Museum of Art, Dartmouth College, Hanover, NH Indianapolis Museum of Art, Indianapolis, IN Memorial Art Gallery, University of Rochester, Rochester, NY Metropolitan Museum of Art, New York, NY Mills College Art Museum, Oakland, CA Municipal Gallery, Bordighera, Italy Munson - Williams - Proctor Arts Institute, Utica, NY Museum of Modern Art, New York, NY National Academy Museum, New York, NY National Museum of American Art, Washington, DC Neuberger Museum of Art, State University of New York, Purchase, NY Owensboro Museum of Fine Art, Owensboro, KY Palace of Culture, Warsaw, Poland Parrish Art Museum, Southampton, NY Provincetown Art Association and Museum, Provincetown, MA Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE Smithsonian American Art Museum, Washington, DC The Society of Memorial Sloan Kettering Cancer Center, New York, NY University of Arizona Museum of Art, Tucson, AZ University of Wyoming Art Museum, Laramie, WY Weatherspoon Art Museum, University of North Carolina, Greensboro, NC Whitney Museum of American Art, New York, NY Wright State University Art Galleries, Dayton, OH