Sentences with phrase «modern woman at a time»

Not exact matches

Phin Barnes, a partner at First Round Capital and an investor in startup Modern Fertility, says the number of pitches he sees from companies addressing women's health care has increased about 10 times in the past five years.

For the first time in modern history, we have had Popes who as young priests met and worked with women at university as a matter of course and on ordinary terms.

To teach, as some writers have, that we must accept the «insight» of modern Evolutionists, as true beyond reasonable doubt, that humans came into existence in various places at differing times (so - called «Polyphyletism») is to compromise the Church's infallible teaching that there was one first man (Adam) and one first woman (Eve) from whom we all descend.

This idea that women are emotional, men are wanting to follow Jesus (in a warrior masculine way - whatever that looks like) stuff can be okay at times - but drawing to strict lines about this stuff is what I find repellent in a lot of modern Christian circles.

Warner at The New York Times understands the real argument here is about women who feel put - upon by all the expectations associated with modern motherhood.

Regarding 17 Tamuz (this year, postponed until 18 Tamuz, Sunday, July 24, 2016): Even when the fast occurs on the original date many pregnant and nursing mothers do not fast in modern times (and if the woman is weak, she is exempt for 24 months after birth even if she is not breastfeeding at all), and this applies even more strongly when the fast is deferred.

She works as the lifestyles editor and writer at a San Francisco Bay Area newspaper, and her work has appeared in The New York Times, The Huffington Post, HuffPost Live, Mommy Tracked, Modern Mom, Divorce 360, and the anthologies Knowing Pains: Women on Love, Sex and Work in Our 40s and Nothing But The Truth: Women on Life's Transitions.

I am modern woman - lady - female - gal with a grounded, traditional side, I love being a wife, and am extremely blessed to have the opportunity to be a full - time at home mom to two amazing, beautiful little girls, Miss A and Baby C. God and my family mean the world to me.

Many midwives believe that it is safe to give birth at home for women with low risk pregnancies and that opinion has been contradicted even in modern times.

From the beginning of his time in office, he has openly expressed his concern for the men and women that work at the Dutchess County Jail and has made building a new modern and safe facility one of his top priorities,» said President Timothy DeGelormo.

Pääbo suggests that X Woman may belong to a group of archaic humans who migrated out of Africa at a different time from Neanderthals or modern humans.

At the same time, with the short - length's successful adoption, you will be the real elegant and modern woman in your favorite cocktail party.

At present time, the most popular and modern method to make acquaintances with single Japanese men and single women is dating sites.

Today's modern man seeks a women who likes the style of the modern world and life style, while at the same times retains that certain femininity that many western women have slowly lost.

Sam Wasson is the New York Times best - selling author of Fosse; Fifth Avenue, 5 A.M.: Audrey Hepburn, «Breakfast at Tiffany's,» and the Dawn of the Modern Woman; and books about Blake Edwards and Paul Mazursky.

«Wonder Woman» Standard Definition DVD contains the following special features: · Crafting the Wonder · A Director's Vision: Themyscira: The Hidden Island · A Director's Vision: Beach Battle · A Director's Vision: A Photograph Through Time · A Director's Vision: Diana in the Modern World · A Director's Vision: Wonder Woman at War · Warriors of Wonder Woman — · The Trinity · The Wonder Behind the Camera · Finding the Wonder Woman Within · Extended Scenes · Blooper Reel

· A Director's Vision: Themyscira: The Hidden Island · A Director's Vision: Beach Battle · A Director's Vision: A Photograph Through Time · A Director's Vision: Diana in the Modern World · A Director's Vision: Wonder Woman at War o Join director Patty Jenkins as she takes you on an exclusive journey through «Wonder Woman's» most pivotal and exciting moments · Warriors of Wonder Woman — Witness the creation of the Amazon army as the women of «Wonder Woman» transform emotionally and physically into the world's most powerful and heroic warriors.

At a time when the majority of American college students are female — currently 57 percent of all students — higher education's conversation surrounding women's rights is largely dominated by modern feminist ideology.

Little, Brown, a division of Hachette Book Group, was the original publisher of Little Women in the US; this 2018 re-envisioning revisits the serialized format popular at the time of original publication, with a modern twist: a serial release as an online graphic novel launching March 7, 2018, a day before International Women's Day.

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

It was a diverse scene that held out a hint of utopian promise at a time when Abstract Expressionism was waning and new categories had not yet hardened: It included many more women than the uptown art world; it was not completely white; abstraction and figuration jostled side by side (if not always comfortably), along with genre - bending sculpture; and the gloriously messy birth of modern performance art took place in the midst of it all.

At that time, Ono advertised her «one woman show,» titled Museum of Modern [F] art.

The social network of Pan Yuliang's early career as a modernist artist and an art educator in the period of the Republic of China resonated with larger social - political movements at that time: from the cultural construct of «New Woman» and the New Culture Movement, to the revolution and reform launched by the Nationalist Party and early Communists and the rise of modern nationalism in China, and from the end of World War I to the Japanese Invasion in 1937.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Maureen Cavanaugh of San Diego's radio station KPBS talks to John Marciari, Curator of European Art, and his wife, Julia Marciari Alexander, Deputy Director for Curatorial Affairs at San Diego Museum of Art about the two exhibitions on there until 1 May: Gainsborough and the Modern Woman and Howard Hodgkin, Time and Place, Paintings 2001 - 2010.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

2013 Oh Christmas Tree, Dommuseum zu Salzburg, Salzburg One Foot in the Real World, Irish Museum of Modern Art, Dublin More Love: Art, Politics and Sharing since the 1990s, Cheekwood Botanical Garden & Museum of Art, Nashville White Light / White Heat: Contemporary Artists & Glass, The Wallace Collection, London Mak Hix: The Collection Exhibition, Cock «n» Bull Gallery, London Art from Britain and Poland from 1990, The Centre for Contemporary Art, Ujazdowski Castle, Warsaw (con) TEXT, Sharon Arts Centre, Peterborough, New Hampshire Stedelijk @ TrouwAmsterdam: Contemporary Art Club, TrouwAmsterdam, Amsterdam Mad, Bad & Sad: Women and the Mind Doctors, Freud Museum, London Frayed: Textiles on the Edge, Time and Tide Museum, Great Yarmouth Be Dramatic, Bechter Kastowsky Galerie, Vienna Ballet of Heads: The Figure in the Collection, Berkeley Art Museum & Pacific Film Archive, California Writings Without Borders, Lehmann Maupin, Hong Kong do it, MU artspace, Eindhoven do it, Manchester Art Gallery, Manchester Ordinary / Extra / Ordinary, The Public, West Bromwich Fail Better, Hamburger Kunsthalle, Hamburg Postcard Narratives, Room Artspace, London Arthouse, Museum of St Albans All You Need is Love: From Chagall to Kusama and Hatsune Miku, Mori Art Museum, Tokyo Looking at the View, Tate Britain, London Contemporary Magic: A Tarot Deck Art Project, The Dali Museum, St. Petersburg Contemporary Magic: A Tarot Deck Art Project, The Virginia MoCA, Virginia Beach More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, North Carolina Economy, Stills Gallery, Edinburgh & CCA: Centre for Contemporary Arts, Glasgow

A report published in ARTnews in 2016 found that women at top U.S. institutions such as the Museum of Modern Art, the Whitney Museum of American Art and the Museum of Contemporary Art Los Angeles gave women solo shows less than a third of the time.

The protest is timed to coincide with the auction of two of 40 deaccessioned works of art — «Force Comique» by Francis Picabia and Henry Moore's «Three Seated Women» — from the Berkshire Museum's collection at the «Impressionist & Modern Art Evening Sale».

In their first year, the Girls created tallied lists of critics who didn't write enough about women artists (including, at the time, Roberta Smith), and the amount of solo exhibitions of women at four major New York museums (one at the Museum of Modern Art, and none at the Guggenheim, Metropolitan or Whitney).

Otto - Knapp's work has also been included in many group exhibitions: Watercolour, Tate Britain, London (2011); The Artist's Institute, New York (2011); I must say that at first it was difficult work, Kunstall, Oslo (2010); Strange and Close, Van Abbe Museum, Eindhoven, 2009; and the 9th International Istanbul Biennial, 2005.Otto - Knapp's recent solo exhibitions include Seascapes, Overduin and Kite, Los Angeles (2013); A light in the moon, Berkeley Art Museum, Berkeley (2011); Voyage Out, greengrassi, London (2011); Many many women, Kunstverein Munich (2010); Present Time Exercise, Modern Art Oxford (2009); Standing anywhere in the space in a relaxed position, Walter Phillips Gallery, Banff (2009); Love in a void (with Jutta Koether), Academy of Fine Arts, Vienna (2006); 50 ft Queenie, Tate Britain, London (2005); and Orange View, Kunstverein Dusseldorf (2003).

«Women of Abstract Expressionism, for the first time, positions this expanded group of painters within the context of abstract expressionism and its cultural milieu,» said Gwen Chanzit, curator of modern art at the DAM.

2006 Gregos, Katarina, «Eve Sussman, The Rape of the Sabine Women», Flash Art, Jan / Feb Cacoulidis, Cleo, «Sabine Modern: On Location with Eve Sussman & The Rufus Corporation», Art Papers, Jan / Feb Coulson, Amanda, «Spontaneous Combustion», Modern Painters, Dec. 2005 / Jan 2006 2005 Spyridaki, Alexandra, «Video Art», Epsilon, April 17th Schumacher, Mary Louise, «Homage to the Master», Milwaukee Journal Sentinel, February 17th Mays - Powell, Harriet and Eve Sussman, «Frieze Frame», New York Magazine, February 14th Hoban, Phoebe, «Into the Mosh Pit with Velasquez and David ``, The New York Times, February 6th, Snider, Suzanne, «Eve Sussman», The Believer, February Maclaren, Becca, «Another look at Velasquez», Bennington, Fall 2004 / Winter 2005 2004 Stevens, Mark, «Beyond the Frame», New York Magazine, December 13th Gopnik, Blake, «Whittling Down the Whitney», The Washington Post, March 14th Saltz, Jerry, «Being There», The Village Voice, May 7th 2003 Sussman, Eve, «The Paper Sculpture Book», Goggles for Kaleidoscope Eyes, Cabinet 2001 Sussman, Eve, Cabinet Instant Replay, Fall 2001 2000 Sussman, Eve, «The Whites Were a Mystery», Peirogi Press, Fall 1999 Anton, Saul, «Eve Sussman, China / White (Art Reviews)», Time Out, September «Goings on about town, Eve Sussman», NewYorker, October 1997 Halle, Howard, «Eve Sussman, Ornithology» (Art Reviews), Time Out Smith, Roberta, «Despite Changes a Gallery Scene that's Resilient», The New York Times, May Schwendener, Martha, «Eve Sussman, Ornithology», The New Art Examiner, July Fritz von Klinggäff, Die Tagezeitung, «Das Verschwinden des Barbiers», November Gear, Josephine, «Eve Sussman @ Bronwyn Keenan Gallery», Review, May Berger, Laurel, «In Their Sights», Art News, April 1996 Coen, Eva, «Casa tua «e Casa mia», Guiliette, September 1996 1995 Glueck, Grace, «Prowling the City for Public Art», The New York Observer, August 1995 Cotter, Holland, The New York Times, August 1995 1994 Melrod, George, Sculpture, (NYC exhibition review), January 1994 Mattei, Peter, «Who has enlarged this hole?»

Amy Elkins (BFA 2007 Photography) Photographer and curator; represented by Yancey Richardson Gallery, NYC; co-founder Women in Photography; known for her archiving of prisoners on death row in Texas; winner of the 2014 Aperture Portfolio Prize; artist - in - residence, Villa Waldberta, Munich (2012) and Light Work, Syracuse, NY (2011); included in the permanent collections of North Carolina Museum of Art and Light Work, Syracuse, NY; exhibited at Kunsthalle Wien in Vienna., the Carnegie Art Museum in Oxnard, CA, the Minneapolis Institute of Arts, Minneapolis; solo and group exhibitions at the International Modern Photography Festival, South Gyeongsang Province, South Korea;» Cast,» Philadelphia Photo Arts Center, Philadelphia; «Gazed Upon» (curator), Ampersand Gallery, Portland, OR; «Deconstructing the Female Gaze» (curator), PPOW Gallery, NYC; photos and features include «Prison Photography,» included in The Telegraph's Stella Magazine, Real Simple, The Huffington Post, American Photo, Harper's, Newsweek and The New York Times.

Like all black women making art at the time, Ringgold's work was excluded from the city's major galleries and museums and she responded by organizing protests against the Whitney Museum of American Art and the Museum of Modern Art.

[1] The first professionally trained curator at the Museum of Modern Art (MoMA), [2] she was one of the very few women in her time who held a museum position of such responsibility.