Not exact matches
The soundmix
feels a bit more
modern than the cinematography, with a wiretapping making gimmicky use of the discrete surrounds, the various gunshots packing a wallop, and Alberto Iglesias's conspiracy - jazz score enveloping the
viewer.
The «Masterpiece» adaptation manages to do what previous versions didn't execute nearly as well: transport the
viewer back to that time and yet still
feel fresh and
modern with the clarity of its message.
These battle scenes
feel more akin to
modern action cinema and while they may be the main event to historians and war buffs, they're also more routine and less entertaining for the average
viewer.
While Zack and Miri definitely gives
viewers not averse to perpetual sexual references and scatological humor its share of solid belly laughs, there is a
feeling of Kevin Smith finally beginning to appear a little long in the tooth in terms of his ability to connect with the
modern day audience for R - rated romantic comedies.
And a group of
modern viewers keen on the alienating dark side of tech paranoia and its drastic, often damaging, fallout as depicted on Black Mirror might take, for example, the first story in the anthology, «Real Life» (directed by Ronald D. Moore of Battlestar Galactica and Outlander), and
feel a little underwhelmed when it concludes.
Utilizing some of the
modern shaky camera work, much of the action has a frenetic
feel, and the look of actually being there, witnessing the events as they unfold, although some
viewers may find it a bit queasy or annoying to take.
These works are metaphors for both alienated, isolated
modern individuals in a technology - driven culture and real encounters intended to trigger
feelings of empathy and understanding in
viewers.