Sentences with phrase «modes of artistic production»

Artistic research encourages experimental modes of artistic production that reconfigure established disciplines of knowledge

Robak's iteration of «digital art» perhaps takes the term most literally: the artist is forever chasing the vanguard of computer - generated imagery, seeking out the neoteric modes of artistic production made possible by technological innovations.

Selected by Haystack Mountain School of Crafts Director and juror Paul Sacaridiz, the 2018 Juried Craft Exhibition will celebrate this long history and one of the most vital modes of artistic production today.

Consequently, the exhibition presented different cultures, with unique modes of artistic production and intertwined them through participation, exhibition location and content.

Insertions into Ideological Circuits: Coca - Cola project is on display at Tate Liverpool in Art Turning Left, an exhibition which reveals how left - wing values have been embedded into the modes of artistic production and distribution by numerous artists across the globe.

«White Noise I» approaches contemporary modes of artistic production more directly: Noa Gur uses her face as a stamp, as a printing machine to produce a series of quasi-portraits on paper towels.

Noa Gur's works presented in the exhibition «Dawn till Dusk» intertwine two series of questions: one thread questioning contemporary modes of artistic production, the other thread questioning inequality based on class or ethnicity.

By launching Recess in a storefront space in Soho, once a neighborhood amenable to the emerging artist studio but now dominated by a prohibitively established arts community, we began challenging our surroundings to embrace changing modes of artistic production and reception.

Michelle Grabner's post-minimalist paintings and drawings return elements of craft to modes of artistic production.

Not exact matches

Instead of looking at the productions of the new media from the point of view of the older modes of production we must, on the contrary, analyze the products of the traditional «artistic» media from the standpoint of modern conditions of production.

It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.

Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency within co-production; professionalization versus the instinctual amateur; writing as curatorial practice; the exhibition as a form of research action; expanded notions of the curatorial and the role of research models and methodologies within these; art writing as a curatorial form, and the distinction between research into curatorial practice / exhibition histories and the curatorial as in itself a mode of research practice.

Spanning generations, movements and artistic strategies from the 1960s to the present day, this publication brings together works by artists who have probed, mimicked and critiqued this aspect of our visual environment as well as its industrial modes of production and distribution.

Embracing fashion as a mode of human togetherness, the focus of both her artistic practice and her teaching is on the relational and empowering aspects of fashion, advancing cooperative models of production and exchange.

Think Art — Act Science is a part of the New Models of Culture and Art Production section of SFAI's Exhibitions and Public Programs structure, which manifests new modes of production — both in terms of artistic creation and economic, industrial, and technical productions — in the process of globProduction section of SFAI's Exhibitions and Public Programs structure, which manifests new modes of production — both in terms of artistic creation and economic, industrial, and technical productions — in the process of globproduction — both in terms of artistic creation and economic, industrial, and technical productions — in the process of globalization.

The three practices in the exhibition, two artistic and one curatorial, represent three modes of creative production as well as different generational ideas on working in the cultural sphere.

Discussion topics will include the current trajectory of contemporary African art production and practice in a global context, and explore modes of existing, retrospective and theoretical artistic practice.

Its focus on artistic programmes will enable different actors to expand on present - day research interests, modes of production and display, and how these curatorial practices can shape the institution that generates them.

Production modes are eventually at the core of the exhibition, addressing the commodification of the art work and displacing the understanding of the artistic gesture beyond the object (re) presented.

Altmann rather explores geometric patterns inherent to stylistic modes of pre-modern artistic production revealing the idea that a reductive language was developed and used long before our times and days and was integral part of culture.

In the century since, production, outsourcing, interaction and appropriation have become mainstream modes of artistic expression; the shared enterprise has become a fragmented contract between the artist and other factors, not simply between the artist and the viewer.

Trained as a painter, Chapline incorporates traditional methods of mark making, sketching, and painting with rendering softwares in an artistic process that obscures the boundary between analogue and digital modes of production.

A series of talks, artists» salons and tours accompany the exhibition, offering a platform to discuss contemporary modes of production and structures of professional artistic development.

Bringing together contemporary works that engage with, respond to, or otherwise reference history, this exhibition is devoted to highlighting the ongoing dialogue between current artistic practices and earlier styles, preoccupations and modes of production.

Delier engages with questions on how artistic and capitalistic modes of production overlap by placing himself in the role of maker / producer and creating a product for commodification in the industry of art.

Johns and Rauschenberg, and soon Andy Warhol, Roy Lichtenstein, and others, complicated modernism's claims of artistic authorship and authenticity by turning to popular and often banal subjects drawn from mass culture and producing works that mimicked — and often exploited — commercial modes of production.

According to Canadian Copyright Act, copyright subsists in «every original literary, dramatic, musical and artistic work», which includes «every original production in the literary, scientific or artistic domain, whatever may be the mode or form of its expression, such as compilations, books, pamphlets and other writings, lectures, dramatic or dramatico - musical works, musical works, translations, illustrations, sketches and plastic works relative to geography, topography, architecture or science.»