Sentences with phrase «modern woodcut»

Among her other exhibitions at the Hammer, all accompanied by publications, were Alina Szapocznikow: Sculpture Undone, 1955 - 1972 (2012), Rachel Whiteread Drawings (2010), Gouge: The Modern Woodcut, 1870 to Now (2008), and Extraordinary Exhibitions: Broadsides from the Collection of Ricky Jay (2007).

Gouge: The Modern Woodcut 1870 to Now is made possible by a major gift from Susan Steinhauser and Daniel Greenberg and the Greenberg Foundation in loving memory of Ruth Greenberg.

Los Angeles, CA — Gouge: The Modern Woodcut 1870 to Now examines the woodcut in terms of its diverse forms and uses in the modern era.

Zarina has participated in numerous exhibitions, including most recently Mind and Matter: Alternative Abstractions from 1940s to Present at the Museum of Modern Art, New York; Gouge: The Modern Woodcut at the Hammer Museum, Los Angeles; and WACK!

The Rising Tide of Change: Modern Woodcuts of China Renee Covalucci, co-curator of the exhibition, Woodcuts in Modern China, 1937 — 2008: Towards a Universal Pictorial Language, is a Boston - based printmaker and an adjunct professor of Fine Arts at Lesley University.

Not exact matches

At each stage of the progression from early woodcuts to steel engravings to modern methods of printing both line and full colour, the ability to reproduce more precise detail is possible.

Meanwhile, the trim in the steering wheel is labeled for its Shimamoku wood patterns, which combines old school woodcutting with modern laser cutting techniques.

Take on the challenging world of a modern day farmer by engaging in everyday activities such as planting and harvesting crops, selling produce in a dynamic marketplace, woodcutting, and more.

Showcasing the modern mastery of his paintings, while also presenting the «other stuff» which has drawn less attention over the years — drawings, woodcuts, collage, sculpture, photography and video — the exhibition demonstrated the depth, breadth and intellectual rigor of Marshall's Chicago - based practice.

The art and craft of the woodcut was a source of inspiration for a small, influential group of European and American artists whose work helped shape the modern book in the decades immediately preceding and following the turn of the twentieth century.

A CURIOUS HAND: THE PRINTS OF HENRI - CHARLES GUÉRARD (1846 - 1897) Guérard made etchings for Manet and a variety of innovations within modern printmaking based on the 19th - century French craze for Japanese ukiyo - e woodcuts.

The Museum of Modern Art purchased her woodcut Reba in 1955.

Frankenthaler's distinguished and prolific career has been the subject of numerous monographic museum exhibitions, including — in addition to the 1960 Jewish Museum show — major retrospectives at the Whitney Museum of American Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985, works on paper); the Modern Art Museum of Fort Worth, and tour, including The Museum of Modern Art, New York (1989); the National Gallery of Art, Washington, D.C., and tour (1993, prints); the Naples Museum of Art, Florida, and tour, including the Yale University Art Gallery (2002, woodcuts); and the Museum of Contemporary Art, North Miami, traveled to the Royal Scottish Academy, Edinburgh (2003, works on paper).

Paul Gauguin and «Medium as Muse: Woodcuts and the Modern Book» experiment with prints and the mModern Book» experiment with prints and the modernmodern.

Consisting of 105 printed images, including woodcuts, etchings, and engravings, the exhibition studies the prolific printmakers of the early - modern Low Countries and how their works exemplify the role and purpose of religious allegory.

The first section traces the woodcut's emergence as a modern medium with works by Paul Gauguin, Edvard Munch, Henri Matisse, Pablo Picasso, Wassily Kandinsky, and the German Expressionists.

Woodcut prints, which have a long history in Germany, were adopted by the German Expressionists as a means of escape from modern metropolitan anxiety.

Woodcuts in Modern China is organized by the Picker Art Gallery at Colgate University.

These pieces include original Jarry woodcuts, a rare photograph of Jarry in his fencing studio plus other original photos, and works by such modern artists as Joan Miró, Thomas Chimes, and William Kentridge.

Flack uses as her source not the Rubens painting, but its woodcut, thereby drawing visual parallels between heavy outlining and graphic style of both classical printmaking and modern comic book illustrations.

Dorothy Sturm: From Line to Color Through April 14, 2013 Brooks Introduces: Caleb Sparks Through March 17, 2013 Mid-South Scholastic Art Awards Through February 17, 2013 Howard Simon: Modern American Woodcuts July 28, 2012 - January 27, 2013 Early Quilts from Southern Collections Through January 6, 2013

This volume aims to answer that question by exploring the four basic printmaking techniques — woodcut, intaglio, lithography and screenprint — that have been used to create some of the most iconic images in modern art, from Paul Gauguin's Noa Noa to Andy Warhol's Marilyn Monroe.