Representing distinct and varied approaches to painting from abstraction to realism, these artists» works will be set in counterpoint to
modernist paintings chosen by Dunham from the Addison's permanent collection.
Not exact matches
Instead of «looking in,» which he finds to be typical of
modernist painting, Bradford has
chosen to «look out.»
Of course the
modernist works of art look very different from the
paintings of Pontormo and Rosso Fiorentino, but the social conflicts faced by these early 16th century artists and the terms in which they
chose to respond to them are not entirely unfamiliar to us.
She
chose a Thomas Hart Benton, a Hudson River School
painting by Thomas Cole and a
modernist sculpture by George Segal.