Sentences with phrase «modern work stations»

Not exact matches

It was the modern assembly line, with the product passing through stations instead of people going to work in shifts on the product.

Work stations are neatly laid out in a modern open plan layout.

Amaechi, who spoke with journalists along with Governor Ibikunle Amosun of Ogun State at the Ijoko Railway Station, the site of the flyover bridge, said the bridge and the right of way issues would have to be addressed before actual construction work could commence on the modern rail line.

Sandia and NREL's work on H2FIRST and in enabling modern codes and standards for the design, construction and operation of hydrogen refueling stations is helping drive that momentum.

Copper appears once the modern police station is completed as a result of a public works project.

In addition, they don't have to wait until a training «station» is free or go into work because they have a constant and exclusive connection to the mobile LMS, courtesy of their modern tech gadgets.

Spacious and stylish, this inviting guest room provides a full complement of modern amenities including wood furniture, vibrant artwork, luxurious two queen beds, a work station with an ergonomic chair, and an elegant bathroom with upscale fixtures and deluxe spa products.

Spacious and stylish, this inviting guest room provides a full complement of modern amenities including wood furniture, vibrant artwork, a luxurious king bed, a work station with an ergonomic chair, and an elegant bathroom with upscale fixtures and deluxe spa products.

Chic, modern guest rooms provide comfort as well as signature design and technology elements such as easily accessible USB and power ports, free high - speed internet, work stations, and smart TVs to stream custom content.

The kitchen is a cook's delight, with every modern convenience from concealed work station to integrated fridge / freezer, microwave, dishwasher and Nespresso machine.

Elegant contemporary design, high floor, Lake or Dubai Marina views, working desk, sofa, Nespresso machine, fully equipped kitchenette, Bose docking station, 2 LED HD TV, Pullman bed concept, modern bathroom with separate walk - in shower and tub.

Warm and elegant contemporary design, corner room with Lake or Dubai Marina views, Executive lounge access, working desk, sofa, Nespresso, Bose docking station, LED HD TV, Pullman bed concept, modern bathroom with separate walk - in shower and tub.

Warm and elegant contemporary design, Lake or Dubai Marina views, high floor, Executive Lounge access, working desk, Nespresso machine, Bose docking station, LED HD TV, Pullman bed concept, modern bathroom with separate walk - in shower and tub.

The office space offers a very modern reception area, two work stations, a private office, a kitchenette and male and female restrooms.

The apartment contains a king - size bed, a work station with charging facilities, modern furniture, and a TV with DStv.

Sitting areas have comfortable armchairs, working fireplaces, writing desks and chairs, and modern in - room conveniences include air - conditioning, flat - screen televisions with cable channels, DVD players, alarm clock radio with iPod docking stations, sound machines, hairdryers, irons and ironing boards, and complimentary wireless Internet.

Modern amenities include three flat - screen LCD televisions with On - Demand services, an ample work desk and chair, iPod docking station, and complimentary wireless Internet.

Modern conveniences include work desks and chairs, flat panel televisions with cable channels, iPod docking stations and alarm clocks, in - room safes, and complimentary wireless Internet.

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

Guston briefly provides biographical information and spends the remainder of his time speaking of his experiences working on the Mural Project (PWAP) in Los Angeles; his move to New York working under Reginald Marsh as a non-relief artist; his multiple mural projects in New York (Penn Station Subway, Queensbridge Housing Project, WPA Mural for the World's Fair, etc.); his success in WPA Fine Arts competitions; his move to Woodstock, New York; his time spent teaching at the University of Iowa; his many influences (Renaissance, Modern and Abstract Painters); his personal / professional feelings about the WPA as well as his political feelings about it.

Among the more optimistic works on display is the clean - cut depiction of a gleaming petrol station by Ed Ruscha, leant by New York's Museum of Modern Art.

His work has also been featured in numerous group exhibitions including The Second Triennial of Chinese Contemporary Art, Nanjing Museum (2005); China: Construct and Deconstruction, National Gallery of São Paulo (2009); China Mania: Colorful, Diverse and Distinctly Narrative, Arken Museum of Modern Art, Ishøj (2010); Phenomena and Situation since 1985: Trends in Hubei and Hunan Chinese Contemporary Art 1985 — 2009 (2009); Collecting History: China New Art, Chengdu Museum of Contemporary Art (2011); and Portrait of the Times: 30 Years of Chinese Contemporary Art, Power Station of Art, Shanghai (2013).

In this revealing set of conversations — conducted in train stations, hotels, galleries and her own private studio — between Abramovic and curator Hans Ulrich Obrist, with the occasional addition of other interlocutors including Gustav Metzger (the «Old Master of action art»), the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.

Located on the Bankside area in London, the exhibition complex, designed by the Swiss firm Herzog and de Meuron in the disused Bankside Power Station, was opened on 12 May 2000 and is aimed to present modern and contemporary works by major international artists.

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

2016 A major award from Wellcome Trust for a new work in 2018 2013 Le Jeu de Paume production award for the Toulouse Festival, France 2012 Sharjah Artist's Production Award 2010 Paul Hamlyn Awards for Artists 2010 Arts Council England, Grants for the Arts for a residency in Tasmania 2009 Winner of Film London & Channel 4's Jarman Award (cash prize and a broadcast commission for Channel 4's, 3 Minute Wonder strand) 2009 Arts Council Individual Artist Award 2007 Wingate Scholarship at British Academy / British School at Rome 2007 British Council Award for new work 2006 AHRC Research Leave Award 2006 Arts Council National Touring Award 2005 British Council Award 2005 Arts Council Individual Artist Award 2004 Triangle International Artists Workshop, Mauritius 2003 Arts Council and Triangle Trust funded residency in Paraguay 1999 Arte Viva, residency and exhibition, Senigallia, Italy 1998 Beach Life, Public Art Project, supported by Islington Council 1997 - 2001 Residency with Acme Studios, The Old Fire Station, London 1997 Residency at The Irish Museum of Modern Art 1995 First Base Studio Award (One year studio residency at ACAVA) 1995 Ray Finnis Award (Slade) 1993 Slade Prize (Pankerd Jones Memorial Prize)

Be it with the presentation of his work on the exterior facades of museums, including «sleepwalkers» at the Museum of Modern Art (MoMA) in New York, or the staging of unparalleled happenings, such as «Station to Station», a 4,000 mile train journey from New York to San Francisco.

The reuse of an existing building, which works so well at the Store, is exemplified in London, of course, by Tate Modern, which still has enough of the old Bankside power station remaining to bring a touch of the parkour experience to the visiting of an art gallery.

His work was also exhibited in the Serpentine Gallery's ground - breaking exhibition of contemporary Chinese art, architecture and sound China Power Station: Part 1 (8 October — 5 November 2006), which was co-produced by The Red Mansion Foundation in collaboration with Astrup Fearnley Museum of Modern Art, Oslo.

SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!

SELECTED SOLO EXHIBITIONS 2016 «Sidereal Rift,» Craig Krull Gallery, Santa Monica 2013 «Some Dry Space,» James Danziger Gallery, New York 2012 «Private Frontiers,» Hosfelt Gallery, San Francisco, CA 2012 «Two Sublimes, Idaho» Craig Krull Gallery, Santa Monica 2011 «Some Dry Space: An Inhabited West,» Blue Sky Gallery, Portland, OR 2010 «Architecture of Subtraction,» Bolinas Museum, Bolinas, CA 2010 «InterMountain,» Craig Krull Gallery, Santa Monica 2009 «100 Suns,» Yours Gallery Foundation, Warsaw, Poland 2009 «New Work,» Hosfelt Gallery, San Francisco 2008 «Some Dry Space: An Inhabited West,» Nevada Museum of Art, Reno 2008 «Bookworks and Photographs,» Galerie Michael Wiesehoefer, Cologne 2008 «100 Suns,» Fleming Museum, University of Vermont, Burlington 2008 «100 Suns,» Knoxville Museum of Art, Tennessee 2007 «Edge Of The West,» Galerie Luc Bellier, Paris 2007 «Los Angeles 07.27.05,» Craig Krull Gallery, Santa Monica 2007 «Bookworks,» Hosfelt Gallery, New York 2007 «Near Planet,» Hosfelt Gallery, San Francisco 2006 «100 Suns,» Hosfelt Gallery, New York 2006 «Full Moon,» Hasselblad Center, Goteborg, Sweden 2005 «Hover,» Hosfelt Gallery, San Francisco 2005 «Arid Flows: Los Angeles and Its Deserts,» Natural History Museum of LA County, CA 2005 «100 Suns: For Robert, Ernest & Edward's Berkeley, 1945 - 1962», University of California, Berkeley 2004 «100 Suns,» Casino Luxembourg, Luxembourg 2004 «Silence and the Big Blast,» Wood Street Galleries, Pittsburgh 2004 «100 Suns,» Auditorium Arte, Rome 2004 «100 Suns,» Frehrking + Wiesehofer Gallery, Cologne 2004 «Some Dry Space,» Craig Krull Gallery, Santa Monica 2003 «100 Suns,» Hosfelt Gallery, San Francisco 2001 Metropolitan Transit Authority / Arts For Transit, Grand Central Station, New York 2000 «Full Moon,» Museum of Contemporary Art, Sydney 2000 «Full Moon» American Museum of Natural History, New York 1999 «Full Moon,» Hayward Gallery, London 1999 «Full Moon,» Huis Marseille / Foundation for Photography, Amsterdam 1999 «Full Moon,» San Francisco Museum of Modern Art 1995 «Blue Fall,» Chrysler Museum, Norfolk, VA 1995 «Ranch & Oblivion,» Robert Koch Gallery, San Francisco

The exhibition, split across Modern Art Oxford and The Old Fire Station, is a stunning achievement for a hobby photographer working with a «nifty fifty» lens and a maximum session time of a minute — «I have to get back to the cooking».

Liebert will be tasked with further developing the museum's contemporary art program with Reto Thüring, Chair of Modern, Contemporary, and Decorative Art, and Curator of Contemporary Art, including planning exhibitions at CMA and the Transformer Station as well as displays of the permanent collection in the museum's contemporary art galleries, and acquiring works of contemporary art for the collection.

We work in a truly modern building just a short walk from Glasgow Central station and we're close to some of the best cafés, restaurants and gyms that Glasgow has to offer.

Keep tableware neatly tucked away in a modern sideboard and use the top as a work station.